The Nasher Museum presented the first career retrospective of the renowned American artist Barkley L. Hendricks. Born in 1945 in Philadelphia, Hendricks’s unique work resides at the nexus of American realism and post-modernism, a space somewhere between portraitists Chuck Close and Alex Katz and pioneering black conceptualists David Hammons and Adrian Piper. He is best known for his stunning, life-sized portraits of people of color from the urban northeast.
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Cool, empowering and sometimes confrontational, Hendricks’s artistic privileging of a culturally complex black body has paved the way for today’s younger generation of artists. This unprecedented exhibition of Hendricks’s paintings included work from 1964 to the present. Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum, organized the show. The exhibition catalogue, distributed by Duke University Press, includes contributions from Schoonmaker, Richard J. Powell, the John Spencer Bassett Professor of Art and Art History at Duke University, Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection.
During the exhibition at the Nasher Museum, a video camera in the frame of Fela: Amen, Amen, Amen, Amen sent a live feed to the website. In this interactive installation, we saw the perspective of the late Nigerian Afrobeat musician and activist, Fela Kuti, who looked at viewers while they looked at him.
The exhibition and related programs were sponsored in part by the Andy Warhol Foundation for the Visual Arts, Inc., the National Endowment for the Arts, which believes that a great nation deserves great art, the Mary Duke Biddle Foundation and the North Carolina Arts Council with funding from the State of North Carolina.
IMAGE: Barkley L. Hendricks, Self Portrait (detail). Courtesy of the artist and Jack Shainman Gallery, NY.