The Nasher Museum opened in 2005 as a major center for the arts on Duke University’s campus and in the surrounding Research Triangle area. The museum organizes and presents leading-edge exhibitions that travel to institutions worldwide, most recently Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914-1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008). The traveling exhibition El Greco to Velázquez: Art during the Reign of Philip III was named one of Time magazine’s top 10 shows of 2008. The strengths of the museum’s permanent collection are Medieval art, art of the Americas (largely pre-Columbian), Classical Antiquities and modern and contemporary art.
The museum’s contemporary collection features a growing list of artists, including Barkley L. Hendricks, Christian Marclay, Wangechi Mutu, Ai Weiwei, Fred Wilson and Lynette Yiadom-Boakye. More than 100,000 people visit the museum each year.
The 65,000-square-foot Nasher Museum was designed by architect Rafael Viñoly. The centerpiece of Viñoly’s modernist design is a dramatic 13,000-square-foot glass-and-steel roof rising to a height of 45 feet above the great hall. Five concrete pavilions fan out from a central courtyard to house three large gallery spaces, auditorium, two classrooms, shop and café. The museum presents a dynamic schedule of programs, including free Family Days, performing arts events, lectures, film series and social gatherings.
The Nasher Museum’s growing permanent collection includes some of today’s best contemporary art, with a rare focus on work by artists of African descent. Other major strengths in the collection include European medieval art, European and American paintings, Outsider art, classical antiquities, African art and ancient American (Pre-Columbian) art.
Formerly the Duke University Museum of Art, the museum was founded in 1969 with the acquisition of 200 medieval works from the Ernest Brummer Collection. The museum was housed in a former science building on the East Campus until the new building opened on Duke’s central campus in 2005. The museum was renamed the Nasher Museum of Art at Duke University, in honor of the late Raymond D. Nasher, Duke alumnus, collector and benefactor.
The Nasher Museum of Art at Duke University promotes engagement with the visual arts among a broad community including Duke students, faculty, and staff, the greater Durham community, the Triangle region, and the national and international art community. The museum is dedicated to an innovative approach, and presents collections, exhibitions, publications, and programs that attain the highest level of artistic excellence, stimulate intellectual discourse, enrich individual lives, and generate new knowledge in the service of society. Drawing on the resources of a leading research university, the museum serves as a laboratory for interdisciplinary approaches to embracing and understanding the visual arts.
IMAGE: Wangechi Mutu’s 2013 installation of Suspended Playtime greeted visitors to her solo exhibition at the Nasher Museum. The artist’s mixed-media collages, Funkalicious fruit field (2007) and People in Glass Towers Should Not Imagine Us (2003), are visible through the installation made of packing blankets, twine, garbage bags and gold string. Photo by Peter Paul Geoffrion.
Download the Nasher 2013 Annual Report
(56 pages, PDF format – 2.6M)
Download the Nasher Museum’s 2012 Annual Report
(54 pages, PDF format – 2.7M)
Download the Nasher Museum’s 2011 Annual Report
(29 pages, PDF format – 3.9M)
Download the Nasher Museum’s 2010 Annual Report
(44 pages, PDF format – 3.8M)
Main green navigation bar for ART:
EXHIBITIONS: Robert Rauschenberg, Autobiography (detail of panel 3), 1968. Offset lithograph on paper, overall dimensions: 66.13 x 145.5 inches (167.96 x 369.47cm), 66 1⁄8 x 48 3⁄4 inches each (167.96 x 123.83 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Gift of Marian B. Javits, 1991.15.1. © Robert Rauschenberg Foundation / Licensed by VAGA, New York, New York. Photo by Peter Paul Geoffrion.
COLLECTION: Wangechi Mutu, Family Tree (detail), 2012. Suite of 13, mixed-media collage on paper, 20 x 14.25 inches (50.8 x 36.2 cm). Collection of the Nasher Museum of Art at Duke University. Museum purchase with additional funds provided by Trent Carmichael (T’88, P’17), Blake Byrne (T’57), Marjorie and Michael Levine (T’84, P’16), Stefanie and Douglas Kahn (P’11, P’13), and Christen and Derek Wilson (T’86, B’90, P’15). Image courtesy of Susanne Vielmetter Los Angeles Projects. © Wangechi Mutu. Photo by Robert Wedemeyer.
BOARD OF ADVISORS 2014
Nasher Museum staff and friends mourn the loss of board member Marilyn Arthur, a longtime supporter, who passed away on November 11, 2014. The national Board of Advisors gives advice on policy and major fundraisinginitiatives and helps to guide the museum’s acquisitions for the permanent collection.
