Nasher Museum Annual Report 2020

From the Director

Trevor Schoonmaker, Mary D.B.T. and James H. Semans Director. Photo by J Caldwell.

I am proud to present our 2020 online Annual Report (July 1, 2019, through June 30, 2020)—my first as director of the Nasher Museum.

The first nine months of last fiscal year unfolded with a series of exciting milestones and a robust schedule of exhibitions, artist talks and events. Our activities came to a sudden, temporary stop (along with the rest of the world) on March 13, 2020. The final three months of our fiscal year were unprecedentedly quiet because of COVID-19, the global pandemic. I accepted the director position on May 8, 2020, about six weeks after the Nasher Museum closed because of health and safety concerns.

While the year wrapped up during a confusing and frightening time, this report will share some of our favorite moments from before the pandemic hit. This story, in words and pictures, reveals how our museum staff took on the difficult challenges of last spring and reached even greater heights. Together, we found new ways to enliven and inspire community through art.

Farewell to Sarah Schroth: An Exceptional Career in the Arts
This past spring, we planned a festive sendoff for our longtime director, Sarah Schroth, who retired after 25 years at Duke. Our dreams for a gala fundraiser in her honor on April 25 were postponed indefinitely. What an incredible honor and joy it was to work and grow together with Sarah over so many years! She was my professor during my undergraduate days and became my mentor, colleague and friend. I would not be where I am without Sarah, and I’m forever grateful. I look forward to the time when we can all thank Sarah properly in person.

Thank you!
I know that our future as a museum, the success of our country, and our futures as individuals, are intertwined with one another. I’m very excited to have this opportunity to lead the Nasher Museum into that future.

Our foundation is quite strong, thanks to the bold vision of our previous directors, Kim Rorschach and Sarah Schroth, and our talented and dedicated museum staff. It is wonderful to be part of Duke University, an innovative place that supports new ideas and scholarship towards the goals of greater equity and inclusion. Our Faculty Advisory Board, along with many other faculty and Duke students, inspire us with their groundbreaking research and the ways they teach from our collections across disciplines.

I am also grateful to our national Board of Advisors, which has always allowed for openness, exploration and the presentation of different ideas. I am also buoyed by our Friends Board, Duke alumni and museum members, who make so much of our work possible.

As a museum, we are a proud champion of artists as we seek to amplify their work and message. Since opening in 2005, we have provided a platform that increases the visibility of underrepresented artists and serves as a vital link between artists, their creative ideas, and the communities that we serve. Our mission, which guides everything we do, is to encourage important dialogue that arises from engaging with art. Thank you for supporting the Nasher Museum and the art that makes such a difference in all of our lives.

Trevor Schoonmaker
Mary D.B.T. and James H. Semans Director
Nasher Museum of Art at Duke University

A Nasher gallery guide leads a tour for K-12 children within Art for a New Understanding: Native Voices, 1950s to Now. Photo by J Caldwell.
The Sculpture Garden comes alive with performances by Duke's Native American Student Alliance and a Native American Culture Class to celebrate Native American Heritage Month and Art for a New Understanding: Native Voices, 1950s to Now. Photo by J Caldwell.
Visitors enjoy the opening event for Art for a New Understanding: Native Voices, 1950s to Now. Photo by J Caldwell.
First-year students enjoy their first visit to the Nasher Museum during the First Art Night Party, an orientation week tradition.
Artist Naama Tsabar created Composition 21 at the Nasher Museum on September 28. Photo by J Caldwell.
Nasher Museum Director Sarah Schroth looks out on the new Nasher Sculpture Park construction site. Photo by J Caldwell.
Hip-hop musician Frank Waln (Lakota) and the Sampson Brothers (Seneca and Muscogee Creek), who are hoop dancers, perform in the Sculpture Garden. Photo by J Caldwell.
Hip-hop musician Frank Waln (Lakota) and the Sampson Brothers (Seneca and Muscogee Creek), who are hoop dancers, perform in the Sculpture Garden. Photo by J Caldwell.
Nasher Museum Curator Marshall N. Price joins Mindy Besaw, curator of American art at Crystal Bridges and one of three co-curators of Art for a New Understanding, for a public talk.
Mark Anthony Neal, James B. Duke Distinguished Professor of African and African American Studies, leads a gallery talk through Cosmic Rhythm Vibrations. Photo by J Caldwell.
Nasher Friends Board members Lori Arthur Stroud (A.B.’79) and Duke Professor Deborah DeMott strike a pose with Nasher Museum Director Sarah Schroth and longtime museum supporter Jonathan Prinz at the opening event for Art for a New Understanding. Photo by J Caldwell
Students from Duke’s Music Department perform their own compositions inspired by art in Cosmic Rhythm Vibrations. Photo by J Caldwell.
Students from Duke’s Music Department perform their own compositions inspired by art in Cosmic Rhythm Vibrations. Photo by J Caldwell.
Visitors enjoy live music and art during a Reflections Program tour for people with dementia and their caregivers. Photo by J Caldwell.
Visitors enjoy making floral headpieces at "Lovely Wicked Crowns," a workshop co-sponsored by Sarah P. Duke Gardens to celebrate Ebony G. Patterson . . . while the dew is still on the roses . . .. Photo by J Caldwell.
A Duke student visits Ebony G. Patterson . . . while the dew is still on the roses . . the day before the public opening. Photo by J Caldwell.
Duke students visit Ebony G. Patterson . . . while the dew is still on the roses . . the day before the public opening. Photo by J Caldwell.
Students from Duke’s Music Department perform their own compositions inspired by art in Cosmic Rhythm Vibrations. Photo by J Caldwell.
Visitors enjoy making floral headpieces at "Lovely Wicked Crowns," a workshop co-sponsored by Sarah P. Duke Gardens to celebrate Ebony G. Patterson . . . while the dew is still on the roses . . .. Photo by J Caldwell.
Members of the Duke Amandla Chorus fill the galleries with beautiful songs at the Duke student opening event for Ebony G. Patterson . . . while the dew is still on the roses . . .at the Duke student opening event on March 5, 2020. Photo by J Caldwell.
Nasher Teen Council members visit study storage with Duke seniors Ashleigh Smith looking at works of art that Ashleigh plans to include in her senior project in the Academic Focus Gallery. Photo by J Caldwell.
Nasher Teen Council members, along with their new teaching assistant Nadjib Assani (far left, back) and program educator Jesse Huddleston (T’10) (center) review the finishing touches on a collage series, created by the teens, to thank some of their favorite guest arts educators. Photo by J Caldwell.
Curator Marshall Price (center) enjoys the Member Appreciation Party with his wife and daughter as Nasher Museum Director Sarah Schroth (second from right) chats with longtime museum friend and supporter Jonathan Prinz. Photo by J Caldwell.
The Nasher Museum's Great Hall is transformed into a Cardboard City during the Nasher's Free Family Day on Sunday, Jan. 26. During the event, visitors created structures out of cardboard shipping boxes, tape, construction paper and markers. The event also featured live performances by the nationally recognized traveling group Bright Star Touring Theatre, which performed African folktales in the Lecture Hall. Photo by J Caldwell
The Nasher Museum's Great Hall is transformed into a Cardboard City during the Nasher's Free Family Day on Sunday, Jan. 26. During the event, visitors created structures out of cardboard shipping boxes, tape, construction paper and markers. The event also featured live performances by the nationally recognized traveling group Bright Star Touring Theatre, which performed African folktales in the Lecture Hall. Photo by J Caldwell
Students spend time looking at artist/cultural practitioner william cordova's 2008 sculpture, a tower of vinyl records called Greatest Hits (para Micaela Bastidas, Tom Wilson y Anna Mae Aquash) [(for Micaela Bastidas, Tom Wilson and Anna Mae Aquash)]. Photo by J Caldwell.
First Year Duke University Students explore the Art for a New Understanding exhibition.
Duke Students gather in the Great Hall for our semi-annual Study Hall. Photo by J Caldwell.
Reflections visitors tour Art for a New Understanding exhibition. Photo by J Caldwell.
A Reflections visitor speaks about how a work of art impacted him that day. Photo by J Caldwell.
Just some of our many Reflections participants! Photo by J Caldwell.
Members of Duke University's Music Department perform for a group of Reflections visitors in the exhibition Cosmic Rhythm Vibrations. Photo by J Caldwell.
Gallery Guide Jenny Leinbach leads a tour of works in the museum's Great Hall for local high schoolers.
Gallery guide Bakari Roscoe leads a tour of Art for a New Understanding with local high schoolers
First Year Duke University Students explore the Art for a New Understanding exhibition.
Two student interns discuss Mesoamerican works with Julia McHugh, Trent A. Carmichael Curator of Academic Initiatives, (center) in the museum's study storage area.
Duke University Freshman Football players practice an exercise on communication in the exhibition Where We Find Ourselves: The Photographs of Hugh Mangum, 1897 – 1922. Photo by J Caldwell.
First Year Duke University Students explore the Art for a New Understanding exhibition.
Gideon Young, a member of the Carolina African American Writers’ Collective, reads haiku poetry and performs the flute at the Nasher Museum. Photo by J Caldwell.
Some of Our Favorite Moments from Fiscal Year 2020

