Nasher Museum Annual Report 2020
From the Director
I am proud to present our 2020 online Annual Report (July 1, 2019, through June 30, 2020)—my first as director of the Nasher Museum.
The first nine months of last fiscal year unfolded with a series of exciting milestones and a robust schedule of exhibitions, artist talks and events. Our activities came to a sudden, temporary stop (along with the rest of the world) on March 13, 2020. The final three months of our fiscal year were unprecedentedly quiet because of COVID-19, the global pandemic. I accepted the director position on May 8, 2020, about six weeks after the Nasher Museum closed because of health and safety concerns.
While the year wrapped up during a confusing and frightening time, this report will share some of our favorite moments from before the pandemic hit. This story, in words and pictures, reveals how our museum staff took on the difficult challenges of last spring and reached even greater heights. Together, we found new ways to enliven and inspire community through art.
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Farewell to Sarah Schroth: An Exceptional Career in the Arts
This past spring, we planned a festive sendoff for our longtime director, Sarah Schroth, who retired after 25 years at Duke. Our dreams for a gala fundraiser in her honor on April 25 were postponed indefinitely. What an incredible honor and joy it was to work and grow together with Sarah over so many years! She was my professor during my undergraduate days and became my mentor, colleague and friend. I would not be where I am without Sarah, and I’m forever grateful. I look forward to the time when we can all thank Sarah properly in person.
Thank you!
I know that our future as a museum, the success of our country, and our futures as individuals, are intertwined with one another. I’m very excited to have this opportunity to lead the Nasher Museum into that future.
Our foundation is quite strong, thanks to the bold vision of our previous directors, Kim Rorschach and Sarah Schroth, and our talented and dedicated museum staff. It is wonderful to be part of Duke University, an innovative place that supports new ideas and scholarship towards the goals of greater equity and inclusion. Our Faculty Advisory Board, along with many other faculty and Duke students, inspire us with their groundbreaking research and the ways they teach from our collections across disciplines.
I am also grateful to our national Board of Advisors, which has always allowed for openness, exploration and the presentation of different ideas. I am also buoyed by our Friends Board, Duke alumni and museum members, who make so much of our work possible.
As a museum, we are a proud champion of artists as we seek to amplify their work and message. Since opening in 2005, we have provided a platform that increases the visibility of underrepresented artists and serves as a vital link between artists, their creative ideas, and the communities that we serve. Our mission, which guides everything we do, is to encourage important dialogue that arises from engaging with art. Thank you for supporting the Nasher Museum and the art that makes such a difference in all of our lives.
Trevor Schoonmaker
Mary D.B.T. and James H. Semans Director
Nasher Museum of Art at Duke University
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Nasher by the Numbers: July 1, 2019 – June 30, 2020
$1.5 millionCost of new Sculpture Garden 1,200People in crowd on opening day of Sculpture Garden 21Local musicians who performed in Composition 21 by Naama Tsabar, on opening day 33Special gallery installations 3161,865Weight in pounds of Corridor Pin, Blue, by Claes Oldenburg and Coosje van Bruggen 4,780Weight in pounds of first sculpture installed in Sculpture Garden, Vessel by Radcliffe Bailey 48Visual artists hosted by the museum for public talks and demonstrations 11Installation crew members that assisted artist Ebony G. Patterson in her immersive solo exhibition 12,748Silk flowers hand placed within Ebony G. Patterson . . . while the dew is still on the roses . . . exhibition, floor to ceiling 10Days the Ebony G. Patterson . . . while the dew is still on the roses . . . exhibition was open before it closed 150Crafters who made “lovely wicked crowns” in the Great Hall one evening 3Hip-hop artists and hoop dancers who performed in the Sculpture Garden, [Frank Waln (Lakota) and the Sampson Brothers (Seneca and Muscogee Creek)] 4,568Duke students who visited to study the collections, tour the galleries and attend social events |
7Undergraduate students who co-curated the Cultures of the Sea: Art of the Ancient Americas exhibition 1,245Visitors at three Family Day events 19Area teens on the Nasher Teen Council 260Children and their caregivers who enjoyed stories read aloud in Spanish and English 1,212Number of K-12 students reached in Zoom sessions by gallery guides and museum education staff between April and June 18Live musical performances in the galleries for visitors with Alzheimer’s and their caregivers, as part the Reflections Program 63Virtual talks for the Reflections Program 527Participants in Reflections Program virtual talks 2,025Visitors who took part in adult public tours in person 618Enjoyed virtual experiences with gallery guides and education staff between March and June 146K-12 teachers who visited for free workshops 3,320K-12 visitors who took part in guided or self-guided tours in person 44,243Visitors to the museum between July 1, 2019, and March 12, 2020 0Visitors between March 13 and June 30 2Years the original, traveling exhibition Roy Lichtenstein: History in the Making, 1948 – 1960 has been postponed at the Nasher |
The Sculpture Garden
In fall 2019, the museum expanded its grounds for the first time since opening in 2005—with a $1.5 million new Sculpture Garden. More than 1,200 visitors came to our opening event on Sept. 28, 2019, despite the 90-degree heat and high humidity. The crowd experienced two live performances of Composition 21 by Brooklyn-based, Israeli-born artist Naama Tsabar, who created an aurally and visually immersive performance featuring 21 local musicians who identify as women and/or gender nonconforming. For visitors, sound became physical as they moved amongst the musicians standing on their pedestal-like amplifiers.
Naama Tsabar, Composition 21
Composition 21 by Naama Tsabar was organized and commissioned by the Nasher Museum of Art at Duke University, Durham, North Carolina, 2019. Video documentation and production by Kidethnic.com. Artwork © Naama Tsabar. Video © Nasher Museum of Art at Duke University.Composition 21 was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions and was made possible, in part, by Ellen Cassilly, Frank Konhaus, and the Cassilhaus Artist-in-Residence Program.
First Sculpture
The first sculpture installed in the new green space, Vessel, by Radcliffe Bailey, is a 13-foot cone of steel with an open ceiling that creates a skyscape. Inside, visitors are surprised to find a conch shell perched high; the shell emanates an ambient soundscape.
Native Voices
The Nasher was proud to present our first exhibition of work by Native American and Indigenous artists, Art for a New Understanding: Native Voices, 1950s to Now. In fact, this was the first-ever major survey of contemporary Indigenous art in this country. Marshall N. Price, Nancy A. Nasher and David J. Haemisegger Curator of Modern and Contemporary Art, served as an advisor during the planning of Art for a New Understanding and was the coordinating curator while it was at the Nasher. Marshall led our staff’s community outreach efforts with members of the Indigenous community, resulting in rich programs and meaningful new relationships.
American Indians are alive and well, and we have many stories to tell. John Wayne didn’t get rid of all the Indians. We are living and breathing.
Danny Bell (Lumbee/Coharie), Nasher Museum Friends Board member
Native Voices: Danny Bell
In this episode of the Nasher Museum Podcast, you’re listening to Danny Bell (Lumbee/Coharie), president of the Triangle Native American Society and retired program coordinator for the Curriculum in American Indian Studies...
Duration 4m05s Published
Semans Lecture
Candice Hopkins, one of three co-curators of Art for a New Understanding: Native Voices, 1950s to Now, delivered the Annual Semans Lecture on October 3, 2019. Hopkins is Tlingit and a citizen of Carcross/Tagish First Nation, Yukon, Canada. Her writing and curatorial practice explores the intersections of history, contemporary art and indigeneity.
Artists are approaching a lot of what they do with a great deal of humor. The only way you can talk about some of the questions they are talking about, which is the formation of this land, and potentially dispossession, is sometimes through the lens of humor, because that is what brings us together.
Candice Hopkins (Tlingit and a citizen of Carcross/Tagish First Nation, Yukon, Canada), in a Nasher podcast episode.
Native Voices: Candice Hopkins
In this episode of the Nasher Museum Podcast, you’re listening to Candice Hopkins, one of three co-curators of Art fo...
Duration 7m49s Published
Cosmic Rhythm Vibrations
Our major Fall 2019 collection show, Cosmic Rhythm Vibrations, was Trevor Schoonmaker’s most recent curatorial project, just before he became director. This exhibition not only embodies the museum’s collection strategy of focusing on global artists of color, it also reveals Trevor’s penchant for starting his exhibition research with music.
Most of the works came from the museum’s contemporary collection, but the exhibition also included modern paintings, 19th-century prints, traditional African instruments and ancient American ceramics.
Cultures of the Sea: Student-Curated Exhibition
The Nasher Museum has always nurtured students and served as a supportive environment for our Duke faculty who dream big. This past year, we exceeded our own high expectations with Cultures of the Sea: Art of the Ancient Americas, a beautiful exhibition co-curated by seven undergraduate students in the Curatorial Practicum: Exhibition Development and Design course in the Museum Theory & Practice Concentration, taught by Julia McHugh, Ph.D., Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum.
In addition to researching each object and writing labels, the students began 3D printing objects that museum visitors can touch. They also worked in collaboration with Duke Radiology to do CT scans of several of the featured objects. Those scans showed how many of the works also functioned as musical instruments.
Ebony G. Patterson
In February, just before the pandemic hit, one of our large gallery pavilions was transformed into a lush and provocative garden—the most significant exhibition to date of work by artist Ebony G. Patterson. Hyperallergic.com named Ebony G. Patterson . . . while the dew is still on the roses . . . one of the top 20 U.S. art shows of 2019.
Patterson’s art tills curious notions of time and passage without the usual pretensions that accompany this sort of subject matter. I still remember the experience today, even as the details of the art has slowly faded away. It was brilliant.
Hrag Vartanian in Hyperallergic.com
In the artist’s own words: Ebony G. Patterson
by Nasher Museum Duration 3m 15sec Published
Rothschild Lecture
The Rothschild Lecture, a conversation between Ebony and Richard J. Powell, John Spencer Bassett Professor of Art & Art History and professor in the Department of African and African American Studies at Duke, was originally scheduled for April 9, 2020. We had to postpone it for months, but then hosted their talk virtually on December 2, 2020. From her Chicago apartment, Ebony spoke via Zoom (video conferencing) with Rick, whose Durham garden filled the screen behind him. Their lively conversation covered family and geography in her native Jamaica, a recent discovery that the artist’s great-grandmother is distantly related to Marcus Garvey, how she made her peace with gardens and her inspiration behind Ebony G. Patterson . . . while the dew is still on the roses . . . .