Nancy A. Nasher, L’79, Chair of the Board
Christopher Bass, T’97
E. Blake Byrne, T’57, Chair Emeritus
Trent Carmichael, T’88, P’17
Paula Hannaway Crown, T’80
David J. Haemisegger
Valerie Hillings, T’93
Brenda La Grange Johnson, WC’61, P’96
Katherine Thorpe Kerr, T’04
David Lamond, T’97, L’06
Gerrity Lansing, Jr., T’95
Michael J. Levine, T’84, P’16
Patricia Roderick Morton, T’77, P’06
Jack H. Neely, T’80, P’06
Katharine Lee Reid
Andrew C. Rothschild
Jason Lewis Rubell, T’91
Douglas Smooke, T’90
William L. True, T’77
Derek M. Wilson, T’86, B’90, P’15
Ex Officio members include Sally Kornbluth, Provost; Scott Lindroth, Vice Provost for the Arts; Arthur Rogers, Nasher Museum of Art Friends Board President; Sarah Schroth, Mary D.B.T. and James H. Semans Director;Richard J. Powell, John Spencer Bassett Professor of American, Afro-American and African Art, Art, Art History & Visual Studies; Professor Hans Van Miegroet, Chairman, Art, Art History & Visual Studies.
Collections Committee members include the Nasher Board of Advisors; Frank Konhaus T’80; Kristine Stiles, France Family Professor of Art, Art History & Visual Studies
FRIENDS BOARD 2013-2014
The Nasher Museum Friends Board focuses on reaching out to new audiences, increasing the museum’s membership and providing ongoing annual support.
Arthur Rogers, President
Henry Sappenfield, Vice President and President-Elect
Stefanie Kahn, Secretary
Virginia (Ginger) Jernigan
Kelly Braddy Van Winkle
FACULTY ADVISORY COMMITTEE 2012-2013
The Faculty Advisory Committee provides a connection to new trends in research and teaching throughout the university and advises on program planning.
Kristine Stiles, Chair, France Family Professor of Art, Art History & Visual Studies
Srinivas Aravamudan, Dean of Humanities
Ian Baucom, Professor of English and Director, Franklin Humanities Institute
Peter Burian, Professor, Department of Classical Studies
Cathy Davidson, Ruth F. Devarney, Professor of English Director, HASTAC, John Hope Franklin Humanities Institute
Scott Lindroth, Vice Provost for the Arts
Thavolia Glymph, Associate Professor, African and African American Studies
William Noland, Associate Professor of the Practice, Art, Art History & Visual Studies
Richard Powell, John Spencer Bassett Professor of American, Afro-American and African Art, Art, Art History & Visual Studies
Sumathi Ramaswamy, Professor, Department of History
Victoria Szabo, Assistant Research Professor, Art, Art History & Visual Studies
Ex Officio members include Sarah Schroth, Mary D.B.T. and James H. Semans Director, Nasher Museum of Art; Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art, Nasher Museum of Art; Marianne Wardle, Andrew W. Mellon Curator of Academic Programs, Nasher Museum of Art; Juline Chevalier, Curator of Education, Nasher Museum of Art; Katie Adkins, Assistant Curator of Exhibitions, Nasher Museum of Art; Molly Boarati, Academic Program Coordinator, Nasher Museum of Art.
STUDENT ADVISORY BOARD 2013-2014
The Nasher Student Advisory board plans student events, hosts “Art for All” evenings and works to bring every Duke student to visit the museum at least once during their time at Duke.
Lauren Acampora T’14, Co-Chair 2013-2014
Kelsey Richards T’15, Co-Chair 2013-2014
Juline Chevalier, Nasher Museum Staff Liaison
Emily Eichenberger M’14
Max Feidelson T’16
Megan Friedman T’15
Annalise Johnson T’16
Yuyi Li T’ 17
Sujata V Mahtaney T’15
Addison Malone T’15
Marissa Medine T’14
Holly Nichols M’14, T’09
Burcu Ozlar T’15
Justin Sandulli T’16
Zsofia Solta T’14
Gary Yeh T’ 17
Taylor Zakarin T’14
Prospect New Orleans has appointed Trevor Schoonmaker as the artistic director of its fourth edition, scheduled to open in 2017. Trevor will continue in his role as Chief Curator and Patsy R. and Raymond D. Curator of Contemporary Art at the Nasher Museum. Prospect 4 is slated to open in New Orleans in the fall of 2017. Since joining the Nasher Museum in 2006 as its first curator of contemporary art, Trevor has been instrumental in developing the museum’s collection of contemporary art.
Past exhibitions curated by Trevor at the museum include Street Level: Mark Bradford, William Cordova & Robin Rhode (2007); the 2008 retrospective Barkley L. Hendricks: Birth of the Cool; Big Shots: Andy Warhol Polaroids (2009); The Record: Contemporary Art and Vinyl (2010); Building the Contemporary Collection: Five Years of Acquisitions (2011); Sound Vision: Contemporary Art from the Collection (2014); and the 2013 exhibition Wangechi Mutu: A Fantastic Journey. He is currently working on an in-depth exploration of the complex identity of the American South and the region’s profound influence on American culture. Trevor is a member of the board of directors for the Andy Warhol Foundation for the Visual Arts, Inc., in New York.