Nasher by the Numbers:
July 1, 2019 –
June 30, 2020

$1.5 million

Cost of new Sculpture Garden

1,200

People in crowd on opening day of Sculpture Garden

21

Local musicians who performed in Composition 21 by Naama Tsabar, on opening day

3

Major exhibitions that opened

3

Special gallery installations

316

Works of art acquired

1,865

Weight in pounds of Corridor Pin, Blue, by Claes Oldenburg and Coosje van Bruggen

4,780

Weight in pounds of first sculpture installed in Sculpture Garden, Vessel by Radcliffe Bailey

48

Visual artists hosted by the museum for public talks and demonstrations

11

Installation crew members that assisted artist Ebony G. Patterson in her immersive solo exhibition

12,748

Silk flowers hand placed within Ebony G. Patterson . . . while the dew is still on the roses . . . exhibition, floor to ceiling

10

Days the Ebony G. Patterson . . . while the dew is still on the roses . . . exhibition was open before it closed

150

Crafters who made “lovely wicked crowns” in the Great Hall one evening

3

Hip-hop artists and hoop dancers who performed in the Sculpture Garden, [Frank Waln (Lakota) and the Sampson Brothers (Seneca and Muscogee Creek)]

4,568

Duke students who visited to study the collections, tour the galleries and attend social events

7

Undergraduate students who co-curated the Cultures of the Sea: Art of the Ancient Americas exhibition

1,245

Visitors at three Family Day events

19

Area teens on the Nasher Teen Council

260

Children and their caregivers who enjoyed stories read aloud in Spanish and English

1,212

Number of K-12 students reached in Zoom sessions by gallery guides and museum education staff between April and June

18

Live musical performances in the galleries for visitors with Alzheimer’s and their caregivers, as part the Reflections Program

63

Virtual talks for the Reflections Program

527

Participants in Reflections Program virtual talks

2,025

Visitors who took part in adult public tours in person

618

Enjoyed virtual experiences with gallery guides and education staff between March and June

146

K-12 teachers who visited for free workshops

3,320

K-12 visitors who took part in guided or self-guided tours in person

44,243

Visitors to the museum between July 1, 2019, and March 12, 2020

0

Visitors between March 13 and June 30

2

Years the original, traveling exhibition Roy Lichtenstein: History in the Making, 1948 – 1960 has been postponed at the Nasher

The Sculpture Garden

A huge crowd experiences two live performances of *Composition 21* by Brooklyn-based, Israeli-born artist Naama Tsabar, who create an aurally and visually immersive performance featuring 21 local musicians who identify as women and/or gender nonconforming. Photo by J Caldwell.

