Thursday, January 30, 2014
Archibald Motley: Jazz Age Modernist, the first retrospective of the American artist’s paintings in two decades, will originate at the Nasher Museum, starting a national tour.
Motley is one of the most significant yet least visible 20th-century artists, despite the broad appeal of his paintings. Many of his most important portraits and cultural scenes remain in private collections; few museums have had the opportunity to acquire his work. With a survey that spans 40 years, Archibald Motley introduces his canvases of riotous color to wider audiences and reveals his continued impact on art history.
Archibald Motley includes 45 works from each period of Motley’s lifelong career, from 1919 to 1960. Motley’s scenes of life in the African-American community, often in his native Chicago, depict a parallel universe of labor and leisure. His portraits are voyeuristic but also genealogical examinations of race, gender and sexuality. Motley does not shy away from folklore fantasies; he addresses slavery and racism head on. The exhibition also features his noteworthy canvases of Jazz Age Paris and 1950s Mexico. Significant works will be on view together for the first time. The exhibition will be on view through May 11, 2014.
Archibald John Motley, Jr. (1891-1981), was born in New Orleans and lived and worked in the first half of the 20th century in a predominately white neighborhood on Chicago’s Southwest side, a few miles from the city’s growing black community known as “Bronzeville.” In his work, Motley intensely examines this community, carefully constructing scenes that depict Chicago’s African American elites, but also the worlds of the recently disembarked migrants from the South and other characters commonly overlooked.
Archibald Motley: Jazz Age Modernist is made possible by the Terra Foundation for American Art; and the National Endowment for the Humanities: Exploring the human endeavor. Major support is provided by the Wyeth Foundation for American Art; Drs. Victor and Lenore Behar; the North Carolina Arts Council, a division of the Department of Cultural Resources; and Deborah DeMott. Additional generous support is provided by Graduate Liberal Studies at Duke University, the Mary Duke Biddle Foundation, Erickson Advisors, Parker and Otis, Lisa Lowenthal Pruzan and Jonathan Pruzan, Richard Tigner, Gail Belvett, the Cynthia and George Mitchell Foundation, Mindy and Guy Solie, C.T. Woods-Powell and Richard J. Powell, and Angela O. Terry.
IMAGE: Archibald J. Motley Jr., Black Belt, 1934. Oil on canvas, 33 x 40.5 inches (83.8 x 102.9 cm). Collection of the Hampton University Museum, Hampton, Virginia. © Valerie Gerrard Browne.
Thursday, February 6, 2014
Meet Richard J. Powell, John Spencer Bassett Professor of Art and Art History at Duke, who organized Archibald Motley: Jazz Age Modernist, the first retrospective of the American artist’s paintings in two decades, at the Nasher Museum. Powell is the recent recipient of the Smithsonian’s Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History. He teaches courses in American art, the arts of the African Diaspora and contemporary visual studies, and writes extensively on topics ranging from primitivism to postmodernism. He wrote African American Art: Harlem Renaissance, the Civil Rights Movement, and Beyond (2012, with Virginia Mecklenburg), Cutting a Figure: Fashioning Black Portraiture (2008), Black Art: A Cultural History (1997 and 2002), Jacob Lawrence (1992), and Homecoming: The Art and Life of William H. Johnson (1991). At the Nasher Museum, Powell and his students curated the exhibition Romare Bearden with an accompanying catalogue (2006).
Thursday, March 6, 2014
The Nasher Museum presents an exhibition of significant global contemporary art drawn from the permanent collection. Sound Vision: Contemporary Art from the Collection includes many recent acquisitions, including paintings, works on paper, photography, video, installation and sculpture. The exhibition reflects a collecting strategy that is ambitious for a museum so new, with a focus on artists who may be emerging or undervalued, but have nonetheless created some of the most important work of our time. The work of younger artists, often connected to the museum through exhibitions, is juxtaposed with established artists who have greatly influenced the art of the 21st century. The growing collection, with a special interest in artists of African descent, reflects the museum’s location in Durham, an entrepreneurial community with a rich history and 40-percent African American population. Artists in the exhibition include Njideka Akunyili, Sanford Biggers, LaToya Ruby Frazier, Thomas Hirschhorn, Taiyo Kimura, Christian Marclay, Kerry James Marshall, Zanele Muholi, Dario Robleto, Nari Ward, Andy Warhol, Carrie Mae Weems and Lynette Yiadom-Boakye.
IMAGE: Njideka Akunyili, “The Beautyful Ones Are Not Yet Born” Might Not Hold True For Much Longer, 2013. Acrylic and transfers on paper, 66 x 84 inches 167.6 x 213.4 cm. Promised Gift of Marjorie and Michael Levine, T’84, P’15.