CITY-WIDE EXHIBITION IN NEW ORLEANS, LOUISIANA
The Nasher Museum is pleased to celebrate Prospect.4: The Lotus in Spite of the Swamp (P.4), the art exhibition that takes place every three years throughout the city of New Orleans, Louisiana. The artistic director of Prospect.4 is Trevor Schoonmaker, who is Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum. Prospect.4 will open to the public on Saturday, November 18, 2017, and run through February 25, 2018, aligning with the city of New Orleans’s tricentennial celebration. Prospect.4 will host VIP preview days on Thursday, November 16, and Friday, November 17, with the opening gala scheduled for Friday evening, November 17. Nasher friends, please join us in New Orleans!
Prospect.4 Artists to be Announced
The list of 73 artists whose works are part of Prospect.4: The Lotus in Spite of the Swamp will be released on May 23, 2017, in New Orleans.
Curator’s Perspective: Trevor Schoonmaker
Wednesday, May 24, 2017
The New School
Theresa Lang Community and Student Center
55 West 13th Street, 2nd Floor
New York, NY 10011
FREE and open to the public
Trevor Schoonmaker will give a talk about Prospect.4: The Lotus in Spite of the Swamp with Independent Curators International (ICI), at The New School in New York.
Artistic Director’s Statement
Prospect.4: The Lotus in Spite of the Swamp finds inspiration in the lotus plant. This aquatic perennial takes root in the fetid but nutrient-rich mud of swamps so that its beautiful flower may rise above the murky water. The flower’s grace is inextricably connected to the noisome swamp, just as redemption exists in ruin, and creativity in destruction. Viewed as a symbol of spiritual enlightenment in Buddhism and Hinduism, the lotus suggests the possibility of overcoming arduous challenges. It reminds us that, from the depths of difficulty and desolation, art brings the invisible to light.
The Lotus in Spite of the Swamp evokes New Orleans’s natural environment—surrounded by bayous, lakes, and wetlands near the mouth of the Mississippi River. It also alludes to the city’s unique cultural landscape as a creative force. The politically engaged jazz saxophonist Archie Shepp described jazz itself as a triumph of the human spirit, a lily that grows, “in spite of the swamp.” New Orleans of course gave birth to jazz, arguably the preeminent art form of the twentieth century, pioneered under adverse circumstances. That music germinated within of the darkness of slavery, grew through the African drumming of Congo Square, and absorbed European classical and brass band music. Jazz was nourished in the sultry brothels and saloons of Storyville where Buddy Bolden played his cornet and mixed with the syncopated Cuban rhythms that Jelly Roll Morton called the “Spanish tinge.”
This history of creolization and cross-cultural fertilization informs more than the evolution of jazz; it is central to the very essence of New Orleans, as is evidenced in the hybrid nature of the city’s customs and celebrations, foodways, religions, architecture, language, and numerous genres of music and the people themselves. In no other American city is this concept such a part of the everyday. Cultural synthesis and syncretism inform many of the central issues explored in Prospect.4. The rich diversity of New Orleans is rooted in a long history of human interactions including colonization, the transatlantic slave trade, waves of migration and displacement, and Gulf Coast trade buoyed by the city’s position as the American South’s largest port. Many artists in P.4 explore related themes connecting them to contemporary geographies and cultures around the world.
Prospect.4 overlaps with the city of New Orleans’s tricentennial celebration—the 300th anniversary of the founding of Nouvelle-Orléans by the French in 1718. Because of this serendipitous intersection, P.4 takes the city’s distinctive character as a point of departure to investigate global concerns. As with prior Prospects, P.4 is committed to being an international exhibition, while also directing more of its focus southward, placing greater emphasis on art and artists who engage with the American South and the Global South, particularly those from North America, Central America, South America, the Caribbean, Africa, and the European countries that colonized these regions.
While participating artists will present a broad range of international perspectives, the works made and selected seek to resonate with the city of New Orleans—aesthetically, musically, culturally, spiritually, historically, and environmentally. This connective tissue will be reinforced through the physical footprint of P.4 within New Orleans. The citywide exhibition aims for increased density and linkage between its roughly twenty venues, ranging from major museums to public sites, with clear pathways and clusters that enhance the ease of navigation. In this way, Prospect.4 aims for visitors to get the most out of their experience, while ably and efficiently presenting the rich and diverse culture of New Orleans.
— Trevor Schoonmaker, Artistic Director of Prospect.4 and Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University