In fall 2019, the museum expanded its grounds for the first time since opening in 2005—with a $1.5 million new Sculpture Garden. More than 1,200 visitors came to our opening event on Sept. 28, 2019, despite the 90-degree heat and high humidity. The crowd experienced two live performances of Composition 21 by Brooklyn-based, Israeli-born artist Naama Tsabar, who created an aurally and visually immersive performance featuring 21 local musicians who identify as women and/or gender nonconforming. For visitors, sound became physical as they moved amongst the musicians standing on their pedestal-like amplifiers.

Naama Tsabar, Composition 21

Composition 21 by Naama Tsabar was organized and commissioned by the Nasher Museum of Art at Duke University, Durham, North Carolina, 2019. Video documentation and production by Kidethnic.com. Artwork © Naama Tsabar. Video © Nasher Museum of Art at Duke University.

Composition 21 was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions and was made possible, in part, by Ellen Cassilly, Frank Konhaus, and the Cassilhaus Artist-in-Residence Program.

First Sculpture

Radcliffe Bailey, *Vessel* (detail), 2017. Steel, conch shell and stereo. Collection of the Nasher Museum. Museum purchase with funds provided by the Nancy A. Nasher and David J. Haemisegger Family Fund for Acquisitions, 2018.9.1. © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery. Photo by Jess Wilcox.

The first sculpture installed in the new green space, Vessel, by Radcliffe Bailey, is a 13-foot cone of steel with an open ceiling that creates a skyscape. Inside, visitors are surprised to find a conch shell perched high; the shell emanates an ambient soundscape.

Visitors enjoy the opening event for Art for a New Understanding: Native Voices, 1950s to Now. Photo by J Caldwell.

Native Voices

Jeffrey Gibson, Radiant Tushka (detail), 2018. Repurposed quilt, assorted glass, plastic and stone beads, printed chiffon, nylon ribbon, canvas, acrylic paint, nylon fringe, copper, and artificial sinew, 95 ½ x 64 x 2 ½ inches (242.57 x 162.56 x 6.35 cm). Courtesy of the artist and Kavi Gupta, Chicago. Photography by Peter Mauney. — Jeffrey Gibson, *Radiant Tushka* (detail), 2018. Repurposed quilt, assorted glass, plastic and stone beads, printed chiffon, nylon ribbon, canvas, acrylic paint, nylon fringe, copper, and artificial sinew, 95 ½ x 64 x 2 ½ inches (242.57 x 162.56 x 6.35 cm). Courtesy of the artist and Kavi Gupta, Chicago. Photography by Peter Mauney.

The Nasher was proud to present our first exhibition of work by Native American and Indigenous artists, Art for a New Understanding: Native Voices, 1950s to Now. In fact, this was the first-ever major survey of contemporary Indigenous art in this country. Marshall N. Price, Nancy A. Nasher and David J. Haemisegger Curator of Modern and Contemporary Art, served as an advisor during the planning of Art for a New Understanding and was the coordinating curator while it was at the Nasher. Marshall led our staff’s community outreach efforts with members of the Indigenous community, resulting in rich programs and meaningful new relationships.

American Indians are alive and well, and we have many stories to tell. John Wayne didn’t get rid of all the Indians. We are living and breathing.
Danny Bell (Lumbee/Coharie), Nasher Museum Friends Board member

Program Assistant for American Indian and Indigenous Studies at UNC Danny Bell, Associate professor of American Studies at UNC Jenny Tone-Pah-Hote

Podcast

Native Voices: Danny Bell

In this episode of the Nasher Museum Podcast, you’re listening to Danny Bell (Lumbee/Coharie), president of the Triangle Native American Society and retired program coordinator for the Curriculum in American Indian Studies...

Duration 4m05s Published November 20, 2019

Semans Lecture

Candice Hopkins, one of three co-curators of Art for a New Understanding: Native Voices, 1950s to Now, delivered the Annual Semans Lecture on October 3, 2019. Hopkins is Tlingit and a citizen of Carcross/Tagish First Nation, Yukon, Canada. Her writing and curatorial practice explores the intersections of history, contemporary art and indigeneity.

Artists are approaching a lot of what they do with a great deal of humor. The only way you can talk about some of the questions they are talking about, which is the formation of this land, and potentially dispossession, is sometimes through the lens of humor, because that is what brings us together.
Candice Hopkins (Tlingit and a citizen of Carcross/Tagish First Nation, Yukon, Canada), in a Nasher podcast episode.

Podcast

Native Voices: Candice Hopkins

In this episode of the Nasher Museum Podcast, you’re listening to Candice Hopkins, one of three co-curators of Art fo...

Duration 7m49s Published November 04, 2019

Students from Duke’s Music Department perform their own compositions inspired by art in Cosmic Rhythm Vibrations. Photo by J Caldwell.

Cosmic Rhythm Vibrations

Our major Fall 2019 collection show, Cosmic Rhythm Vibrations, was Trevor Schoonmaker’s most recent curatorial project, just before he became director. This exhibition not only embodies the museum’s collection strategy of focusing on global artists of color, it also reveals Trevor’s penchant for starting his exhibition research with music.

Most of the works came from the museum’s contemporary collection, but the exhibition also included modern paintings, 19th-century prints, traditional African instruments and ancient American ceramics.

Cultures of the Sea: Student-Curated Exhibition

More than 80 visitors gathered to hear a gallery talk by Duke undergraduate students on the exhibition they co-curated, Cultures of the Sea: Art of the Ancient Americas, in the Incubator Gallery. They organized the exhibition through a Curatorial Practicum class taught at the Nasher Museum by Julia McHugh, Ph.D., Trent A. Carmichael Curator of Academic Initiatives. Photo by Wendy Hower. — More than 80 visitors gather to hear a gallery talk by undergraduate students on the exhibition they co-curated, *Cultures of the Sea: Art of the Ancient Americas*, in the Incubator Gallery. They organized the exhibition through a Curatorial Practicum class taught at the Nasher Museum by Julia McHugh, Ph.D., Trent A. Carmichael Curator of Academic Initiatives. Photo by Wendy Hower.

