The permanent collection reopens August 27, 2015

Liliane Lijn, Koan – Cuts III, 1971. Screenprint with collage on paper, 22 x 31 1/2 inches (55.9 x 80 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Gift of Mr. Kenneth Dorman, 1980.104.3. © Liliane Lijn. All Rights Reserved, DACS, London and ARS, New York. Photo by Peter Paul Geoffrion.

Colour Correction: British and American Screenprints, 1967-75

On view April 2, 2015 - August 30, 2015

Drawn primarily from the Nasher Museum’s vast collection of prints, Colour Correction examines a moment when artists adopted, and adapted, the screenprint technique during an extremely fertile period of experimentation and productivity in the United States and Great Britain. Coinciding with a confluence of social upheaval, political turmoil and artistic… MORE
Joan Miró, Caress of a Bird (La Caresse d'un oiseau), 1967. Painted bronze, 123 × 43 1/2 × 19 inches (312.4 × 110.5 × 48.3 cm). Raymond and Patsy Nasher Collection at the Nasher Sculpture Center, Dallas, Texas. © Successió Miró / 2014 Artists Rights Society (ARS), New York, New York / ADAGP, Paris, France. Photo by J Caldwell.

Loans from the Raymond and Patsy Nasher Collection

On view August 27, 2014 - September 14, 2015

On view in the Mary D.B.T. Semans Great Hall Two important modern sculptures are on view in the Nasher Museum’s Great Hall, on loan from the Nasher Sculpture Center in Dallas. A 1967 painted bronze work by Joan Miró (1893-1983) serves as introduction to the special ticketed exhibition, Miró: The MORE

The New Galleries: A Collection Come to Light

On view August 27, 2015 - September 18, 2016

The New Galleries: A Collection Come to Light is a comprehensive and dynamic reinstallation of the museum’s collection. Eight new galleries will be dedicated to specific collection areas highlighting many of the museum’s masterworks while illustrating a history of human creativity. The Ancient World covers a broad geographical and chronological… MORE

Richard Mosse: The Enclave

On view August 27, 2015 - January 10, 2016

The Nasher Museum presents Richard Mosse’s The Enclave, an immersive 40-minute six-channel video installation shot in eastern Congo. The Enclave is the culmination of the artist’s recent body of work and will be on view in the Southeast for the first time. Debuting at the 55th Venice Biennale MORE

Reality of My Surroundings: The Contemporary Collection

On view October 1, 2015 - February 28, 2016

In celebration of the museum’s 10th anniversary, the Nasher Museum presents some of its most significant works from the contemporary collection. Reality of My Surroundings demonstrates the museum’s ongoing commitment to collecting contemporary work by global artists, with an emphasis on artists of African descent. The exhibition highlights works that… MORE

Nasher 10 / Odili Donald Odita Murals

On view October 4, 2015 - October 1, 2017

In celebration of its first decade, the Nasher Museum of Art at Duke University will commission a mural by abstract painter Odili Donald Odita on a wall of the Downtown Durham YMCA, 218 W. Morgan St. The mural will be unveiled on Oct. 10 at a block party in downtown… MORE
Hank Willis Thomas, Black Righteous Space, 2012. DVD (playlist and video installation), microphone, and mac mini, approx. 60 minutes in length. Edition of 3, with 2 artist proofs. Courtesy of the artist and Jack Shainman Gallery, New York.

Southern Accent: Seeking the American South in Contemporary Art

On view September 1, 2016 - January 8, 2017

Southern Accent: Seeking the American South in Contemporary Art is the first contemporary art exhibition to question and explore in-depth the complex and contested space of the American South. One needs to look no further than literature, cuisine and music, to see evidence of the South’s profound influence on American… MORE

Nina Chanel Abney: Dealer’s Choice

On view February 16, 2017 - July 16, 2017

Nina Chanel Abney: Dealer’s Choice is the first solo museum exhibition of Chicago-born artist Nina Chanel Abney (b. 1982), and a 10-year survey of the artist’s provocative paintings, watercolors and collages. Unapologetically revitalizing narrative figure painting, Abney has been branded as one of the “Next Irascibles” by Paper Magazine.… MORE
Andy Warhol, Open This End, 1962. Acrylic on canvas, 8 x 11 inches (20.32 x 27.94 cm). Collection of Blake Byrne, T’57, Museum of Contemporary Art Los Angeles, partial and promised gift of Blake Byrne, T’57. © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York, New York. Photo by Brian Forrest.