Kingston is the creative capital of the world, you know? If America is an economic superpower, then Jamaica is a cultural superpower. And that is not an if, an and or a but! It’s just a fact.
Ebony G. Patterson
Virtual Tours and Experiences
Before the pandemic, half of all visitors to the Nasher Museum arrived through the website, not in person. Still, we tended to focus most of our efforts on in-person exhibitions and events. After the museum closed temporarily, however, the staff and I shifted priorities in an effort to share art with broader audiences. Virtual experiences, we began to realize, are the way of the future for the global art world.
Early in April 2020, we began to think about how to offer high-quality experiences that allow visitors to return to an exhibition again and again, even after they leave the museum. When the pandemic is over, we will continue to offer access to artwork beyond what is possible in person. Virtual tools allow for incredibly focused, close-up images that allow visitors to zoom in and slowly explore works of art. Video conferencing platforms allow our curators and gallery guides to interact with visitors who face barriers to visiting in person. Our education staff quickly moved the Reflections Program for people with dementia and their caregivers to Zoom and found a very enthusiastic reception.
How a Vital Art Education Program for People With Alzheimer’s Successfully Moved Online
Before March 11, Reflections tour groups met in person. However, due to extra precautions related to the novel coronavirus and North Carolina’s stay at home orders, the Nasher pivoted the program virtually via Zoom.
view article on Hyperallergic.com | Published June 01, 2020
VIRTUAL TOUR: Ebony G. Patterson . . . while the dew is still on the roses . . .
Travel virtually through this immersive installation environment that evokes a night garden. Glide up the walls and ceiling to view floral arrangements, purple butterflies, glittering black shoes. Float across surfaces layered with flowers, glitter, lace and beads.When the museum had to close temporarily because of the pandemic, the Nasher Museum partnered with Duke’s Wired! Lab for Digital Art History & Visual Culture to begin creating virtual experiences of exhibitions. Mark Olson, assistant professor of the practice of Visual & Media Studies at Duke, became our faculty advisor for digital projects at the Nasher. I am proud of how these projects began taking place so quickly and collaboratively across many museum departments. We reached out to the seven undergraduate students, who had graduated in May, and asked them to record themselves as avatars (Memojis) to help humanize the new virtual tour of Cultures of the Sea: Art of the Ancient Americas.
VIRTUAL EXHIBITION: Cultures of the Sea: Art of the Ancient Americas
We invite you to visit our first-ever interactive virtual exhibition, Cultures of the Sea: Art of the Ancient Americas<...
Published
The Nasher goes virtual with new digital projects
“The landscape of immersive museum tech changes every day, so I would encourage students to think deeply about the tools that would enhance their museum experience –– then go out and build them. The Nasher staff are embrac...
view article on The (Duke) Chronicle | Published September 10, 2020
Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914
Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914 brought together prints and graphic materials that were donated by key modern European artists in support of the anarchist journal Les Temps N...
Rob Knebel: New Deputy Director of Operations
Arts organizations need great art; they also need great numbers. The combination of budget supervision and service to artists drew Rob Knebel to the Nasher Museum, where he accepted the position of Deputy Director of Opera...
Published
Remembering Jenny Tone-Pah-Hote
“We need to be in charge of our own art. We need to determine what the parameters are. This is the manifesto. This is the beginning of a long conversation.” – Jenny Tone-Pah-Hote, member of the Kiowa Tribe of O...
Published
Haiku in the Rain
Five haiku poets of the Carolina African American Writers’ Collective gathered in the Nasher Museum Sculpture Garden and responded to the COVID-19 pandemic and the global pro...
by Nasher Museum Duration 4m 47sec Published
Acquisitions to the Collection 2020
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PAINTING
Firelei Báez, Tignon for Ayda Weddo (or that which a center can not hold), 2019. Acrylic and oil on archival printed canvas, 91 1/2 × 114 1/4 inches (232.41 × 290.2 cm). Museum purchase, 2019.24.1.
Charles Émile Jacque, Tending the Flock, n.d. Oil on canvas, 47 × 40 1/2 × 4 inches (119.38 × 102.87 × 10.16 cm). Gift by transfer from Lilly Library, Duke University; gift of C.C. Dula to Duke University, 1930; 2019.29.1.
Jacob Maris, Beach Scene, n.d. Oil on canvas, 42 × 31 × 4 inches (106.68 × 78.74 × 10.16 cm). Gift by transfer from Lilly Library, Duke University; gift of C.C. Dula to Duke University, 1930; 2019.29.2.
Fritz Scholder, Indian and Storefront, 1974. Acrylic on canvas, 30 × 40 inches (76.2 × 101.6 cm). Gift of the William R. Kenan, Jr. Charitable Trust to the Ackland Art Museum and the Nasher Museum of Art at Duke University; 2020.4.1.
MIXED MEDIA
Kathryn Andrews,TRINITY FOR PRESIDENT aka Historical Campaign Poster Painting No. 3 (Manifest Destiny), 2015. Aluminum, ink, paint, Plexiglas, and certified film costume; 107 1/2 × 95 5/8 × 3 3/4 inches (273.05 × 242.89 × 9.53 cm). Anonymous gift, 2019.28.1.
Theresa Chromati, tearing me apart, so much so that I become beautiful ( woman exploring a smile ), 2019. Acrylic, glitter, and vinyl plastic on mdf and canvas; 90 × 90 inches (228.6 × 228.6 cm). Museum purchase with funds provided by Doug Smooke (A.B.’90) and Kim Blackwell (A.B.’89, H.S.’94–’00), 2020.1.1.
Tony Cragg, Real Plastic Love, 1984. Found plastic objects on painted acrylic panel, 77 x 33 inches (195.6 x 83.8 cm). Gift of Tom (A.B.’66, P’04) and Charlotte Newby (P’04), 2018.25.3.
Derek Fordjour, Signing Day, 2019. Acrylic, charcoal, oil pastel, and foil on newspaper mounted on canvas; 74 1/2 × 50 1/2 inches (189.23 × 128.27 cm). Gift of Blake Byrne, A.B.’57; 2019.25.1.
Lynn Hershman Leeson, Roberta Breitmore, 1976. Painted photograph, 24 × 35 3/4 × 1 1/2 inches (60.96 × 90.81 × 3.81 cm). Gift of Kristine Stiles, 2019.30.1.
Hugo McCloud, push pull, 2019. Plastic merchandise bags on wood panel, 55 × 85 inches (139.7 × 215.9 cm). Gift of Nancy A. Nasher (J.D.’79, P’18, P’22) and David J. Haemisegger (P’18, P’22), 2020.3.1.
Jim Roche, Minimalism Leveling Out, Especially Out, Piece, 1973. Gelatin silver prints and graphite on paper, 14 1/8 × 11 1/8 × 1 1/4 inches (35.88 × 28.26 × 3.18 cm) each. Museum purchase, 2019.23.1.
Carlos Vega, Fray Escoba, 2005. Oil and collage on canvas, 19 × 17 inches (48.26 × 43.18 cm). Gift of Douglas Smooke, A.B.’90; 2019.21.1.
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PHOTOGRAPHY
Fratelli Alinari
Autel de San Savino dans la cathédrale de Faenza, commandé par Giovanna Manfredi en 1468 à Benedetto da Maiano efferminè entre 1470 et 1479 (Altar of San Savino in the Cathedral of Faenza, commissioned by Giovanna Manfredi in 1468, sculpted by Benedetto da Maiano between 1470 and 1479) , Faenza, Italy, c. 1860s. Vintage albumen print from a collodion negative, 15 1/4 × 12 1/2 inches (38.74 × 31.75 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.126.
Prato cattedrale. La madonna col bambino ges ù e santi [Andrea della Robbia (Prato Cathedral. Madonna and baby Jesus with saints [Andrea della Robbia]) , Prato, Italy, c. 1860s. Vintage albumen print from a collodion negative, 12 1/2 × 17 inches (31.75 × 43.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.125.
Dmitri Baltermants
“Toy Salamis”: Cyprus, early 1970s
, n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.7.
A hot summer’s day: children at play in the spray of Moscow’s first
sprinkler-truck, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.1.
A nation turns its back: Khrushchev’s last stand atop the Lenin
Mausoleum, May 1, 1964, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.2.
A year before the coup: Salvador Allende with his dogs, Chile, 1972, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.11.
From a Day of Grief, Kerch, Crimea, January 1942, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.4.
Man entering house, Aragats mountains, Armenia, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.8.
Movie night, Vietnam 1955 , n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.5.
Pacific fisherman with his nets, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.12.
Sculpture with thatched huts, Cuba, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.6.
Test Pilot Ahmet Khan Sultan, Twice Hero of the Soviet Union, 1961, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.3.
Under their watchful gazes: Brezhnev and company in a balcony decorated
with the Soviet Seal, n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.10.
Yagodinskaya Geological Complex Expedition, Chukotka, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.9.
Dawoud Bey
David Hammons, Bliz-aard Ball Sale I, 1983. Archival pigment photograph on Dibond mount, edition 1/6, 33 x 44
inches (83.82 x 111.76 cm). Museum purchase, 2019.20.1.
Ilse Bing
Experimental photomontage, 1942 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.18.
Moving railway clutches on rails, 1929 (printed later). Gelatin silver print, 9 × 13 1/2 inches (22.86 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.15.
Restaurant Au Vieux Paris, 1934 (printed later). Gelatin silver print, 7 1/2 × 9 1/2 inches (19.05 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.16.
Seated man with hat and cane, Frankfurt, 1929 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.17.
Spider Lily, 1953 (printed later). Gelatin silver print, 13 1/4 × 10 1/4 inches (33.66 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.13.
Two seagulls flying overhead, New York Harbor, 1936. Gelatin silver print, 7 5/8 × 11 1/8 inches (19.37 × 28.26 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.19.
Wild Anemones, 1928 (printed later). Gelatin silver print, 4 1/4 × 3 1/4 inches (10.8 × 8.26 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.14.
Pierre Boucher
King Farouk’s wedding: The enormous crowd in front of the Royal Palace, Cairo, Egypt, 1952. Vintage gelatin silver print, 10 1/4 × 9 1/2 inches (26.04 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.204.