The Nasher Museum has always nurtured students and served as a supportive environment for our Duke faculty who dream big. This past year, we exceeded our own high expectations with Cultures of the Sea: Art of the Ancient Americas, a beautiful exhibition co-curated by seven undergraduate students in the Curatorial Practicum: Exhibition Development and Design course in the Museum Theory & Practice Concentration, taught by Julia McHugh, Ph.D., Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum.

In addition to researching each object and writing labels, the students began 3D printing objects that museum visitors can touch.  They also worked in collaboration with Duke Radiology to do CT scans of several of the featured objects. Those scans showed how many of the works also functioned as musical instruments.

Ebony G. Patterson

In February, just before the pandemic hit, one of our large gallery pavilions was transformed into a lush and provocative garden—the most significant exhibition to date of work by artist Ebony G. Patterson. Hyperallergic.com named Ebony G. Patterson . . . while the dew is still on the roses . . . one of the top 20 U.S. art shows of 2019.

Patterson’s art tills curious notions of time and passage without the usual pretensions that accompany this sort of subject matter. I still remember the experience today, even as the details of the art has slowly faded away. It was brilliant.
Hrag Vartanian in Hyperallergic.com

Video

In the artist’s own words: Ebony G. Patterson

by Nasher Museum Duration 3m 15sec Published March 25, 2020

Rothschild Lecture

The Rothschild Lecture, a conversation between Ebony and Richard J. Powell, John Spencer Bassett Professor of Art & Art History and professor in the Department of African and African American Studies at Duke, was originally scheduled for April 9, 2020. We had to postpone it for months, but then hosted their talk virtually on December 2, 2020. From her Chicago apartment, Ebony spoke via Zoom (video conferencing) with Rick, whose Durham garden filled the screen behind him. Their lively conversation covered family and geography in her native Jamaica, a recent discovery that the artist’s great-grandmother is distantly related to Marcus Garvey, how she made her peace with gardens and her inspiration behind Ebony G. Patterson . . . while the dew is still on the roses . . . .

Kingston is the creative capital of the world, you know? If America is an economic superpower, then Jamaica is a cultural superpower. And that is not an if, an and or a but! It’s just a fact.
Ebony G. Patterson

Virtual Tours and Experiences

Before the pandemic, half of all visitors to the Nasher Museum arrived through the website, not in person. Still, we tended to focus most of our efforts on in-person exhibitions and events. After the museum closed temporarily, however, the staff and I shifted priorities in an effort to share art with broader audiences. Virtual experiences, we began to realize, are the way of the future for the global art world.

Early in April 2020, we began to think about how to offer high-quality experiences that allow visitors to return to an exhibition again and again, even after they leave the museum. When the pandemic is over, we will continue to offer access to artwork beyond what is possible in person. Virtual tools allow for incredibly focused, close-up images that allow visitors to zoom in and slowly explore works of art. Video conferencing platforms allow our curators and gallery guides to interact with visitors who face barriers to visiting in person. Our education staff quickly moved the Reflections Program for people with dementia and their caregivers to Zoom and found a very enthusiastic reception.

Nasher in the News

How a Vital Art Education Program for People With Alzheimer’s Successfully Moved Online

Before March 11, Reflections tour groups met in person. However, due to extra precautions related to the novel coronavirus and North Carolina’s stay at home orders, the Nasher pivoted the program virtually via Zoom.

view article on Hyperallergic.com | Published June 01, 2020

VIRTUAL TOUR:
Ebony G. Patterson . . . while the dew is still on the roses . . .

Travel virtually through this immersive installation environment that evokes a night garden. Glide up the walls and ceiling to view floral arrangements, purple butterflies, glittering black shoes. Float across surfaces layered with flowers, glitter, lace and beads.

When the museum had to close temporarily because of the pandemic, the Nasher Museum partnered with Duke’s Wired! Lab for Digital Art History & Visual Culture to begin creating virtual experiences of exhibitions. Mark Olson, assistant professor of the practice of Visual & Media Studies at Duke, became our faculty advisor for digital projects at the Nasher. I am proud of how these projects began taking place so quickly and collaboratively across many museum departments. We reached out to the seven undergraduate students, who had graduated in May, and asked them to record themselves as avatars (Memojis) to help humanize the new virtual tour of Cultures of the Sea: Art of the Ancient Americas.

Articles

VIRTUAL EXHIBITION:
Cultures of the Sea: Art of the Ancient Americas

We invite you to visit our first-ever interactive virtual exhibition, Cultures of the Sea: Art of the Ancient Americas<...

Published September 14, 2020

Installation view; Cultures of the Sea: Art of the Ancient Americas; Nasher Museum of Art at Duke University. Photo by Peter Paul Geoffrion.

Nasher in the News

The Nasher goes virtual with new digital projects

“The landscape of immersive museum tech changes every day, so I would encourage students to think deeply about the tools that would enhance their museum experience –– then go out and build them. The Nasher staff are embrac...

view article on The (Duke) Chronicle | Published September 10, 2020

Théo Van Rysselbergh, Les Errants (The Wanderers), 1897, lithograph in black and white, 42.3 x 51.4 cm, Library of Congress.

exhibition

Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914

October 05 – December 15, 2019

Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914 brought together prints and graphic materials that were donated by key modern European artists in support of the anarchist journal Les Temps N...

Articles

Rob Knebel: New Deputy Director of Operations

Arts organizations need great art; they also need great numbers. The combination of budget supervision and service to artists drew Rob Knebel to the Nasher Museum, where he accepted the position of Deputy Director of Opera...

Published January 28, 2020

Articles

Remembering Jenny Tone-Pah-Hote

“We need to be in charge of our own art. We need to determine what the parameters are. This is the manifesto. This is the beginning of a long conversation.” – Jenny Tone-Pah-Hote, member of the Kiowa Tribe of O...