Open This End: Contemporary Art from the Collection of Blake Byrne

On view February 19, 2015 - July 12, 2015

An exhibition of both iconic and lesser-known works from some of the most significant and compelling artists of the last 50 years, Open This End: Contemporary Art from the Collection of Blake Byrne will trace a number of intertwined narratives in the history of recent art. These narratives include Pop… MORE

Area 919: Artists in the Triangle

On view January 24, 2015 - April 12, 2015

The Nasher Museum presents a survey of noteworthy work by artists who live in the Triangle. Some of the artists show their work internationally in contemporary galleries and museums; others are newer to the art world. All of them contribute to a vibrant and innovative local artist community. These “artists… MORE
LEFT: Joan Miró,<em> Woman, Bird and Star (Homage to Picasso)</em>, 1966 / 1973, Oil on canvas, 96 7/16 x 66 15/16 inches (245 x 170 cm), Museo Nacional Centro de Arte Reina Sofía. © Successió Miró / Arists Rights Society (ARS), New York / ADAGP, Paris.<br /><br />RIGHT: Joan Miró,<em> Figure</em>, 1969, Lost wax casting, patinated bronze, 55 7/8 x 16 3/4 x 16 5/16 inches (142 x 42.5 x 41.4 cm), Base: 16 9/16 x 12 13/16 x 12 3/16 inches (42.1 cm x 32.5 x 32.5 cm) , Museo Nacional Centro de Arte Reina Sofía. © Successió Miró / Arists Rights Society (ARS), New York / ADAGP, Paris.

Miró: The Experience of Seeing

On view September 14, 2014 - February 22, 2015

The Nasher Museum presents a rare glimpse at the later works of Spanish-born artist Joan Miró (1893-1983), one of the greatest innovators of 20th-century art in Europe. A contemporary of Picasso, Miró was briefly aligned with the Surrealists in the late 1920s in Paris and went on to create a… MORE

Older Exhibitions click years to expand


Rauschenberg: Collecting & Connecting

Sound Vision: Contemporary Art from the Collection

Archibald Motley: Jazz Age Modernist

Masculinities: Mainstream to Margins


Another Look: Appropriation in Art

Lines of Control: Partition as a Productive Space

Defining Lines: Cartography in the Age of Empire

Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art

Pedro Lasch, Susan Harbage Page and Yinka Shonibare

The Cinematic Impulse

The Human Position: Old Master Works from the Collection

Wangechi Mutu: A Fantastic Journey

Light Sensitive: Photographic Works form North Carolina Collections

Exposing the Gaze: Gender and Sexuality in Art


Recent Acquisitions

Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore

Eat, Pray, Weave: Ancient Peruvian Art from the Collection

Time Capsule, Age 13 to 21: The Contemporary Art Collection of Jason Rubell

Mark Bradford

Olafur Eliasson: The uncertain museum

Romare Bearden

Alexander Calder and Contemporary Art: Form, Balance, Joy


Angels, Devils and the Electric Slide: Outsider Art from the Permanent Collection

The Deconstructive Impulse: Women Artists Reconfigure the Signs Of Power, 1973-1991

Land, Sea and Sky in the Nineteenth Century

Becoming: Photographs From The Wedge Collection

A Selection of Women Artists from the Nasher Museum’s Collection

Jaume Plensa: Glückauf? / The Heart of Trees

Building The Contemporary Collection: Five Years Of Acquisitions

The Jazz Loft Project: W. Eugene Smith in New York City, 1957-1965

Body of Christ


Containing Antiquity

The Vorticists: Rebel Artists in London and New York, 1914-1918

The Record: Contemporary Art and Vinyl

Color Balance: Paintings by Felrath Hines and Alma Thomas

Displacement: The Three Gorges Dam and Contemporary Chinese Art

Mark Hewitt: Falling Into Place

Lines of Attack: Conflicts in Caricature


Big Shots: Andy Warhol Polaroids

Africa and Picasso

Picasso and the Allure of Language

Beyond Beauty: Photographs from the Duke University Special Collections Library

Christian Marclay: Video Quartet

Sacred Beauty: Medieval and Renaissance Illuminated Manuscripts from the Collection of Robert J. Parsons

Escultura Social: A New Generation of Art from Mexico City


A Room of Their Own: The Bloomsbury Artists in American Collections

El Greco to Velazquez: Art during the Reign of Phillip III

Black Mirror/Espejo Negro

Barkley L. Hendricks: Birth of the Cool


Taste of the Modern: Rothko, Rauschenberg, Oldenburg, Kline

States of Mind: Dan & Lia Perjovschi

New at the Nasher

Collected Identities: Gifts from the Blake Byrne Collection

Street Level: Mark Bradford, William Cordova and Robin Rhode

Irwin Kremen: Beyond Black Mountain (1966 to 2006)


Between Past and Future: New Photography and Video from China

Memorials of Identity: New Media from the Rubell Family Collection

The Rape of the Sabine Women

Conjuring Bearden

Something All Our Own: The Grant Hill Collection of African American Art


The Forest: Politics, Poetics and Practice

The Evolution of the Nasher Collection