Lighthouse, France, 1935. Vintage gelatin silver print, 10 1/2 × 9 1/4 inches (26.67 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.205.
Portrait of man with graying hair, Saint-Tropez, France, 1935. Vintage gelatin silver print, 10 1/4 × 9 3/4 inches (26.04 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.206.
Domenico Bresolin
Église St Mare l’statues de St Mare, de la Vierge et des 12 apotres par Jacobello et Pietro Paolo dalle Masegne 1393. Crois par Jacopo di Marco Bonato 1394 (Church of Saint Mary, statue of Saint Mary, the virgin and 12 apostles by Jacobello and Pietro Paollo from Masegne 1393. Cross by Jacopo of Marco Bonato 1394), Venice, c. 1860s. Vintage albumen print from a
collodion negative, 11 × 13 1/4 inches (27.94 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.118.
Harry Callahan
Camera Movement on Neon Lights at Night, Chicago, 1946 (printed 1980–1981). Dye transfer print, 8 3/4 × 13 3/8 inches (22.23 × 33.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.149.
Cape Cod, 1976 (printed 1980–1981). Dye transfer print, 14 × 18 inches (35.56 × 45.72 cm) overall. Gift of Charles (A.B.’84) and Linda Googe, 2019.17.148.
Paul Caponigro
Little River, Redding, Connecticut, c. 1968. Vintage gelatin silver print made from Polaroid Polapan 4×5 film Type 52, 3 1/2 × 4 1/2 inches (8.89 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.191.
Untitled (Black leaf), n.d. Vintage gelatin silver print made from Polaroid Positive/Negative 4×5 film Type 55, 7 3/4 × 6 1/8 inches (19.69 × 15.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.189.
Untitled (Garlic in bowl), n.d. Vintage gelatin silver print (enlargement print) made from Polaroid Positive/Negative 4×5 film Type 55, 7 3/4 × 6 1/8 inches (19.69 × 15.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.190.
Untitled (Plants and Sunlight through Forest in Background), 1968. Vintage gelatin silver print and contact print made from Polaroid Polapan 4×5 film Type 52, 4 1/2 × 3 1/2 inches (11.43 × 8.89 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.188.
Henri Cartier-Bresson
Carl Jung, Kusnacht, Switzerland, 1959. Vintage gelatin silver print, 9 7/8 × 6 1/2 inches (25.08 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.153.
Chanel designer M. Esparza, France, 1973. Vintage gelatin silver print, 6 5/8 × 10 inches (16.83 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.154.
Jerome Robbins, New York, 1959. Vintage gelatin silver print, 7 3/4 × 11 3/4 inches (19.69 × 29.85 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.156.
Leonard Bernstein, New York, 1960. Vintage gelatin silver print, 7 3/4 × 11 3/4 inches (19.69 × 29.85 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.230.
Robert Rauschenberg in his Manhattan studio, 1968. Vintage gelatin silver print, 7 3/4 × 11 1/2 inches (19.69 × 29.21 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.155.
Mark Citret
Gull Ascending, Hancock Park, Los Angeles, 2003. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 11 inches (21.59 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.21.
Mall Parking Lot, 1997. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 11 inches (21.59 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.20.
Mesquite #6, Death Valley, 1997. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 5 1/2 inches (21.59 × 13.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.26.
Pedestrian Ramp, Upper Market Street, 1999. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.22.
Shopping Cart, Hailey, Idaho, 2006. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 5 1/2 inches (21.59 × 13.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.25.
Storm Drain, Flagstaff, 2001. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.24.
Waiting Man #2, Art Institute of Chicago, 2001. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.23.
Larry Colwell
Nude seated on log (Joan), Carmel Valley, California, 1958. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.244.
Standing nude on dock (Jytte Svendson), c. 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.245.
Harold Haliday Costain
Crowd in stand under flag, c. 1935. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.31.
Drilling a 60-ton rock salt block, Avery Island, Louisiana, 1934. Vintage gelatin silver print, 6 × 4 1/2 inches (15.24 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.29.
Factory interior with boxes of sugar on conveyor belt, Long Island City, c. 1935. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.28.
Night view of two fishermen on dock, c. 1935. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.37.
Pan American Airways hangar, Miami, c. 1931. Vintage ferrotyped gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.39.
Pilot with man in suit, c. 1935. Vintage ferrotyped gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.38.
Portrait of Tallulah Bankhead, c. 1935. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.32.
Salt distillery, Long Island City, c. 1935. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.27.
Stack of clay pots next to tree, Schlegle Orchids, Brooklyn, NY, 1933. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.30.
Still life with spools of thread and metal wire, c. 1935. Vintage ferrotyped gelatin silver print, 12 1/2 × 11 inches (31.75 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.35.
Study of Chevrolet grill, c. 1935. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.33.
Two models standing in front of car, c. 1935. Vintage gelatin silver print, 11 x 14 inches (27.94 x 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.34.
Woman painting mannequin face, c. 1935. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.36.
Gordon H. Coster
Advertisement: Woman Touching Movable Radio Set, c. 1930. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.193.
Fashion photograph: Ladies and Gentleman in Winter Evening Attire, c. 1930s. Vintage gelatin silver print, 16 × 13 1/4 inches (40.64 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.192.
Bruce Davidson
Brooklyn Gang, 1959. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.103.
Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.12.
Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.127.
Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.128.
Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.129.
Brooklyn Gang, 1959. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.31.
Brooklyn Gang, 1959. Gelatin silver print, 14 × 17 inches (35.6 × 43.2 cm). Anonymous gift, 2018.24.92.
Brooklyn Gang, 1959. Gelatin silver print, 20 x 16 inches (50.8 x 40.6 cm). Anonymous gift, 2018.24.93.
Brooklyn Gang, 1959. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.99.
Brooklyn Gang, 1959. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.102.
Brooklyn Gang, n.d. Gelatin silver print, 24 x 20 inches (61 x 50.8 cm). Anonymous gift, 2018.24.100.
Brooklyn Gang, n.d. Gelatin silver print, 24 x 20 inches (61 x 50.8 cm). Anonymous gift, 2018.24.101.
California – Campers – Trip West – Ugly Americans, 1966. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.91.
California – Pacific Coast Highway, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.130.
Central Park – Man, Gapstow Bridge, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.132.
Central Park – Man, Gapstow Bridge, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.133.
Central Park, 1992. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.89.
Central Park – Snow, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.131.
Chicago, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.84.
Chicago, 1989. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.79.
Chicago, 1989. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.80.
Chicago, n.d. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.15.
Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.40.
Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.41.
Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.42.
Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.44.
Circus, 1958. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.39.
Circus, 1958. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.43.
Circus, 1958 (printed later). Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.3.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.2.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.4.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.5.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.6.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.7.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.8.
Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.9.
Circus, n.d. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.14.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.25.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.26.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.27.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.30.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.45.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.47.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.48.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.50.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.51.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.52.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.53.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.95.
East 100th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.97.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.28.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.29.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.46.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.49.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.54.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.55.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.94.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.96.
East 100th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.98.
England & Scotland & Wales, n.d. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.13.
Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.71.
Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.74.
Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.76.
Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.77.
Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.78.
Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.72.
Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.73.
Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.75.
Italy – Sicily, n.d. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.70.
Italy – Sicily, n.d. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.69.
New York – Lower East Side, 1957. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.86.
New York – Lower East Side, 1957. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.87.
New York – Lower East Side, 1990. Resin-coated print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.17.
New York – Lower East Side, 1990. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.18.
New York – Lower East Side, 1990. Resin-coated print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.19.
New York – Lower East Side, 1990. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.20.
Portraits – Cal Ripkin, 1995. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.81.
Portraits – Edward Steichen, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.85.
Portraits – Max Cleland, 1999. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.82.
Portraits – Sammy Davis Jr., 1965. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.38.
Portraits – Thomas Hart Benton, 1971. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.90.
Portraits – Unidentified, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.83.
Spanish Priest, 1965. Gelatin silver print, 14 x 11 inches (35.6 cm x 27.9 cm). Anonymous gift, 2018.24.36.
Spanish Priest, 1965. Gelatin silver print, 14 x 11 inches (35.6 cm x 27.9 cm). Anonymous gift, 2018.24.37.
Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.117.
Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.118.
Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.119.
Subway, n.d. Chromogenic print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.124.
Subway – Saint Ann’s (2013), n.d. Dye transfer print, 20 × 24 inches (50.8 × 61 cm). Anonymous, 2018.24.125.
Subway – Saint Ann’s (2013), n.d. Dye transfer print, 20 × 24 inches (50.8 × 61 cm). Anonymous, 2018.24.126.
Time of Change, 1960. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.106.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.21.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.22.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.56.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.57.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.59.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.60.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.63.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.104.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.105.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.107.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.110.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.113.
Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.116.
Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.58.
Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.64.
Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.109.
Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.114.
Time of Change, 1962. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.88.
Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.111.
Time of Change, 1962. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.120.
Time of Change, 1962. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.121.
Time of Change, 1962. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.122.
Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.61.
Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.62.
Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.108.
Time of Change, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.123.
Time of Change, 1963–1965. Resin-coated print, 8 × 11 inches (20.3 × 27.9 cm). Anonymous gift, 2018.24.16.
Time of Change, 1965. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.68.
Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.65.
Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.66.
Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.67.
Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.112.
Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.115.
Time of Change, 1970–1980. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.1.
Time of Change, n.d. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.23.
Time of Change, n.d. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.24.
Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.32.
Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.33.
Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.34.
Topless Restaurant, 1965. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.35.
Widow of Montmartre, 1957–1960. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.10.
Widow of Montmartre, 1957–1960. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.11.
Mike Disfarmer
Girl standing on table, striped background, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.44.
Seated woman in elegant dress, shell background, c. 1920. Vintage gelatin silver contact print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.41.
Standing soldier, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.45.
Standing young woman with button-down dress and bow in hair, c. 1940. Vintage ferrotyped gelatin silver print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.43.
Three women and one girl, all standing, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.40.
Two standing young men, one holding cigarette, the other with flared collar, c. 1940. Vintage gelatin silver contact print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.42.
František Drtikol, Le Repos (Rest), n.d. (printed c. 1960). Vintage blue-toned gelatin silver bromide print, 8 1/2 × 11 1/4 inches (21.59 × 28.58 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.246.