Published September 09, 2020

, push pull. .
More Information
, Indian and Storefront. .
More Information
, Tignon for Ayda Weddo (or that which a center can not hold). .
More Information
, David Hammons, Bliz-aard Ball Sale I. .
More Information
, Peelatchiwaaxpáash / Medicine Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation. .
More Information
, tearing me apart, so much so that I become beautiful ( woman exploring a smile ). .
More Information
, Lounge at The Johnson Publishing Company Headquarters, Chicago, Illinois. .
More Information
, Theatre of the Divine from the portfolio Great Women Artists. .
More Information
Highlights from 2020 Acquisitions

The Nasher Museum’s national Board of Advisors approved 316 acquisitions during Fiscal Year 2020, including photography, works on paper, paintings, sculpture and video.

Video

Haiku in the Rain

Five haiku poets of the Carolina African American Writers’ Collective gathered in the Nasher Museum Sculpture Garden and responded to the COVID-19 pandemic and the global pro...

by Nasher Museum Duration 4m 47sec Published June 22, 2020

Acquisitions to the Collection 2020

PAINTING - Show More

PAINTING

Firelei Báez, Tignon for Ayda Weddo (or that which a center can not hold), 2019. Acrylic and oil on archival printed canvas, 91 1/2 × 114 1/4 inches (232.41 × 290.2 cm). Museum purchase, 2019.24.1.

Charles Émile Jacque, Tending the Flock, n.d. Oil on canvas, 47 × 40 1/2 × 4 inches (119.38 × 102.87 × 10.16 cm). Gift by transfer from Lilly Library, Duke University; gift of C.C. Dula to Duke University, 1930; 2019.29.1.

Jacob Maris, Beach Scene, n.d. Oil on canvas, 42 × 31 × 4 inches (106.68 × 78.74 × 10.16 cm). Gift by transfer from Lilly Library, Duke University; gift of C.C. Dula to Duke University, 1930; 2019.29.2.

Fritz Scholder, Indian and Storefront, 1974. Acrylic on canvas, 30 × 40 inches (76.2 × 101.6 cm). Gift of the William R. Kenan, Jr. Charitable Trust to the Ackland Art Museum and the Nasher Museum of Art at Duke University; 2020.4.1.

MIXED MEDIA

Kathryn Andrews,TRINITY FOR PRESIDENT aka Historical Campaign Poster Painting No. 3 (Manifest Destiny), 2015. Aluminum, ink, paint, Plexiglas, and certified film costume; 107 1/2 × 95 5/8 × 3 3/4 inches (273.05 × 242.89 × 9.53 cm). Anonymous gift, 2019.28.1.

Theresa Chromati, tearing me apart, so much so that I become beautiful ( woman exploring a smile ), 2019. Acrylic, glitter, and vinyl plastic on mdf and canvas; 90 × 90 inches (228.6 × 228.6 cm). Museum purchase with funds provided by Doug Smooke (A.B.’90) and Kim Blackwell (A.B.’89, H.S.’94–’00), 2020.1.1.

Tony Cragg, Real Plastic Love, 1984. Found plastic objects on painted acrylic panel, 77 x 33 inches (195.6 x 83.8 cm). Gift of Tom (A.B.’66, P’04) and Charlotte Newby (P’04), 2018.25.3.

Derek Fordjour, Signing Day, 2019. Acrylic, charcoal, oil pastel, and foil on newspaper mounted on canvas; 74 1/2 × 50 1/2 inches (189.23 × 128.27 cm). Gift of Blake Byrne, A.B.’57; 2019.25.1.

Lynn Hershman Leeson, Roberta Breitmore, 1976. Painted photograph, 24 × 35 3/4 × 1 1/2 inches (60.96 × 90.81 × 3.81 cm). Gift of Kristine Stiles, 2019.30.1.

Hugo McCloud, push pull, 2019. Plastic merchandise bags on wood panel, 55 × 85 inches (139.7 × 215.9 cm). Gift of Nancy A. Nasher (J.D.’79, P’18, P’22) and David J. Haemisegger (P’18, P’22), 2020.3.1.

Jim Roche, Minimalism Leveling Out, Especially Out, Piece, 1973. Gelatin silver prints and graphite on paper, 14 1/8 × 11 1/8 × 1 1/4 inches (35.88 × 28.26 × 3.18 cm) each. Museum purchase, 2019.23.1.

Carlos Vega, Fray Escoba, 2005. Oil and collage on canvas, 19 × 17 inches (48.26 × 43.18 cm). Gift of Douglas Smooke, A.B.’90; 2019.21.1.

PHOTOGRAPHY - Show More

PHOTOGRAPHY

Fratelli Alinari

Autel de San Savino dans la cathédrale de Faenza, commandé par Giovanna Manfredi en 1468 à Benedetto da Maiano efferminè entre 1470 et 1479 (Altar of San Savino in the Cathedral of Faenza, commissioned by Giovanna Manfredi in 1468, sculpted by Benedetto da Maiano between 1470 and 1479) , Faenza, Italy, c. 1860s. Vintage albumen print from a collodion negative, 15 1/4 × 12 1/2 inches (38.74 × 31.75 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.126.

Prato cattedrale. La madonna col bambino ges ù e santi [Andrea della Robbia (Prato Cathedral. Madonna and baby Jesus with saints [Andrea della Robbia]) , Prato, Italy, c. 1860s. Vintage albumen print from a collodion negative, 12 1/2 × 17 inches (31.75 × 43.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.125.

Dmitri Baltermants

“Toy Salamis”: Cyprus, early 1970s
, n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.7.

A hot summer’s day: children at play in the spray of Moscow’s first
sprinkler-truck, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.1.

A nation turns its back: Khrushchev’s last stand atop the Lenin
Mausoleum, May 1, 1964, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.2.

A year before the coup: Salvador Allende with his dogs, Chile, 1972, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.11.

From a Day of Grief, Kerch, Crimea, January 1942, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.4.

Man entering house, Aragats mountains, Armenia, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.8.

Movie night, Vietnam 1955 , n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.5.

Pacific fisherman with his nets, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.12.

Sculpture with thatched huts, Cuba, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94
cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.6.

Test Pilot Ahmet Khan Sultan, Twice Hero of the Soviet Union, 1961, n.d. (printed 2003). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.3.

Under their watchful gazes: Brezhnev and company in a balcony decorated
with the Soviet Seal, n.d. (printed 2003). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.10.

