1 00:00:03,550 --> 00:00:09,940 my name is Harrison Haynes I'm in the 2 00:00:06,490 --> 00:00:12,400 exhibition area 919 proud to be so 3 00:00:09,940 --> 00:00:16,209 you're looking at a grid of six 4 00:00:12,400 --> 00:00:18,460 photographs each or monochrome to a 5 00:00:16,209 --> 00:00:20,529 certain degree but there is a lot of 6 00:00:18,460 --> 00:00:22,539 play of light across the surface of 7 00:00:20,529 --> 00:00:26,380 those individual cushions causing 8 00:00:22,539 --> 00:00:28,150 shadows and other colors to emerge there 9 00:00:26,380 --> 00:00:31,569 are pictures of cushions from leather or 10 00:00:28,150 --> 00:00:34,329 leatherette sofas and those sofas happen 11 00:00:31,569 --> 00:00:37,030 to be all respectively situated in 12 00:00:34,329 --> 00:00:40,030 what's known as a green room where the 13 00:00:37,030 --> 00:00:42,789 band hangs out and gets dressed and has 14 00:00:40,030 --> 00:00:45,760 a beer and sends an email and sits for 15 00:00:42,789 --> 00:00:48,460 hours being bored the titles of the 16 00:00:45,760 --> 00:00:51,670 photographs are simply the names of the 17 00:00:48,460 --> 00:00:54,910 venues so the picture of the red cushion 18 00:00:51,670 --> 00:00:58,359 from Glasgow is titled or on more which 19 00:00:54,910 --> 00:01:00,160 in Scottish means beautiful sound which 20 00:00:58,359 --> 00:01:02,559 I thought was really great as a title 21 00:01:00,160 --> 00:01:04,269 because of the literal translation of 22 00:01:02,559 --> 00:01:06,880 that some of the other titles are are 23 00:01:04,269 --> 00:01:08,950 more oblique like button factory because 24 00:01:06,880 --> 00:01:11,380 the club in Dublin is an old button 25 00:01:08,950 --> 00:01:12,700 factory warehouse tricks centrum is the 26 00:01:11,380 --> 00:01:14,740 one in Antwerp and I don't know what 27 00:01:12,700 --> 00:01:15,910 that means it sounds kind of smutty or 28 00:01:14,740 --> 00:01:18,100 something I don't know and then 29 00:01:15,910 --> 00:01:20,320 subterranean is the club in Chicago and 30 00:01:18,100 --> 00:01:22,360 point F aamir as the club in Paris I 31 00:01:20,320 --> 00:01:24,880 found myself as the drummer in a band 32 00:01:22,360 --> 00:01:27,940 that had a very aggressive touring 33 00:01:24,880 --> 00:01:29,830 schedule for many years and I've always 34 00:01:27,940 --> 00:01:31,390 done music and visual art alternately 35 00:01:29,830 --> 00:01:34,750 it's hard to do them at the same time 36 00:01:31,390 --> 00:01:36,910 but my compulsion at this time was that 37 00:01:34,750 --> 00:01:38,410 I was really itching to make some visual 38 00:01:36,910 --> 00:01:40,360 art but I was on the road all the time 39 00:01:38,410 --> 00:01:42,370 and I didn't really have a studio and I 40 00:01:40,360 --> 00:01:44,470 didn't really have the means to make the 41 00:01:42,370 --> 00:01:46,150 kinds of art that I had been making 42 00:01:44,470 --> 00:01:48,250 prior to that photography was something 43 00:01:46,150 --> 00:01:50,350 I started looking at in a different way 44 00:01:48,250 --> 00:01:51,670 all of a sudden like making images that 45 00:01:50,350 --> 00:01:53,350 would that would stand on their own and 46 00:01:51,670 --> 00:01:56,380 speak for themselves as art rather than 47 00:01:53,350 --> 00:01:59,170 being references for other pieces of art 48 00:01:56,380 --> 00:02:01,480 that I would make in Glasgow I saw these 49 00:01:59,170 --> 00:02:03,190 red cushions that were lit by the stage 50 00:02:01,480 --> 00:02:06,340 lights and there was this kind of 51 00:02:03,190 --> 00:02:08,739 psychedelic pallor and a palette like 52 00:02:06,340 --> 00:02:11,140 where the shadows on a red cushion were 53 00:02:08,739 --> 00:02:12,910 ended up being violet or green because 54 00:02:11,140 --> 00:02:13,980 of the contrasting colors of the stage 55 00:02:12,910 --> 00:02:16,950 lights at that 56 00:02:13,980 --> 00:02:19,140 when I saw that red rippled leatherette 57 00:02:16,950 --> 00:02:22,200 and light passing across it it reminded 58 00:02:19,140 --> 00:02:25,019 me of velázquez Pope Innocent the 10th 59 00:02:22,200 --> 00:02:26,879 where he has this satin cowl the way 60 00:02:25,019 --> 00:02:28,980 that Velasquez painted light reflecting 61 00:02:26,879 --> 00:02:31,080 off that satiny material has always been 62 00:02:28,980 --> 00:02:33,060 a huge inspiration for me and so I 63 00:02:31,080 --> 00:02:37,310 thought here is a moment of light that 64 00:02:33,060 --> 00:02:37,310 is beautiful and strange