Alfred Eisenstaedt
Haile Selassie on porch with men and dogs, Ethiopia, c. 1935. Vintage gelatin silver print, 6 3/4 × 9 1/4 inches (17.15 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.47.
Outdoor market, Addis Ababa, Ethiopia, 1935. Vintage gelatin silver print, 6 × 9 1/4 inches (15.24 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.48.
War under the tropical sun: Small artillery unit in eucalyptus trees, second Italo-Abyssinian War, Ethiopia, 1935. Vintage gelatin silver print, 9 1/4 × 4 1/2 inches (23.5 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.46.
Leonard Freed
A search party scouting the undergrowth in a wooded area along the Chattahoochee River, Atlanta, Georgia, 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.51.
A shepherd milks his goatherd for handmade cheese production, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.143.
A vast billboard asking residents to help the Task Force, Atlanta, Georgia, 1980. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.50.
Anthony Sistrunck, wanted for bank robbery and the killing of a policeman, was finally captured. It was then discovered that he was accused of four other murders in four different states. A detective adjusts his handcuffs upon his arrival at the Manhattan homicide squad, NYC, 1975. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.52.
Arab refugee camp near Hebron in occupied West Bank, a U.N. car with a medical man, Israel, 1967. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.207.
Arab woman in the yard of her home in the Old City of Jerusalem, Israel, 1967. Vintage gelatin silver print, 14 1/4 × 9 3/4 inches (36.2 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.209.
Arabs singing and dancing at a wedding in an Arab village, Israel, 1968. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.208.
At all times the detectives carry their guns, even while working at their desks in the police station, NYC, 1975. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.54.
Cafe, Venice, Italy, 2004. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.133.
Crowd at divorce demonstration, Rome, Italy, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.131.
Goat herder with tools in hand, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.141.
Group of nuns, Rome, Italy, 2003. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.137.
Horse in car, Rome, Italy, 2001. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.139.
Leone Giovanni voting, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.132.
Man in doorway with Christy Turlington billboard, Rome, Italy, 2003. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.138.
Man looking for clams in waterbed, Trapani, Sicily, 1975. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.145.
Man walking by wooden fisherman, Normandy, France, 1964. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.49.
Men with planks, Venice, Italy, 2004. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.134.
Men with torches at divorce protest, Rome, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.129.
Old woman in car holding flag, Rome, Italy, 2001. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.136.
Portrait of an elderly man, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.142.
Repairing tuna fishing boat, Trapani, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.147.
Rows of seated inmates at Tombs Prison, NYC, 1972. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.53.
The half-naked body of this victim was found in a cleaning of the woods near the Hudson River and the George Washington Bridge, the homicide squad had to first find her identity and then locate the murderer, NYC, 1975. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.55.
The Israeli census people are coming into the Arab homes in the Old City of Jerusalem to count the population after the Six Day War, Israel, 1967. Vintage gelatin silver print, 14 1/2 × 10 inches (36.83 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.210.
The shepherds take turns sleeping nights in the barn to protect their goats and cheese-making tools from being stolen, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.144.
The socialist party in the streets of Rome, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.130.
Tuna fishing boat repair port in old fort, Trapani, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.146.
Two nudes, New York, 2002. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.247.
Walking down alley, Venice, Italy, 2004. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.135.
Woman in apron, Sicily, 1973. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.140.
Women in fruit canning factory, Bologna, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.128.
Gisèle Freund
Jean Paul Sartre and Simone de Beauvoir, année prix Nobel pour Sartre (the year Sartre won the Nobel Prize), 1964. Vintage gelatin silver print, 11 × 7 3/4 inches (27.94 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.157.
Pierre Reverdy, c. 1940. Vintage gelatin silver print, 9 3/4 × 8 inches (24.77 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.158.
Burt Glinn
Brigitte Bardot playing guitar, Saint Tropez, France, 1958. Vintage gelatin silver print, 13 3/4 × 8 7/8 inches (34.93 × 22.54 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.161.
Danny Kaye in Israel with child in wheelchair, 1956. Vintage gelatin silver print, 13 1/2 × 9 inches (34.29 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.162.
Liza Minnelli and her dog during the filming of “Tell Me That You Love Me, Junie Moon,” San Diego, 1969. Vintage gelatin silver print, 9 3/4 × 6 3/4 inches (24.77 × 17.15 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.160.
Portrait of Sammy Davis Jr., 1959. Vintage gelatin silver print, 6 5/8 × 9 5/8 inches (16.83 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.159.
Twiggy with Justin De Villeneuve, London, 1966. Vintage gelatin silver print, 9 3/4 × 6 1/2 inches (24.77 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.163.
David Hartt
Lounge at The Johnson Publishing Company Headquarters, Chicago, Illinois, 2011. Archival pigment print mounted on Dibond, 48 × 64 inches (121.92 × 162.56 cm). Museum purchase with funds provided by Doug Smooke (A.B.’90) and Kim Blackwell (A.B.’89, H.S.’94–’00), 2020.2.1.
Ken Heyman
A Northern chieftain watches the ceremony in Sokato on Independence Day in Northern Region, Nigeria, 1959. Vintage gelatin silver print, 13 × 9 1/4 inches (33.02 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.64.
A poor village woman of Kenya looking for lice in her baby’s hair. She carries her baby but usually on her side and swings the infant in front of her for breastfeeding, Kenya, 1965. Vintage gelatin silver print, 12 × 9 inches (30.48 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.60.
A typical village scene, Meshia, twenty-five miles from Cairo, Egypt, n.d. (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.62.
Amputated child behind wood panel, Nigeria, 1961. Vintage gelatin silver print, 14 × 11 1/2 inches (35.56 × 29.21 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.57.
An engineman and an old locomotive, Knoxville, Tennessee, 1963 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.61.
Boys and women in sampans, Hong Kong, c. 1968. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.63.
Claes Oldenburg, Allen Jones, Roy Lichtenstein, British fashion model Jean Shrimpton and Andy Warhol, 1964 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.164.
During Semana Santa, or Holy Week at Easter time in Seville, Spain. These men are resting after carrying huge float in the religious precession, 1964. Vintage gelatin silver print, 12 1/2 × 16 1/2 inches (31.75 × 41.91 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.56.
Grandparents and granddaughters enjoy each other’s company in the yard, Sicily, c. 1960. Vintage gelatin silver print, 11 × 17 inches (27.94 × 43.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.58.
India, the Ganges, 1974. Gelatin silver print, 7 3/8 × 9 7/8 inches (18.73 × 25.08 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.59.
Ken and daughter’s toosh, Florida, 1972. Vintage gelatin silver print, 12 1/2 × 13 1/2 inches (31.75 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.248.
Leonard Bernstein, New York, n.d. (printed later) Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.231.
Roy Lichtenstein in mirror reflections, 1964 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.165.
Florence Homolka
Charles Laughton and Eugenie Leontovitch performing Chekhov’s The Cherry Orchard, c. 1960. Vintage gelatin silver print, 13 1/2 × 10 1/2 inches (34.29 × 26.67 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.167.
Charlie Chaplin in pajamas with tall hat on the set of Limelight, 1952. Vintage gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.166.
Maurice Utrillo, c. 1960. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.168.
Henry Horenstein
Bartenders, Cajun Bar, New Orleans, LA from the series Honky Tonk, 1972. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.68.
Blues Singer, Houston, TX from the series Honky Tonk, 2007. Gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.65.
Clyde Moody from the series Honky Tonk, c. 1973. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.69.
Emmy Lou Harris at Home, Los Angeles, CA from the series Honky Tonk, 1980 (printed later). Gelatin silver print, edition 2/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.66.
Family 2, Lone Star Ranch, Reeds Ferry, New Hampshire from the series Honky Tonk, 1972. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.70.
Slow Dancing, Bar on Boardwalk, Hollywood, FL from the series Honky Tonk II, 1994. Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.67.
Untitled, Boston, Massachusetts from the series Humans, 2003. Sepia-toned gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.251.
Untitled, Boston, Massachusetts from the series Humans, 2003. Sepia-toned gelatin silver print, edition 1/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.249
Untitled, Boston, Massachusetts from the series Humans, 2003. Vintage gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.250.
André Kertész, Celebration in Montparnasse after the first Futurist ballet, 1954. Vintage gelatin silver print, 7 1/4 x 9 1/2 inches (18.42 x 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.169.
Jacques Lowe
Construction worker in “Bethlehem Steel” hardhat leaning with toolbox and wrench, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.75.
Construction worker walking with tool box, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.73.
Construction worker working on heavy pipes, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.74.
Construction workers pulling cables on top of skyscraper with smoking industrial chimneys in view, c. 1955. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.71.
Double bass, 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.233.
Eileen Heckart laughing with hands on hips, c. 1960. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.178.
Frances Sternhagen washing dishes while husband plays with infant, 1956. Vintage gelatin silver print, 13 1/4 × 8 3/4 inches (33.66 × 22.23 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.172.
Kim Novak behind flowers, c. 1950s. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.173
Marlon Brando on the set of “On the Waterfront” with co-star Eva Marie Saint, 1954. Vintage gelatin silver print, 9 1/2 × 7 1/4 inches (24.13 × 18.42 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.170.
Musician and composer Joseph Kyagambiddwa listening to jazz, 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.232.
New York City Park Department – Sculptor chiseling man and hound sculpture, c. 1955. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.80.
New York City Park Department – Sign maker nailing a sign, c. 1955. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.77.
New York City Park Department – Sign makers, c. 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.76.
New York City Park Department – Worker doing metal work, c. 1955. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.78.
New York City Park Department – Worker in protective mask cleaning statue, c. 1955. Vintage gelatin silver print, 9 1/2 × 7 1/2 inches (24.13 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.81.
New York City Park Department – Worker making lifeguard chair, c. 1955. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.79.
Portrait of Dana Wynter with hands on face, c. 1956. Vintage gelatin silver print, 13 1/4 × 9 inches (33.66 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.177.
Portrait of Don Murray with hand on chin, c. 1956. Vintage gelatin silver print, 13 × 8 1/2 inches (33.02 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.175.
Portrait of Joan Collins with cigarette in hand, c. 1950s. Vintage gelatin silver print, 13 × 9 inches (33.02 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.176.
