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We the People

August 27, 2026 – January 03, 2027
Nari Ward, We the People, 2011. Shoelaces, 96 x 324 inches (243.8 x 823 cm). In collaboration with The Fabric Workshop and Museum, Philadelphia. Collection of the Speed Art Museum, Louisville, Kentucky, 2016.1. Installation view, Nari Ward: Sun Splashed, The Institute of Contemporary Art/Boston, 2017. Photo by John Kennard. © Nari Ward Studio. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London, and GALLERIA CONTINUA
Nari Ward, We the People, 2011. Shoelaces, 96 x 324 inches (243.8 x 823 cm). In collaboration with The Fabric Workshop and Museum, Philadelphia. Collection of the Speed Art Museum, Louisville, Kentucky, 2016.1. Installation view, Nari Ward: Sun Splashed, The Institute of Contemporary Art/Boston, 2017. Photo by John Kennard. © Nari Ward Studio. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London, and GALLERIA CONTINUA

Presented in the Nasher’s Great Hall, Nari Ward’s We the People transforms one of the most recognizable phrases in American civic life into a powerful meditation on democracy, belonging, and participation. The monumental installation spells the words “We the People” using thousands of shoelaces, a humble material that carries traces of individual lives while collectively forming a statement about community and shared responsibility.

Created through Ward’s longstanding practice of repurposing everyday materials to uncover personal and social histories, the work invites reflection on who is included in the nation’s democratic ideals and how those ideals continue to evolve. Installed alongside the presentation of historic copies of the Declaration of IndependenceWe the People offers a contemporary perspective on the aspirations, contradictions, and possibilities embedded within America’s founding principles.

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