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	<title>Nasher Museum Blogs</title>
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		<title>Work of the Week: Yo Mama by Wangechi Mutu</title>
		<link>http://nasher.duke.edu/blog/?p=6298</link>
		<comments>http://nasher.duke.edu/blog/?p=6298#comments</comments>
		<pubDate>Mon, 13 May 2013 12:12:13 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[A Fantastic Journey]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Wangechi Mutu]]></category>
		<category><![CDATA[Wangechi Mutu: A Fantastic Journey]]></category>
		<category><![CDATA[Work of the Week]]></category>
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		<description><![CDATA[As part of Wangechi Mutu's mid-career review at the Nasher Museum - A Fantastic Journey - the artist discusses her career trajectory and the importance of collage in contemporary art with Nasher Museum curator Trevor Schoonmaker. In this podcast, Wangechi  talks about her diptych, Yo Mama, that she created 10 years ago.]]></description>
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		<title>Work of the Week: Museo del Prado 5, Madrid by Thomas Struth</title>
		<link>http://nasher.duke.edu/blog/?p=6285</link>
		<comments>http://nasher.duke.edu/blog/?p=6285#comments</comments>
		<pubDate>Thu, 02 May 2013 15:57:48 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Education + Community]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Light Sensitive]]></category>
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		<category><![CDATA[Thomas Struth]]></category>
		<category><![CDATA[Work of the Week]]></category>
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		<description><![CDATA[ I came upon Thomas Struth’s photograph, <em>Museo del Prado 5, Madrid</em> (2005). Struth is a well-known German photographer, and this piece is part of his acclaimed <em>Museum</em> series, which depicts individuals as they view various works of art. This photograph shows a group of uniformed students standing in front of Diego Velázquez’s <em>Las Meninas</em> (1565) and not a single one of these adolescents looks at the painting.]]></description>
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		<title>Work of the Week: Outside Amarillo by MJ Sharp</title>
		<link>http://nasher.duke.edu/blog/?p=6278</link>
		<comments>http://nasher.duke.edu/blog/?p=6278#comments</comments>
		<pubDate>Thu, 25 Apr 2013 17:41:02 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Education + Community]]></category>
		<category><![CDATA[Light Sensitive]]></category>
		<category><![CDATA[Long exposure]]></category>
		<category><![CDATA[MJ Sharp]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
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		<category><![CDATA[Supporting Member]]></category>
		<category><![CDATA[Work of the Week]]></category>
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		<description><![CDATA[The Nasher Museum recently welcomed MJ Sharp for a lecture and we got to learn a little about her love of the South, her nighttime photography techniques, and everything else…including her kitchen sink. ]]></description>
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		<title>Traditions</title>
		<link>http://nasher.duke.edu/blog/?p=6265</link>
		<comments>http://nasher.duke.edu/blog/?p=6265#comments</comments>
		<pubDate>Thu, 25 Apr 2013 12:20:41 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Education + Community]]></category>
		<category><![CDATA[Ai WeiWei]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum Student Intern]]></category>
		<category><![CDATA[Nasher Musuem of Art at Duke University]]></category>
		<category><![CDATA[Registrar]]></category>
		<category><![CDATA[Student Intern]]></category>
		<category><![CDATA[Student Voice]]></category>

		<guid isPermaLink="false">http://nasher.duke.edu/blog/?p=6265</guid>
		<description><![CDATA[I have been working to catalogue the collection and create artist files that correspond to the artwork files already in our database. Poring through these files is an interesting process. You’re bound to find plenty of dry documents that tell you nothing about the artist or their background but, at the same time, you could come across a treasure. It was the act of searching through these files, and a little online research, that led me to Ai Weiwei.]]></description>
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		<title>Modern Art Notes Podcast: Wangechi Mutu</title>
		<link>http://nasher.duke.edu/blog/?p=6258</link>
		<comments>http://nasher.duke.edu/blog/?p=6258#comments</comments>
		<pubDate>Thu, 18 Apr 2013 20:31:23 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Modern Art Notes.]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[Trevor Schoonmaker]]></category>
		<category><![CDATA[Tyler Green]]></category>
		<category><![CDATA[Wangechi Mutu]]></category>