Three construction workers tying topes on crane hooks, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.72.
Tuesday Weld smiling and talking on the phone with her feet up, c. 1960. Vintage gelatin silver print, 9 × 13 1/2 inches (22.86 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.171.
Sandra Dee sleeping on mother’s lap, c. 1960s. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.174.
Danny Lyon
A burner is lifted to cut the bolts in the cast-iron front of 82 Beekman Street, 1967. Vintage gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.86.
A street in Albany, Georgia, 1962 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.83.
Abandoned room, West Side, from the series Destruction of Lower Manhattan, 1967 (printed later). Gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.87.
Charles Sherrod (standing at right) and Randy Battle (seated) visit a supporter in the Georgia countryside. Sherrod married there and thirty years later is still in southwest Georgia, a member of the Albany City Council, 1963 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.84.
Dottie Miller, who lost her shoes to high-pressure fire hoses after being clubbed, gives an affidavit to James Forman, Danville, Virginia, 1963 (printed later). Gelatin silver print, 14 x 11 inches (35.56 x 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.85.
Housewreckers at lunch on the West Side, 1967 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.88.
Ralph Allen taking an affidavit from Carolyn Daniels in Terrell County, Georgia, 1962 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.82.
Charles Marville
Hotel de Ville, Paris from the series Melanges Photographiques, c. 1850. Vintage salted paper Blanquart-Evrard print from a calotype negative, 6 × 8 1/2 inches (15.24 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.254.
Joel Meyerowitz
Gay Talese, 1986. Vintage chromogenic contact print, 9 5/8 × 7 5/8 inches (24.45 × 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.150.
Mary Ellen Mark
Dennis Hopper Portrait, Apocalypse Now, 1976 (printed later). Gelatin silver print, edition 8/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.10.
Family of Prisoner, Lumberton, NC, 1993 (printed later). Gelatin silver print, edition 14/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.14.
Father Holding His Dead Baby, Rx Adventure/Healing, 2008. Gelatin silver print, edition 3/25, 14 × 11 inches (35.56 × 27.94 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.21.
Girl Jumping Off Wall, Harlem Streetlife, 1965 (printed later). Gelatin silver print, edition 5/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.3.
Girl in Confirmation Dress, Rural Poverty, 1990 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.15.
Girl with Flags, Union, South Carolina, 1995 (printed later). Gelatin silver print, edition 10/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.7.
Girl with Haircurlers & Mother, Miami Tropic, 1986 (printed later). Gelatin silver print, edition 3/25, 24 × 20 inches (60.96 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.8.
Katie Nobles and Logan Hughes, Charlottesville High School Prom, Charlottesville, Virginia, USA, 2008. Polaroid, 28 1/4 × 22 inches (71.76 × 55.88 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.1.
Man Who Won Moustache Contest, Turkey Fulbright, 1965 (printed later). Gelatin silver print, edition 13/75, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.4.
Martin Sheen Portrait, Apocalypse Now, 1976 (printed later). Gelatin silver print, edition 4/25, 11 × 14 inches (27.94 × 35.56 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.18.
Mary Crouching in the Bathtub, Ward 81, 1976 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.13.
Mother & Daughter Addicts, Poverty South Dallas, 1980 (printed c. 1980). Vintage gelatin silver print, 14 × 11 inches (35.56 x 27.94 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.20.
Portrait of Boy Clown Leaning Against Tent, Mexican Circus, 1997 (printed later). Gelatin silver print, edition 5/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.5.
Seated Nepalese Girls, Waiting for Customers, Falkland Road, Bombay, India, 1978. Dye transfer print, edition 9/15, 20 × 24 inches (50.8 × 60.96 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.2.
Sisters Clean Home for Dying, Mother Teresa Untitled 39, 1980 (printed c. 1980). Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.19.
Teenage Dancers in Spain, 1985. Black and white photograph, edition 3/25, 15 3/4 × 20 inches (40.01 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.22.
Three Dwarves, Indian Circus, 1992 (printed later). Gelatin silver print, edition 5/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.17.
Transvestite in Bed, The Queen, 1968 (printed later). Gelatin silver print, edition 8/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.6.
Transvestite in Underwear, The Queen, 1968 (printed later). Gelatin silver print, edition 3/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.12.
Two Boys of Leper Parents, Mother Teresa Untitled 39, 1981 (printed later). Gelatin silver print, edition 5/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.16.
Woman in White Dresses Seated on Platform, Oaxaca, 2007 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.11.
Woman Posing with Young Child in Costume, Espinazo Nino Fidencio, 2000 (printed later). Gelatin silver print, edition 4/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.9.
Ray Mortenson
Untitled (from the South Bronx series), 1984. Vintage gelatin silver print, 8 × 5 3/4 inches (20.32 × 14.61 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.89.
Untitled (from the South Bronx series), 1984. Vintage gelatin silver print, 9 1/4 × 6 3/16 inches (23.5 × 15.72 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.90.
Nadar
Portrait of Louis Pasteur, 1886. Vintage gelatin silver print, 15 × 11 inches (38.1 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.179.
Carlo Naya
Fouilles du Forum (Excavation of Forum), Rome, 1877. Vintage albumen print from a collodion negative, 10 1/2 × 14 inches (26.67 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.120.
Sala del Senato nel Palazzo Ducale Venezia, c. 1870s. Vintage albumen print from a collodion negative mounted on album page, 10 3/4 × 14 inches (27.31 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.127.
Laurel Nakadate
November 21, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.1.
November 22, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.2.
November 23, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.3.
November 24, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.4.
November 25, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.5.
November 26, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.6.
November 27, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.7.
November 28, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.8.
November 29, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.9.
November 30, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.10.
Bill Owens
As a theoretical physicist I generally don’t tell people what to do. It’s useless explaining because unless you know about the subject it’s mysticism. Some of my mathematical problems take a year or more to solve. I carry them around with me. So really I’m working all the time, even when I’m in bed. (Lawrence Livermore Laboratory), 1975 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.91.
Debbie’s ice cream truck — Where the hell is Livermore? from the series Working (I Do It For The Money), 1974–76 (printed 2006). Gelatin silver print, 6 3/16 x 9 1/4 inches (15.72 x 23.5 cm). Gift of Charles (A.B.,’84) and Linda Googe, 2019.17.96.
I gross over $200,000 a year as the owner-manager of a donut store, but there’s a price to pay. I come to work at 2:00 A.M. to begin the daily routine of making 250 dozen donuts. I eat dinner at 4:00 in the afternoon and am in bed by 7:30. I was a Depression baby. Now kids say there has to be something better. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.95.
I’m a plastics molder and make oven doors for airline kitchenettes. I could never work indoors where I can’t see the sun. I’ve been thinking about women’s lib. Maybe I’ll join something and do volunteer work. Maybe someday I’ll work with children. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.92.
I’m a refugee from China. I sew pockets on pants. Every day I have work, and living here is easy. In China it’s hard to find a job. Someone has to recommend you. I don’t speak English and I’m too old to learn so I’ll never get a better job. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.94.
We’re the last of the gandy dancers or track gangs. All track laying is completely automated. The railroad doesn’t need people, it needs machines. Gandys used to sing all day and pull their pincher bars on a particular word. We just pull on numbers. from the series Working (I Do It For The Money), 1975 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.93.
World of Fun, Kansas City, Missouri from the series Leisure, 1976 (printed 2001). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.97.
Edward W. Quigley
Gloved hands assembling bearings, 1944. Vintage gelatin silver print, 10 1/4 × 13 3/8 inches (26.04 × 33.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.197.
Hands adjusting Diamond printing machine with tool, 1944. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.198.
Hands sawing meat with bow saw, 1939. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.199.
S.K.F. worker adjusting gear, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.194.
S.K.F. worker calibrating gear, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.195.
S.K.F. worker manufacturing bearings, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.196.
Still life with Disston hand saws and saw blades, 1948. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.200.
Wannamaker clothing department interior, 1932. Vintage gelatin silver print, 13 1/2 × 10 inches (34.29 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.201.
Wendy Red Star (Apsáalooke/Crow)
Peelatchiwaaxpáash / Medicine Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.1.
Peelatchiwaaxpáash / Medicine Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.2.
Peelatchixaaliash / Old Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.3.
Peelatchixaaliash / Old Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.4.
Bia Eélisaash/Large Stomach Woman (Pregnant Woman) / Two Belly from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.5.
Bia Eélisaash/Large Stomach Woman (Pregnant Woman) / Two Belly from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.6.
Déaxitchish / Pretty Eagle from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.7.
Déaxitchish / Pretty Eagle from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.8.
Alaxchiiaahush/Many War Achievements / Plenty Coups from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.9.
Alaxchiiaahush/Many War Achievements / Plenty Coups from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.10.
George Rodger
A sheikh of Kuwait, 1952. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.221.
A veiled woman on the Via Dolorosa, Jerusalem, 1952. Vintage gelatin silver print, 11 × 7 1/2 inches (27.94 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.225.
Camel Corps of the Arab Legion at Mafrak, Jordan, 1941. Vintage gelatin silver print, 7 3/4 × 9 3/4 inches (19.69 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.222.
Dervish dancer of the Zier, Tunisia, c. 1947. Vintage gelatin silver print, 9 3/4 × 6 1/2 inches (24.77 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.219.
Middle East, c. 1952. Vintage gelatin silver print, 10 × 8 1/4 inches (25.4 × 20.96 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.224.
Seated men and boys, Africa, c. 1948. Vintage gelatin silver print, 9 1/2 × 7 3/4 inches (24.13 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.212.
Sudan Legislative Assembly: Interior during session. The Minister of Education answering questions on the floor put to him by members, 1949. Vintage gelatin silver print, 7 5/8 × 7 1/2 inches (19.37 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.211.
Syria, c. 1947. Vintage gelatin silver print, 7 3/4 × 9 3/4 inches (19.69 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.218.
The leading Shaikhs watch the dance from cushioned benches at the place of honor, c. 1952. Vintage gelatin silver print, 10 × 7 5/8 inches (25.4 × 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.215.
The matriarch of a Tuareg tribe in Tamanrasset, Algerian Sahara, 1957. Vintage gelatin silver print, 10 × 7 1/2 inches (25.4 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.214.