Yagodinskaya Geological Complex Expedition, Chukotka, n.d. (printed 2003). Gelatin silver print, 14 x 11 inches (35.56 x 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.9.

Dawoud Bey

David Hammons, Bliz-aard Ball Sale I, 1983. Archival pigment photograph on Dibond mount, edition 1/6, 33 x 44
inches (83.82 x 111.76 cm). Museum purchase, 2019.20.1.

Ilse Bing

Experimental photomontage, 1942 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.18.

Moving railway clutches on rails, 1929 (printed later). Gelatin silver print, 9 × 13 1/2 inches (22.86 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.15.

Restaurant Au Vieux Paris, 1934 (printed later). Gelatin silver print, 7 1/2 × 9 1/2 inches (19.05 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.16.

Seated man with hat and cane, Frankfurt, 1929 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.17.

Spider Lily, 1953 (printed later). Gelatin silver print, 13 1/4 × 10 1/4 inches (33.66 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.13.

Two seagulls flying overhead, New York Harbor, 1936. Gelatin silver print, 7 5/8 × 11 1/8 inches (19.37 × 28.26 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.19.

Wild Anemones, 1928 (printed later). Gelatin silver print, 4 1/4 × 3 1/4 inches (10.8 × 8.26 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.14.

Pierre Boucher

King Farouk’s wedding: The enormous crowd in front of the Royal Palace, Cairo, Egypt, 1952. Vintage gelatin silver print, 10 1/4 × 9 1/2 inches (26.04 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.204.

Lighthouse, France, 1935. Vintage gelatin silver print, 10 1/2 × 9 1/4 inches (26.67 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.205.

Portrait of man with graying hair, Saint-Tropez, France, 1935. Vintage gelatin silver print, 10 1/4 × 9 3/4 inches (26.04 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.206.

Domenico Bresolin

Église St Mare l’statues de St Mare, de la Vierge et des 12 apotres par Jacobello et Pietro Paolo dalle Masegne 1393. Crois par Jacopo di Marco Bonato 1394 (Church of Saint Mary, statue of Saint Mary, the virgin and 12 apostles by Jacobello and Pietro Paollo from Masegne 1393. Cross by Jacopo of Marco Bonato 1394), Venice, c. 1860s. Vintage albumen print from a
collodion negative, 11 × 13 1/4 inches (27.94 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.118.

Harry Callahan

Camera Movement on Neon Lights at Night, Chicago, 1946 (printed 1980–1981). Dye transfer print, 8 3/4 × 13 3/8 inches (22.23 × 33.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.149.

Cape Cod, 1976 (printed 1980–1981). Dye transfer print, 14 × 18 inches (35.56 × 45.72 cm) overall. Gift of Charles (A.B.’84) and Linda Googe, 2019.17.148.

Paul Caponigro

Little River, Redding, Connecticut, c. 1968. Vintage gelatin silver print made from Polaroid Polapan 4×5 film Type 52, 3 1/2 × 4 1/2 inches (8.89 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.191.

Untitled (Black leaf), n.d. Vintage gelatin silver print made from Polaroid Positive/Negative 4×5 film Type 55, 7 3/4 × 6 1/8 inches (19.69 × 15.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.189.

Untitled (Garlic in bowl), n.d. Vintage gelatin silver print (enlargement print) made from Polaroid Positive/Negative 4×5 film Type 55, 7 3/4 × 6 1/8 inches (19.69 × 15.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.190.

Untitled (Plants and Sunlight through Forest in Background), 1968. Vintage gelatin silver print and contact print made from Polaroid Polapan 4×5 film Type 52, 4 1/2 × 3 1/2 inches (11.43 × 8.89 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.188.

Henri Cartier-Bresson

Carl Jung, Kusnacht, Switzerland, 1959. Vintage gelatin silver print, 9 7/8 × 6 1/2 inches (25.08 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.153.

Chanel designer M. Esparza, France, 1973. Vintage gelatin silver print, 6 5/8 × 10 inches (16.83 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.154.

Jerome Robbins, New York, 1959. Vintage gelatin silver print, 7 3/4 × 11 3/4 inches (19.69 × 29.85 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.156.

Leonard Bernstein, New York, 1960. Vintage gelatin silver print, 7 3/4 × 11 3/4 inches (19.69 × 29.85 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.230.

Robert Rauschenberg in his Manhattan studio, 1968. Vintage gelatin silver print, 7 3/4 × 11 1/2 inches (19.69 × 29.21 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.155.

Mark Citret

Gull Ascending, Hancock Park, Los Angeles, 2003. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 11 inches (21.59 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.21.

Mall Parking Lot, 1997. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 11 inches (21.59 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.20.

Mesquite #6, Death Valley, 1997. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 5 1/2 inches (21.59 × 13.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.26.

Pedestrian Ramp, Upper Market Street, 1999. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.22.

Shopping Cart, Hailey, Idaho, 2006. Gelatin silver print on vellum (Kodak Polyfiber A), 8 1/2 × 5 1/2 inches (21.59 × 13.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.25.

Storm Drain, Flagstaff, 2001. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.24.

Waiting Man #2, Art Institute of Chicago, 2001. Gelatin silver print on vellum (Kodak Polyfiber A), 11 × 8 1/2 inches (27.94 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.23.

Larry Colwell

Nude seated on log (Joan), Carmel Valley, California, 1958. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.244.

Standing nude on dock (Jytte Svendson), c. 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.245.

Harold Haliday Costain

Crowd in stand under flag, c. 1935. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.31.

Drilling a 60-ton rock salt block, Avery Island, Louisiana, 1934. Vintage gelatin silver print, 6 × 4 1/2 inches (15.24 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.29.

Factory interior with boxes of sugar on conveyor belt, Long Island City, c. 1935. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.28.

Night view of two fishermen on dock, c. 1935. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.37.

Pan American Airways hangar, Miami, c. 1931. Vintage ferrotyped gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.39.

Pilot with man in suit, c. 1935. Vintage ferrotyped gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.38.