Last fall, Trevor won a 2013 Indies Arts Award from INDY Week for his exceptional contributions to the arts in the Triangle.
Marshall Price has been appointed to the newly created position of curator of modern and contemporary art at the Nasher Museum.
Price comes to the museum from New York, where he has been curator of modern and contemporary art at the National Academy Museum for the past 11 years. At the Nasher Museum, Price will organize new exhibitions and programs and take a leading role with Duke faculty and students on special projects. He began his position as Nancy Hanks Curator of Modern and Contemporary Art in March, 2014. Price’s appointment rounds out the curatorial team led by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.
“Marshall brings tremendous experience to the Nasher Museum as an art historian and museum professional. He brought international attention to the National Academy Museum, infusing that venerable, 200-year-old institution with new art and programs,” said Sarah Schroth, Mary D.B.T. and James H. Semans Director of the Nasher Museum. “He perfectly complements the expertise of our curators with his background in American modernism as well as international contemporary art.”
Price made a name for himself in the art world through his leading role at the National Academy Museum. He was instrumental in organizing a regular schedule of contemporary exhibitions, acquiring several hundred works of art and updating the National Academicians with the annual induction of some of the world’s best known contemporary artists.
He also created the Windows on Fifth series, which enlivened the museum’s Fifth Avenue façade, engaging pedestrians through digital and animation work by Julian Opie, Adam Chapman and Jennifer Steinkamp. His Sculpture in the Rotunda series began in 2011 with a large work by John Chamberlain.
He has edited many catalogues and publications to accompany exhibitions, including The Sight of Silence: John Cage’s Complete Watercolors (2012) and Jeffrey Gibson: Said the Pigeon to the Squirrel (2013).
“I have watched the Nasher Museum grow over the last nine years to become one of the country’s premier mid-size museums,” Price said. “I am thrilled to be part of the museum’s next decade — building the permanent collection, organizing exhibitions that travel the world, publishing original catalogues and working with Duke’s outstanding faculty and students.”
Price earned his Ph.D. from the City University of New York in 2011, specializing in American modernism. He earned a master’s degree in art history from Pennsylvania State University. Before arriving in New York, he held an assistant curator position at the Santa Barbara Museum of Art in California.
Kathleen Wright, special events coordinator at the Nasher Museum, was awarded the lifetime achievement award by the Triangle Chapter of the National Association for Catering and Events for her “exceptional skill, dedication and professionalism” to the industry. Kathy has been a member of NACE since 1997, and has served as Triangle Chapter president, chair of the Chapter Presidents’ Council and on the national board of directors as a Regional Vice President.
Welcome to the Nasher Museum’s website—a good resource to plan your visit, but also peruse for stories and photographs of our events, and images of art. A lively calendar of events, from curator talks to musical performances, will inspire visitors of all ages to make connections to great art.
Please don’t miss the final days of the incredible Miró: The Experience of Seeing. We’ll have extended hours during the final weekend, February 20-22.
In 2015, we will keep up this incredible momentum with our first-ever survey of noteworthy work by artists who live nearby. Area 919: Artists in the Triangle features artists who contribute to our vibrant and innovative local artist community.
This winter also brings us the extraordinary collection of Duke graduate and longtime museum friend Blake Byrne T’57. You’ll see works by some of the most significant and compelling artists of the past 50 years. Open This End: Contemporary Art from the Collection of Blake Byrne is on view February 19 through July 12.
Our vast collection of prints comes to light this spring with the eye-popping exhibition, Colour Correction: British and American Screenprints, 1967-75. This show illustrates what many art historians consider the “golden age” of screenprinting.
It’s hard to believe that we have entered the Nasher Museum’s 10th year. We will have quite a birthday party this fall─celebrating our collections, exhibitions, educational innovations and community support over the past decade while looking forward to the next decade. This fall, we will present one of the most impactful works of art I have seen in some time: Richard Mosse’s The Enclave. I can’t wait to show off our freshly reconfigured gallery pavilions. This is your museum, and we can all take pride in the depth of our collection. We are planning a stunning new art commission in downtown Durham that will strengthen ties to our community in new ways.
We could not do any of this without every one of you. Because of the support and encouragement from Duke alumni, our members and visitors from around the world, the Nasher Museum is a place that welcomes and inspires the people who live, work and study here. Thank you!
To show your support, please consider a year end gift.
Mary D.B.T. and James H. Semans Director
Nasher Museum of Art at Duke University