
I have never been a fan of Bruce Nauman. It’s because I am stupid. Thanks to the excellent curation at Hamburg Bahnhof in Berlin I am now a believer.

In her review of The Record, Amy White unpacks many of the works in the show and traces the years of build-up to the show at the Nasher Museum, taking us from Dario Robleto’s lecture on the “poetics of vinyl” to the exhibition’s physical incarnation in museum and book forms.