Tuareg child, Algeria, c. 1957. Vintage gelatin silver print, 13 1/2 × 9 inches (34.29 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.217.
Tuareg tribe, Algerian Sahara, 1957. Vintage gelatin silver print, 9 3/4 × 9 9/16 inches (24.77 × 24.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.216.
Two Tuareg tribespeople, Algerian Sahara, c. 1957. Vintage gelatin silver print, 10 × 7 3/4 inches (25.4 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.213.
War in North Africa, c. 1941. Vintage gelatin silver print, 7 1/2 x 7 5/8 inches (19.05 x 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.223.
Wedding in Kuwait, c. 1952. Vintage gelatin silver print, 4 1/2 × 7 1/2 inches (11.43 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.220.
Arthur Rothstein
Destroyed forest, Oregon, c. 1940 (printed later). Gelatin silver print, 7 × 9 1/2 inches (17.78 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.107.
Dust storm, Cimarron County, Oklahoma, 1936 (printed later). Gelatin silver print, 9 × 8 3/4 inches (22.86 × 22.23 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.101.
Farmer and silos, Iowa, 1941 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.98.
Grandma Moses, Eagle Bridge New York, 1956 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.106.
Hoover Dam, Nevada, 1952 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.103.
Mrs. Nicholson, Blue Ridge Mountains, Virginia, 1935 (printed later). Gelatin silver print, 9 1/2 × 6 1/2 inches (24.13 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.105.
Saloon, Beowawe, Nevada, 1940 (printed later). Gelatin silver print, 9 3/4 × 13 inches (24.77 × 33.02 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.99.
Shoeshine Man, New York City, New York, 1937 (printed later). Gelatin silver print, 13 1/8 × 10 inches (33.34 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.100.
Skull, Badlands, South Dakota, 1936 (printed later). Gelatin silver print, 8 1/4 x 8 inches (20.96 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.102.
Waiting for Santa Claus at the Christmas parade, New Rochelle, N.Y., 1963. Vintage gelatin silver print, 8 1/4 × 9 inches (20.96 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.104.
August Sander
Heinrich Hoerle, painting the boxing champion Hein Domgorgen, 1929 (printed 1974). Gelatin silver print, 11 1/4 × 8 1/4 inches (28.58 × 20.96 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.180.
Stephen Shore
Bird’s eye view of Yankees in field, 1978. Vintage chromogenic contact print, 7 3/4 × 9 5/8 inches (19.69 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.151.
Giverny, France, 1977. Vintage chromogenic contact print, 7 5/8 × 9 5/8 inches (19.37 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.152.
Herb Snitzer
At Newport (Miles Davis), 1990. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.237.
Coleman Hawkins (Bean) at the Museum of Modern Art, New York, 1960. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.235.
Louis Bellson, 1992. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.234.
Sheila Jordon, 1982. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.236.
Tennessee Williams, “Night of the Iguana” Rehearsal, New York City, 1961. Vintage gelatin silver print, 7 1/2 × 10 3/16 inches (19.05 × 25.88 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.181.
Eve Sonneman
Boat Building, Samos, Greece, 1977. Cibachrome photograph, 7 × 9 3/8 inches (17.78 × 23.81 cm) each. Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.2.
Moving Hay, Samos, Greece, 1977. Cibachrome photograph, 13 × 9 3/4 inches (33.02 × 24.77 cm) each. Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.3.
Reed Thomas
Bird Cage, 1979. Gelatin silver print, 13 1/2 × 10 inches (34.29 × 25.4 cm). Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.1.
Erika Stone
Chinese painter Quay Pong, c. 1980. Vintage gelatin silver print, 7 5/8 × 9 inches (19.37 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.187.
Conductor Charlotte Bergen at her home in Bernardsville, New Jersey, answering her fan mail, c. 1980. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.243.
Conductor Charlotte Bergen practice conducting at home, c. 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.242.
Dancer Pearl Primus, c. 1946. Vintage ferrotyped gelatin silver print, 8 1/2 × 6 5/8 inches (21.59 × 16.83 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.185.
Dancer Pearl Primus playing the zither, c. 1946. Vintage ferrotyped gelatin silver print, 8 1/2 × 6 5/8 inches (21.59 × 16.83 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.186.
Ginger Rogers Playing Tennis at Forest Hills, Queens, 1950 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.182.
James Cagney at the Barnum & Bailey Circus, New York City, 1955 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.183.
Leonard Bernstein and Fiancee Felicia Montelnegro speaking to student at Tanglewood, 1947 (printed 1980s). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.239.
Lillian Hellman and John Garfield at the Rally Against the Congressional Investigation of Hollywood, 1947 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.184.
Pablo Casals, Prades Festival, France, 1952 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.238.
Serge Koussevitzky receiving an award, 1949 (printed later). Gelatin silver print, 9 7/8 × 7 7/8 inches (25.08 × 20 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.241.
William Primrose teaching class at Tanglewood, 1947 (printed later). Gelatin silver print, 9 7/8 × 7 7/8 inches (25.08 × 20 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.240.
Lou Stoumen
43rd Street Between 8th Avenue and Times Square, 1981. Vintage gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.108.
Fantasy Car, Sausalito, California, 1978. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.109.
Lovers (IV), Berkley, California, 1969. Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.252.
Marlowe Kills Canino From The Big Sleep, 1986. Gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.115.
Police Arresting Topless Man, c. 1970 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.112.
Rancho de Taos, New Mexico, 1978. Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.113.
The Generation, New York, 1978. Vintage gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.110.
Young Lemon Tree, Los Angeles, 1981. Unique hand-colored vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.111.
Young Man at Auto Trade Show, c. 1978. Gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.114.
Karl F. Struss
Nude with Fan, 1917. Vintage warm-toned gelatin silver print, 9 5/8 × 7 11/16 inches (24.5 × 19.6 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.253.
Artist unknown
Bacco e Fauno (Bacchus and Faun), Vatican, Italy, c. 1860s. Vintage albumen print from a collodion negative, 5 3/4 × 4 1/8 inches (14.61 × 10.48 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.124.
Artist unknown
Giudizio di Salomone, capitello nel Palazzo Ducale (Judgement of Solomon, capital in Doge’s Palace), Venice, c. 1860s. Vintage albumen print from a collodion negative, 11 × 13 1/4 inches (27.94 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.119.
Artist unknown
Piazza Navona, Rome, c. 1860s. Vintage warm-toned matte gelatin silver print, 11 × 16 1/4 inches (27.94 × 41.28 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.122.
Artist unknown
Santa Maria au Trastevere (Santa Maria in Trastevere), Rome, c. 1860s. Vintage albumen print from a collodion negative, 10 1/2 × 14 inches (26.67 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.121.
Artist unknown
Two marble angels, c. 1860s. Vintage albumen print from a collodion negative, 11 1/4 × 14 1/4 inches (28.58 × 36.2 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.123.
Pierre Verger
Native woman, Morocco, 1936. Vintage ferrotyped gelatin silver print, 11 3/4 × 9 1/2 inches (29.85 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.227.
Survey of the French Sudan. Native boys at play, Reggan, French Sudan, 1936. Vintage ferrotyped gelatin silver print, 11 3/4 × 9 1/2 inches (29.85 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.226.
Edward Weston
Figurative scene on Brett’s carved obsidian “coconut”, 1926. Vintage gelatin silver print, 2 1/4 × 2 1/4 inches (5.72 × 5.72 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.116.
Portrait of an unidentified young man, 1912. Vintage warm-toned matte gelatin silver print, 5 3/4 × 4 1/8 inches (14.61 × 10.48 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.117.
Paul J. Woolf
Advertisement for Oreo cookies, c. 1930s. Vintage gelatin silver print, 6 3/4 x 7 inches (17.15 x 17.78 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.203.
Still life with Chesterfield cigarettes, c. 1930s. Vintage gelatin silver print, 6 5/8 × 9 1/8 inches (16.83 × 23.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.202.
René Zuber
Group portrait in doorway, Egypt, 1939. Vintage ferrotyped gelatin silver print, 10 1/8 × 9 3/8 inches (25.72 × 23.81 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.229.
Two traditionally dressed women, Egypt, 1939. Vintage ferrotyped gelatin silver print, 10 × 9 3/8 inches (25.4 × 23.81 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.228.
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SCULPTURE
Mel Chin, Cross for the Unforgiven, 2002. AK-47 assault rifles (cut and welded), 54 × 54 × 3 inches (137.16 × 137.16 × 7.62 cm). Museum purchase, Arthur Asian Art Endowment Fund and the J & M Johnson Acquisition Endowment Fund; 2019.22.1.
Mark Grotjahn, Untitled (Brown Black and Red Spotted Heavy Texture Mask M16.e), 2012. Painted bronze, 43 1/2 × 16 × 5 1/4 inches (110.49 × 40.64 × 13.34 cm). Gift of Marcie (A.B.’99) and Jordan Pantzer (A.B.’96), 2019.31.1.
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WORKS ON PAPER
Helen Frankenthaler
A Little Zen, 1970. Pochoir and screenprint on paper, 22 1/8 × 30 7/8 inches (56.2 × 78.42 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.2.
Altitudes, 1978. Lithograph on paper, 22 1/2 × 30 1/2 inches (57.15 × 77.47 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.4.
Bay Area Wednesday I, 1982. Monotype on paper, 25 × 30 1/2 inches (63.5 × 77.47 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.5.
Ganymede, 1978. Soft-ground and sugar-lift etching on paper, 22 1/2 × 16 1/2 inches (57.15 × 41.91 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.3.
Guadalupe, 1989. Mixografia print on paper, 69 × 45 inches (175.26 × 114.3 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.16.
Making Music, 1995. Etching, aquatint, and mezzotint on paper; 16 × 25 3/8 inches (40.64 × 64.45 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.17.
Tout à coup, 1987. Etching, aquatint, and drypoint on paper; 87 3/4 × 41 3/4 inches (222.89 × 106.05 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.6.
Un Poco Más, 1987. Lithograph on paper, 27 1/4 × 37 1/8 inches (69.22 × 94.3 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.7.
Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 27 inches (69.53 × 68.58 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.8.
Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 37 inches (69.53 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.9.
Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 37 inches (69.53 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.10.
Un Poco Más, 1987. Lithograph on paper, 26 7/8 × 39 1/4 inches (68.26 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.11.
Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.12.
Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.13.
Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.14.
Un Poco Más, 1987. Lithograph on paper, 27 1/8 × 37 inches (68.9 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.15.
Untitled, 1967. Screenprint on paper, 25 3/4 × 18 inches (65.41 × 45.72 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.1.
Weeping Crabapple, 2009. Woodcut on paper, 25 1/2 × 37 3/8 inches (64.77 × 94.93 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.18.
Lubaina Himid CBE
Theatre of the Divine, 2019. Digital archival print on Epson Hotpress Natural, 24 × 20 inches (60.96 × 50.8 cm). Museum purchase, 2020.5.1.
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Financials, July 1, 2019 – June 30, 2020
[bg_collapse view=”link” color=”#4a4949″ expand_text=”REVENUES – Show More” collapse_text=”Show Less” ]
Earned Income
Admission – $46,997
Rental
Facility – $43,795
Exhibition – $17,321
Other Income – $18,227
(Food service & event catering, catalogue royalties from Duke University Press, education income, sales proceeds)
Sub-total Earned – $126,340
University Support
Annual University allocation – $2,493,259
Unrestricted Endowment Income – $500,610
Restricted Endowment Income – $685,578
Other University Endowments – $176,000
Sub-total University – $3,855,447
Contributed Income
Annual Fund Gifts – $374,842
Membership Income – $207,060
Exhibitions – $286,866
Education – $194,680
Acquisitions – $559,438
Other Program – $71,505
Sub-total Contributed – $1,694,391
Total Revenue – $5,676,178
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[bg_collapse view=”link” color=”#4a4949″ expand_text=”EXPENSES – Show More” collapse_text=”Show Less” ]
Salaries and benefits – $3,194,774
Exhibitions – $615,295
Catalogues – $8,587
Education – $50,446
Engagement – $91,395
Development & Membership – $117,735
Operations and Maintenance – $373,265
Registrar – $87,960
Security – $43,305
Acquisitions – $399,361
Other Expenses – $677,027
To reservers for FY21 – $17,028
Total Expenses – $5,676,178
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Donor List, July 1, 2019 – June 30, 2020
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$100,000 – $499,999
Trent Carmichael
Joan Kahn
William R. Kenan, Jr. Charitable Trust
Mary Duke Biddle Foundation
Mindy and Guy Solie
$50,000 – $99,999
Robert Black and Jesse Ormond Sanderson, Jr.
Carmen and David Durack
The Roy Lichtenstein Foundation
Sahm Family Foundation
$25,000 – $49,999
Deborah DeMott
Stefanie and Doug Kahn
Katie Thorpe Kerr and Terrance I. R. Kerr
Patricia Lansing and Gerrit Livingston Lansing, Jr.
Marjorie and Mike Levine
Nancy A. Nasher and David J. Haemisegger
Jennifer McCracken New and Jason G. New
Patricia Peyton Truitt
Sandra Urie and Frank Herron
James and Vivian Zelter
$10,000 – $24,999
Less Arnold
Robert D. Arthur, II, Esq.
Christopher Maddox Bass
Victor and Lenore Behar
Kimberly Blackwell
Cynthia and Richard Brodhead
Elizabeth and Thomas Caine
Fox Family Foundation
Susan and David Goode
Andrew and Deborah Gordon
Ambassador Brenda LaGrange and J. Howard Johnson
Morgan Stanley Global Impact Fund
Patricia and Thruston Morton
NC Arts Council
Lisa Lowenthal Pruzan and Jonathan Pruzan
Douglas Smooke
Kelly Braddy Van Winkle and Lance Van Winkle
Marie and Eugene Washington
Christine and Jeffrey Weller
$5,000 – $9,999
Alzheimer’s Foundation of America
Renee Elizabeth Becnel
Michelle and David Beischer
Brenda Brodie
Ann Beth Chanler and Andrew Scheman
Meredith Lorraine Dana
Harry H. Esbenshade, III
Tayo E. Famakinwa and Pascale M. Thomas
Robert and Linn Feidelson
Daniel S. Feldstein and Stacey A. Marshall
Patricia Wood Finn
Susan B. Hershfield and Michael S. Hershfield
Chrissy and Joel Huber
Kelly and Kyle Hunter
McDowell Foundation
David and Elisabeth Nimocks Foundation
Parker & Otis
Ann Pelham and Robert Cullen
Marjorie and David Pierson
Doren Madey Pinnell
Karen M. Rabenau and David H. Harpole, M.D.
Barbra and Andrew Rothschild
Jason Rubell and Michelle Simkins-Rubell
Heather Johnson Sargent
Meredith von Brock Von Arentschildt
$2,500 – $4,999
Nancy A. Donovan Benchoff
Laura D. Blackwelder
Kathi and Steve Eason
Carolyn and John Falletta
Michelle Hooper
Thomas S. Kenan, III
Allan and Wonmee Kim
Cynthia and Mark Kuhn
Penny and Robert Lieberberg
Lynn Kellmanson Matheny and Richard Lee Matheny, III
Ralph and Sue McCaughan
The Mountain Company
Margaret and Jack Neely
Carol O’Brien
Annette and Vincent Price
Kimball Richmond and Rodney Priddy
Katharine Lee Reid
Daniel Robinson and Cathy Collie-Robinson
Arthur and Caroline Rogers
Elizabeth and Henry Sappenfield
Sarah Schroth
James Siedow*
Catherine and James Stuart
Marcy and Vance Tucker
Charlotte Wainwright
Jennifer and Sandy Williams
Alexandra Winokur
Anne Zaldastani and John Griffen
$1,000 – $2,499
Dr. Anne Akwari
Mary Eileen and Mark Anderson
Marcia Angle and Mark Trustin
Frank Baker
Placide Barada
David Beaning
Gail M. D. Belvett
Sue Bielawski
Dolores Bilangi
Dr. Andrea Barnwell Brownlee and Edward Brownlee
Ellen Cassilly and Frank Konhaus
Stephanie Chao
Laura and Kevin Colebank
Ruth and Sidney Cox
Rachel M. Davies
Karen and Marc de Saint Phalle
Shayne T. Doty
Anne Dowling and Derek Hess
Dave and Becky Ebershoff
George J. Evans
Max Feidelson
Julie and Ritson Ferguson
Jane and James Finch
Tracey and Christopher Frattaroli
Beth Rena Friedland and Robert Rosenthal
Page Gardner and Ronald Rosenblith
Elisa Buono Glazer and Kenneth D. Glazer
Stacy and Jayson Goldstone
Jean and Russell Hall
Christie Harris
Pam and Joe Harris
Elaine Hart-Brothers and George Brothers
Varun Rajendra Hippalgaonkar
Frances S. Hitchcock
Bryan and Kellie Huffman
The Huisking Foundation
Chrissey Bognar Hunt and Ronald M. Hunt
Lisa H. Kaiser
Betty P. Kenan
Sonali and Arun Lamba
Jason C. Liao
Diane and Gene Linfors
Joanne and John Lott
Tracy Mancini and Norris Cotton
Michael and Leslie Marsicano
Brian C. McCotter
John J. McKenna, III
Anne Hall McMahon*
Lyn Means and James Zimpritch
Ellen Medearis and Richard Superfine
Louise and Andrew Miller
Sara Miller and David Howell
Peggy and John Murray
Kevin and Amy Parker
Norman Pendergraft
Francine and Benson Pilloff
Christine and Joseph Popolo
Leslie H. Pottow
L. Richardson Preyer, Jr. and Marilyn Jacobs Preyer
Elizabeth Hitchins Quigley and L. Matthew Quigley
Tom Rankin and Jill McCorkle
Margaret W. Rich
Carol and Curtis Richardson
Marion Meyer-Robboy and Stanley Robboy
Kimerly Rorschach and John Hart
Nicole and Aaron Stahl
Margot and Philip Sullivan
Richard F. Tigner
Denise and Steve Vanderwoude
Joan Vor Broker
Jason M. Walcott
Melody Wang
Tim Warmath and Edward Comber
Alice and Bruce Whelihan
Sterly Wilder
C. T. Woods-Powell and Richard Powell
Ronna and Herbert Zimmer
$500 – $999
Carolyn Aaronson
Rachel and Robert Allen
Sandra and John Atkins
Alexandra Bailliere Treadwell and Dr. Allan Treadwell
Jonathan E. Blackwell
Robert Bliwise
Shawn and Susan Bonsell
Jack W. Boyd
Kayla and Dale Briggs
Margaret Rennolds Chace
Dean L. Chapman, Jr.
Merlise Clyde and Edwin Iverse
Jane H. Cooney
Ann Dodds Costello and Richard Costello
Carol and Edward Cowell
Anna and Alain Creissen
Carrie and C. Andrew Feord
Mimi and James Fountain
Sara and Thomas Graves
Candace Haigler and Richard Blanton
N. Allison Haltom and David McClay
Kathy Harrison
Richard Curtis Harting and Susanna V. Temkin
Barbara A. Herring
Susan A. Inglett
Melba and Joe Isley
Emily Allen Kirby
Ann and Bill Kirkland
Cookie Anspach Kohn and Henry L. Kohn
Elizabeth and Bruce Kuniholm
Laura and James Ladd
Peter Lange
William R. Leighton*
Jane and Richard Levy
Marie and Ralph Liebelt
Wilmot Losee
Johanne Miller
Minta Bell Interior Design, Inc.
Tyler J. Nelson
Sue and W. Lee Noel
Dr. Desiree T. Palmer
Jane and John Pearce
Diane Marie Pelrine and Patrick McNaughton
Anne Peret
Frances S. Pignone
Jonathan J. Prinz
Shannon Ravenel Purves
Warren Resley and Mark Hornburg
Ed and Deborah Roach
Sally and Russell Robinson
Ruth Wade Ross
Judith Ruderman
Valerie Strong Sanders
Catherine and William Merritt Singer
Andrew and Abigail Sinwell
David A. Snider
David Francis Sorensen
Toni Strother
Angela O. Terry and A. Daphne Terry
Philip A. Tinari and Luluc Huang
Laura and Drayton Virkler
Irka Templeton and Ryan Welsh
Stelphanie Williams
Steven Blair Wilson
Kari Winter and Craig Burnside
Gwynne A. Young
$250 – $499
Avis Artis
Karen Ann Bagwell and Mark Holdrege
Mary Courtney Bailey
Baskerville Fund
Suzanne and Karl Bates
Donna Bergholz
Glenn Bernstein
Joan and James Bettman
Marcy Behar Bolster
Natalie and Gary Boorman
Roxana and Edward Bossen
Judith and Sterling Bradley
Jackson B. Browning, Jr.