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		<description><![CDATA[This week’s Modern Art Notes Podcast features artist Wangechi Mutu. Respected arts writer Tyler Green conducts a thoughtful interview with the artist on intriguing topics.]]></description>
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		<title>Looking back at DUMA</title>
		<link>http://nasher.duke.edu/blog/?p=6235</link>
		<comments>http://nasher.duke.edu/blog/?p=6235#comments</comments>
		<pubDate>Tue, 16 Apr 2013 16:55:21 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Education + Community]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[DUMA]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Nasher Museum Student Intern]]></category>
		<category><![CDATA[Student Intern]]></category>

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		<description><![CDATA[DUMA was located on East Campus, housed in the Friedl Building, where the Cultural Anthropology Department now resides. In 1969, the building was remodeled from the Women's College Faculty Apartments and Science classrooms to house the little museum that could.]]></description>
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		<title>The human position</title>
		<link>http://nasher.duke.edu/blog/?p=6227</link>
		<comments>http://nasher.duke.edu/blog/?p=6227#comments</comments>
		<pubDate>Tue, 16 Apr 2013 00:39:08 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Albrecht Durer]]></category>
		<category><![CDATA[Curatorial]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Francois Gerard]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Nasher Museum Student Intern]]></category>
		<category><![CDATA[Old Masters]]></category>
		<category><![CDATA[Permanent Collection]]></category>
		<category><![CDATA[Student Intern]]></category>
		<category><![CDATA[The Human Position]]></category>
		<category><![CDATA[The Human Position: Old Master Works from the Collection]]></category>

		<guid isPermaLink="false">http://nasher.duke.edu/blog/?p=6227</guid>
		<description><![CDATA[I could not be more excited about this upcoming exhibition, and not just because I was involved in the process. <a href="http://nasher.duke.edu/exhibitions_old_masters.php" target="_new"><em>The Human Position </em></a> will contain works from the Nasher Museum's permanent collection that have not been recently displayed and will also bring together pieces that at first appear drastically different but actually have common themes and elements.]]></description>
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		<title>The art spectrum</title>
		<link>http://nasher.duke.edu/blog/?p=6217</link>
		<comments>http://nasher.duke.edu/blog/?p=6217#comments</comments>
		<pubDate>Mon, 15 Apr 2013 16:28:27 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Antiquities]]></category>
		<category><![CDATA[Athenian]]></category>
		<category><![CDATA[Meditation on art]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Nasher Museum Student Intern]]></category>
		<category><![CDATA[Student Intern]]></category>
		<category><![CDATA[Wine container]]></category>

		<guid isPermaLink="false">http://nasher.duke.edu/blog/?p=6217</guid>
		<description><![CDATA[Within the dizzying spectrum of modern and contemporary artworks featured in the Nasher Museum’s current exhibitions, which sample everything from Ansel Adams’s distilled landscapes to Wangechi Mutu’s supernatural mediations on human form, a 5th-century BCE calyx krater may seem something of an outlier. How, you wonder, could the ancient Athenians have created anything even remotely comparable to the serene <em>Moonrise, Hernandez, New Mexico</em> or other-worldly <em>Funkalicious fruit field</em>?]]></description>
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		<title>Work of the Week: Low Tide by Anthony Goicolea</title>
		<link>http://nasher.duke.edu/blog/?p=6213</link>
		<comments>http://nasher.duke.edu/blog/?p=6213#comments</comments>
		<pubDate>Mon, 15 Apr 2013 13:25:11 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[composite]]></category>
		<category><![CDATA[Light Sensitive]]></category>
		<category><![CDATA[Nasher Museum]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Nasher Museum Student Intern]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Work of the Week]]></category>
		<category><![CDATA[WOTW]]></category>

		<guid isPermaLink="false">http://nasher.duke.edu/blog/?p=6213</guid>
		<description><![CDATA[Anthony Goicolea’s black and white digital combination print, Low Tide, 2007, shows an ocean bay besmirched by the hands of progress.  Surrounded by natural rock formations, the once idyllic cove has been invaded by alien machinery.]]></description>
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