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Installation view of Ebony G. Patterson . . . while the dew is still on the roses . . . , Nasher Museum of Art at Duke University, February – July 2020. © Ebony G. Patterson. All work courtesy of the artist and Monique Meloche Gallery, Chicago. Photo by J Caldwell.
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The hanging arrangements are prepared first in the Great Hall. Photo by Wendy Hower.
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Artist Ebony G. Patterson creates a night garden at the exhibition entrance wall.
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A selection of flora used in the exhibition installation.
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Various sparkly shoes are part of Ebony G. Patterson's installation.
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Ebony G. Patterson and preparators work in the gallery.
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Installation view of Ebony G. Patterson . . . while the dew is still on the roses . . . , Nasher Museum of Art at Duke University, February – July 2020. © Ebony G. Patterson. All work courtesy of the artist and Monique Meloche Gallery, Chicago. Photo by J Caldwell.
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Installation view of Ebony G. Patterson . . . while the dew is still on the roses . . . , Nasher Museum of Art at Duke University, February – July 2020. © Ebony G. Patterson. All work courtesy of the artist and Monique Meloche Gallery, Chicago. Photo by J Caldwell.
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Preparators work in the gallery.
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Artist Ebony G. Patterson works on the exhibition's entrance wall.
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Installation view of Ebony G. Patterson . . . while the dew is still on the roses . . . , Nasher Museum of Art at Duke University, February – July 2020. © Ebony G. Patterson. All work courtesy of the artist and Monique Meloche Gallery, Chicago. Photo by J Caldwell.
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Preparators work on changing the gallery into a night garden
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Artist Ebony G. Patterson creates a night garden at the exhibition entrance wall.
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Installation view of Ebony G. Patterson . . . while the dew is still on the roses . . . , Nasher Museum of Art at Duke University, February – July 2020. © Ebony G. Patterson. All work courtesy of the artist and Monique Meloche Gallery, Chicago. Photo by J Caldwell.
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Installing . . . while the dew is still on the roses . . .
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Duke Student Izzy Haemisegger helps with hundreds of faux butterflies in the installation.
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Ebony G. Patterson and preparators work in the gallery.
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