Jill and Stephen Buckley
Joel Bush and Lilith Anderson
Natasha Carlitz
Michael Case and Lewis Dancy
Mary and William Chambers
Kuo-Sun and Kuo-San Su Chung
Richard Clark and Martha Brimm
Tara Clayton
Laura and John Corey
Paula Cothren
Tyler T. Deane-Krantz
Patsy Decker
Para and Daria Drake
Linda and Turan Duda
Robin Eisner and William Polf
Edward and Stuart Embree
W. Michael Foster
Sarah and Howard Francis
Barbara and Mitchell Freedman
Cavett and Barker French
Eleonora and Lara Gabriel
Jodi and Marc Ganz
Natalie M. Geisler
Esperanza and Gary Gereffi
Natalia Porcelli Good
Jennifer Goodnow and Michael Kaminsky
Nancy Goodwin
Karen Gottlieb and Jason Rosenfeld
Cheryl and Charles Hall
Harry H. Harkins, Jr.
Lonna H. Dole Harkrader and Richard Harkrader
Trena and Richard Hawkins
Molly Fulghum Heintz
Nancy and Douglas Henderson-James
Elke Hoffmann and Paul Tomlin
Daniel Hollis and Alicia Pastor-Hollis
Alice and George Horton
Alesia and John Hoy
Terry Anne Huggins
Sharon and David Humphreys
Jennifer French Jaffe
Marion Jervay and Kenton Cobb
Jana Johnson and Kristen Rosselli
Randall T. Johnson
Rebecca and George Johnstone
Margaret and Thomas Keller
Judith A. Kitrick
Martha and Peter Klopfer
Rob Knebel and Gara Pollock
Stephen and Bernice Koff
Samantha and Robert Koslow
Lisa Lark
Kristina and Peter Lee
Kara Lee Kreisher Leopold
Eric and Liza Levy
Yan Li and Lishan Su
Christine A. Long
Mary Jean Lowrie
Billie L. Marrow*
Catherine Maxson and Gregory Lewis
Nancy and Dean McCumber
Janis and Richard McFarland
Mary Pat McMahon
Marcia J. McNally
Lisa McQuay
Tom and Sandra Meyer
Chandra M. Mosley
Cynthia Lee Mynatt
Kevin S. Obana
Lois Pounds Oliver
Huston Paschal
Anne Powers Perry and Gerald Perry
Marjorie and Ashmead Pipkin
Salvatore Pizzo
Phyllis Pomerantz and Charles Hochman
Gregg and Bryna Rapp
Larry and Debbie Robbins
Julie Rogers
Ilene and Terry Rosenfeld
Al Ross*
Ilana Simon Rubin and Terry Rubin
Benjamin Rubinfield
Jody and Erik Saarmaa
Indrani Saha
Craig Savage
Meyressa Schoonmaker
Matthew L. Schorr
Elizabeth Tilley Seddon
Connie and Truman Semans
Robert Shoaf
Jonathan and Sarah Shugar
Margaret Chandler Smith and Lanty L. Smith
Eleanor and Michael Smith
Susan Spratt and David Tendler
William M. and Jane W. Spruill
Cecile Srodes
Damian Stamer
Megan Stanford
Clay Steinman and Inge De Becker
John B. Stephens
Shawn Sullivan
Eleanor and Edwin Thomas
Michael P. Thomas
Ryan E. Thorne
Sophie Throsby
Debara Tucci and Kevan VanLandingham
Renee and Joseph Tyson
Elizabeth and Edwin Vaden
Kim-Chi and Tuan Vo-Dinh
Mary Ellen Walkama
Janie D. Whaley
Dr. Lawrence J. Wheeler
Dr. Sandra White-Olden and Dr. Kenneth Olde
W. Thomas Wilfong
Jane WIlliams
Susan Williford
Kathleen Wright
In-Kind Donations
Marcie Cohen Ferris and William R. Ferris
Jane and James Finch
Helen Frankenthaler Foundation, Inc.
Charles Harbin Googe, Jr. and Linda April Googe
Bruce Lineker
Nancy A. Nasher and David J. Haemisegger
Thomas* and Charlotte Newby
Peter D. Ocko and Kate Axelrod
Jordan and Marcie Pantzer
Anthony Podesta
Douglas Smooke
Kristine Stiles
Memorial Gifts
In Memory of Blake Byrne T’57
Max Feidelson
In Memory of Charles, Catherine & Frank Huisking
Laura and Kevin Colebank
In Memory of Professor Jonathan K. Ocko
Peter D. Ocko and Kate Axelrod
In Memory of Sheldon R. Pinnell, MD
Doren Madey Pinnell
In Memory of Donald Lee Wilson and Gloria Smith Wilson
Steven Blair Wilson
Honorarium Gifts
In Honor of Victor and Lenore Behar
Marcy Behar Bolster
Shawn and Susan Bonsell
In Honor of Dr. Richard J. Powell and CT Woods-Powell
Dr. Andrea Barnwell Brownlee and Edward Brownlee
In Honor of Sarah Schroth
Dr. Anne Akwari
Victor and Lenore Behar
Michelle and David Beischer
Cynthia and Richard Brodhead
Ellen Cassilly and Frank Konhaus
Tracy Mancini and Norris Cotton
Ruth and Sidney Cox
Mimi and James Fountain
Kathy Harrison
Susan B. Hershfield and Michael S. Hershfield
Michelle Hooper
Kelly and Kyle Hunter
Mary Duke Biddle Foundation
Ralph and Sue McCaughan
Lyn Means and James Zimpritch
Ellen Medearis and Richard Superfine
Sara Miller and David Howell
Patricia and Thruston Morton
Nancy A. Nasher and David J. Haemisegger
Carol O’Brien
Parker & Otis
Norman Pendergraft
Marjorie and David Pierson
Doren Madey Pinnell
Shannon Ravenel Purves
Elizabeth Hitchins Quigley and L. Matthew Quigley
Karen M. Rabenau and David H. Harpole, M.D.
Tom Rankin and Jill McCorkle
Katharine Lee Reid
Margaret W. Rich
Arthur and Caroline Rogers
Ruth Wade Ross
Elizabeth and Henry Sappenfield
Catherine and James Stuart
Marcy and Vance Tucker
Jennifer and Sandy Williams
Gwynne A. Young
Matching Gifts
Benevity Community Impact Fund
BlackRock, Inc.
Blue Cross & Blue Shield Association
Bright Funds Foundation
Cisco Systems, Inc.
Dominion Energy Charitable Foundation
Gensler
Goldman Sachs & Company
Google, Inc.
IBM Corporation
IBM International Foundation
J. K. Group, Inc.
Kemnay Advisory Services
KPMG Foundation
Macy’s, Inc.
Makena Capital Management, LLC
Robert Half International, Inc.
Salesforce.org
SunTrust Foundation
United Way Worldwide
Exhibition Sponsors
Cultures of the Sea: Art of the Ancient Americas
Cultures of the Sea: Art of the Ancient Americas is organized by seven undergraduate students in the Curatorial Practicum: Exhibition Development and Design course in the Museum Theory & Practice concentration, taught by Dr. Julia McHugh, the Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum.
This project is supported by the Sunny Rosenberg Endowment Fund and the Sandra A. Urie and Katherine Urie Thorpe Fund. Support from Duke University is provided by Office of the Provost; Wired! Digital Art History lab; Department of Computer Science; Duke Radiology; and the Duke Lemur Center.
Ebony G. Patterson . . . while the dew is still on the roses . . .
Ebony G. Patterson . . . while the dew is still on the roses . . . was organized by Pérez Art Museum Miami. The exhibition was curated by Tobias Ostrander.
At the Nasher Museum, this exhibition was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions; Fox Family Foundation; Katie Thorpe Kerr and Terrance I. R. Kerr; Lisa Lowenthal Pruzan and Jonathan Pruzan; Kelly Braddy Van Winkle and Lance Van Winkle; and Parker & Otis.
Ebony G. Patterson is represented by Monique Meloche Gallery, Chicago.
Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914
Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914 was co-curated by Mark Antliff, Anne Murnick Cogan Professor of Art History and Visual Studies at Duke University and Robin Klaus, a Ph.D. student in Art History at Duke University.
This exhibition was supported by the Janine and J. Tomilson Hill Family Fund and the Mary Duke Biddle Foundation.
Cosmic Rhythm Vibrations
This exhibition was organized by Trevor Schoonmaker, Mary D.B.T. and James H. Semans Director.
Cosmic Rhythm Vibrations was supported by Duke Health and The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions.
Naama Tsabar: Composition 21
Composition 21 by Naama Tsabar was organized by Melissa Gwynn, Exhibitions and Publications Manager, and Trevor Schoonmaker, Mary D.B.T. and James H. Semans Director.
The performance was commissioned by the Nasher Museum of Art at Duke University.
Composition 21 was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions and was made possible, in part, by Ellen Cassilly, Frank Konhaus and the Cassilhaus Artist-in-Residence Program.
Art for a New Understanding: Native Voices 1950s to Now
Art for a New Understanding: Native Voices, 1950s to Now was organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas.
The exhibition was co-curated by independent curator Candice Hopkins (Tlingit, citizen of Carcross/Tagish First Nation in the Canadian territory, Yukon), Mindy Besaw, curator of American art at Crystal Bridges, and Manuela Well-Off-Man, chief curator of the Museum of Contemporary Native Arts at the Institute of American Indian Arts in Santa Fe, New Mexico.
Support for this exhibition and its national tour was provided by the National Endowment for the Humanities, the National Endowment for the Arts, and the Sotheby’s Prize.
This project was supported in part by an award from the National Endowment for the Arts.
This exhibition was made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.
At the Nasher Museum, this exhibition was made possible by the William R. Kenan, Jr. Charitable Trust, with additional support from The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions.
This project was supported by the N.C. Arts Council, a division of the Department of Natural & Cultural Resources.

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