Portrait of Tallulah Bankhead, c. 1935. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.32.

Salt distillery, Long Island City, c. 1935. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.27.

Stack of clay pots next to tree, Schlegle Orchids, Brooklyn, NY, 1933. Vintage ferrotyped gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.30.

Still life with spools of thread and metal wire, c. 1935. Vintage ferrotyped gelatin silver print, 12 1/2 × 11 inches (31.75 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.35.

Study of Chevrolet grill, c. 1935. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.33.

Two models standing in front of car, c. 1935. Vintage gelatin silver print, 11 x 14 inches (27.94 x 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.34.

Woman painting mannequin face, c. 1935. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.36.

Gordon H. Coster

Advertisement: Woman Touching Movable Radio Set, c. 1930. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.193.

Fashion photograph: Ladies and Gentleman in Winter Evening Attire, c. 1930s. Vintage gelatin silver print, 16 × 13 1/4 inches (40.64 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.192.

Bruce Davidson

Brooklyn Gang, 1959. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.103.

Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.12.

Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.127.

Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.128.

Brooklyn Gang, 1959. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.129.

Brooklyn Gang, 1959. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.31.

Brooklyn Gang, 1959. Gelatin silver print, 14 × 17 inches (35.6 × 43.2 cm). Anonymous gift, 2018.24.92.

Brooklyn Gang, 1959. Gelatin silver print, 20 x 16 inches (50.8 x 40.6 cm). Anonymous gift, 2018.24.93.

Brooklyn Gang, 1959. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.99.

Brooklyn Gang, 1959. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.102.

Brooklyn Gang, n.d. Gelatin silver print, 24 x 20 inches (61 x 50.8 cm). Anonymous gift, 2018.24.100.

Brooklyn Gang, n.d. Gelatin silver print, 24 x 20 inches (61 x 50.8 cm). Anonymous gift, 2018.24.101.

California – Campers – Trip West – Ugly Americans, 1966. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.91.

California – Pacific Coast Highway, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.130.

Central Park – Man, Gapstow Bridge, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.132.

Central Park – Man, Gapstow Bridge, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.133.

Central Park, 1992. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.89.

Central Park – Snow, n.d. Iris print, 21 × 41 inches (53.34 × 104.14 cm). Anonymous gift, 2018.24.131.

Chicago, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.84.

Chicago, 1989. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.79.

Chicago, 1989. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.80.

Chicago, n.d. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.15.

Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.40.

Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.41.

Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.42.

Circus, 1958. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.44.

Circus, 1958. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.39.

Circus, 1958. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.43.

Circus, 1958 (printed later). Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.3.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.2.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.4.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.5.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.6.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.7.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.8.

Circus, 1958 (printed later). Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.9.

Circus, n.d. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.14.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.25.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.26.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.27.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.30.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.45.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.47.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.48.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.50.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.51.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.52.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.53.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.95.

East 100^th Street, 1966. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.97.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.28.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.29.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.46.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.49.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.54.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.55.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.94.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.96.

East 100^th Street, 1966. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.98.

England & Scotland & Wales, n.d. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.13.

Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.71.

Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.74.

Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.76.

Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.77.

Italy – Sicily, 1961. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.78.

Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.72.

Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.73.

Italy – Sicily, 1961. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.75.

Italy – Sicily, n.d. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.70.

Italy – Sicily, n.d. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.69.

New York – Lower East Side, 1957. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.86.

New York – Lower East Side, 1957. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.87.

New York – Lower East Side, 1990. Resin-coated print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.17.

New York – Lower East Side, 1990. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.18.

New York – Lower East Side, 1990. Resin-coated print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.19.

New York – Lower East Side, 1990. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.20.

Portraits – Cal Ripkin, 1995. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.81.

Portraits – Edward Steichen, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.85.

Portraits – Max Cleland, 1999. Resin-coated print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.82.

Portraits – Sammy Davis Jr., 1965. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.38.

Portraits – Thomas Hart Benton, 1971. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.90.

Portraits – Unidentified, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.83.

Spanish Priest, 1965. Gelatin silver print, 14 x 11 inches (35.6 cm x 27.9 cm). Anonymous gift, 2018.24.36.

Spanish Priest, 1965. Gelatin silver print, 14 x 11 inches (35.6 cm x 27.9 cm). Anonymous gift, 2018.24.37.

Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.117.

Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.118.

Subway, n.d. Chromogenic print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.119.

Subway, n.d. Chromogenic print, 20 × 24 inches (50.8 × 61 cm). Anonymous gift, 2018.24.124.

Subway – Saint Ann’s (2013), n.d. Dye transfer print, 20 × 24 inches (50.8 × 61 cm). Anonymous, 2018.24.125.

Subway – Saint Ann’s (2013), n.d. Dye transfer print, 20 × 24 inches (50.8 × 61 cm). Anonymous, 2018.24.126.

Time of Change, 1960. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.106.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.21.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.22.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.56.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.57.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.59.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.60.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.63.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.104.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.105.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.107.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.110.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.113.

Time of Change, 1962. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.116.

Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.58.

Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.64.

Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.109.

Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.114.

Time of Change, 1962. Gelatin silver print, 16 × 20 inches (40.6 × 50.8 cm). Anonymous gift, 2018.24.88.

Time of Change, 1962. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.111.

Time of Change, 1962. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.120.

Time of Change, 1962. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.121.

Time of Change, 1962. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.122.

Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.61.

Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.62.

Time of Change, 1963. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.108.

Time of Change, 1963. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.123.

Time of Change, 1963–1965. Resin-coated print, 8 × 11 inches (20.3 × 27.9 cm). Anonymous gift, 2018.24.16.

Time of Change, 1965. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.68.

Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.65.

Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.66.

Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.67.

Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.112.

Time of Change, 1965. Gelatin silver print, 10 x 8 inches (25.4x 20.3 cm). Anonymous gift, 2018.24.115.

Time of Change, 1970–1980. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.1.

Time of Change, n.d. Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm). Anonymous gift, 2018.24.23.

Time of Change, n.d. Gelatin silver print, 10 x 8 inches (25.4 x 20.3 cm). Anonymous gift, 2018.24.24.

Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.32.

Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.33.

Topless Restaurant, 1965. Gelatin silver print, 14 x 11 inches (35.6 x 27.9 cm). Anonymous gift, 2018.24.34.

Topless Restaurant, 1965. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.35.

Widow of Montmartre, 1957–1960. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.10.

Widow of Montmartre, 1957–1960. Gelatin silver print, 11 × 14 inches (27.9 × 35.6 cm). Anonymous gift, 2018.24.11.

Mike Disfarmer

Girl standing on table, striped background, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.44.

Seated woman in elegant dress, shell background, c. 1920. Vintage gelatin silver contact print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.41.

Standing soldier, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.45.

Standing young woman with button-down dress and bow in hair, c. 1940. Vintage ferrotyped gelatin silver print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.43.

Three women and one girl, all standing, c. 1940. Vintage gelatin silver contact print, 4 1/2 × 3 inches (11.43 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.40.

Two standing young men, one holding cigarette, the other with flared collar, c. 1940. Vintage gelatin silver contact print, 5 × 3 inches (12.7 × 7.62 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.42.

František Drtikol, Le Repos (Rest), n.d. (printed c. 1960). Vintage blue-toned gelatin silver bromide print, 8 1/2 × 11 1/4 inches (21.59 × 28.58 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.246.

Alfred Eisenstaedt

Haile Selassie on porch with men and dogs, Ethiopia, c. 1935. Vintage gelatin silver print, 6 3/4 × 9 1/4 inches (17.15 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.47.

Outdoor market, Addis Ababa, Ethiopia, 1935. Vintage gelatin silver print, 6 × 9 1/4 inches (15.24 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.48.

War under the tropical sun: Small artillery unit in eucalyptus trees, second Italo-Abyssinian War, Ethiopia, 1935. Vintage gelatin silver print, 9 1/4 × 4 1/2 inches (23.5 × 11.43 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.46.

Leonard Freed

A search party scouting the undergrowth in a wooded area along the Chattahoochee River, Atlanta, Georgia, 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.51.

A shepherd milks his goatherd for handmade cheese production, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.143.

A vast billboard asking residents to help the Task Force, Atlanta, Georgia, 1980. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.50.

Anthony Sistrunck, wanted for bank robbery and the killing of a policeman, was finally captured. It was then discovered that he was accused of four other murders in four different states. A detective adjusts his handcuffs upon his arrival at the Manhattan homicide squad, NYC, 1975. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.52.

Arab refugee camp near Hebron in occupied West Bank, a U.N. car with a medical man, Israel, 1967. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.207.

Arab woman in the yard of her home in the Old City of Jerusalem, Israel, 1967. Vintage gelatin silver print, 14 1/4 × 9 3/4 inches (36.2 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.209.

Arabs singing and dancing at a wedding in an Arab village, Israel, 1968. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.208.

At all times the detectives carry their guns, even while working at their desks in the police station, NYC, 1975. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.54.

Cafe, Venice, Italy, 2004. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.133.

Crowd at divorce demonstration, Rome, Italy, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.131.

Goat herder with tools in hand, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.141.

Group of nuns, Rome, Italy, 2003. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.137.

Horse in car, Rome, Italy, 2001. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.139.

Leone Giovanni voting, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.132.

Man in doorway with Christy Turlington billboard, Rome, Italy, 2003. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.138.

Man looking for clams in waterbed, Trapani, Sicily, 1975. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.145.

Man walking by wooden fisherman, Normandy, France, 1964. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.49.

Men with planks, Venice, Italy, 2004. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.134.

Men with torches at divorce protest, Rome, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.129.

Old woman in car holding flag, Rome, Italy, 2001. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.136.

Portrait of an elderly man, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.142.

Repairing tuna fishing boat, Trapani, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.147.

Rows of seated inmates at Tombs Prison, NYC, 1972. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.53.

The half-naked body of this victim was found in a cleaning of the woods near the Hudson River and the George Washington Bridge, the homicide squad had to first find her identity and then locate the murderer, NYC, 1975. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.55.

The Israeli census people are coming into the Arab homes in the Old City of Jerusalem to count the population after the Six Day War, Israel, 1967. Vintage gelatin silver print, 14 1/2 × 10 inches (36.83 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.210.

The shepherds take turns sleeping nights in the barn to protect their goats and cheese-making tools from being stolen, Sicily, 1974. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.144.

The socialist party in the streets of Rome, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.130.

Tuna fishing boat repair port in old fort, Trapani, Sicily, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.146.

Two nudes, New York, 2002. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.247.

Walking down alley, Venice, Italy, 2004. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.135.

Woman in apron, Sicily, 1973. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.140.

Women in fruit canning factory, Bologna, Italy, 1974. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.128.

Gisèle Freund

Jean Paul Sartre and Simone de Beauvoir, année prix Nobel pour Sartre (the year Sartre won the Nobel Prize), 1964. Vintage gelatin silver print, 11 × 7 3/4 inches (27.94 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.157.

Pierre Reverdy, c. 1940. Vintage gelatin silver print, 9 3/4 × 8 inches (24.77 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.158.

Burt Glinn

Brigitte Bardot playing guitar, Saint Tropez, France, 1958. Vintage gelatin silver print, 13 3/4 × 8 7/8 inches (34.93 × 22.54 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.161.

Danny Kaye in Israel with child in wheelchair, 1956. Vintage gelatin silver print, 13 1/2 × 9 inches (34.29 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.162.

Liza Minnelli and her dog during the filming of “Tell Me That You Love Me, Junie Moon,” San Diego, 1969. Vintage gelatin silver print, 9 3/4 × 6 3/4 inches (24.77 × 17.15 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.160.

Portrait of Sammy Davis Jr., 1959. Vintage gelatin silver print, 6 5/8 × 9 5/8 inches (16.83 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.159.

Twiggy with Justin De Villeneuve, London, 1966. Vintage gelatin silver print, 9 3/4 × 6 1/2 inches (24.77 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.163.

David Hartt

Lounge at The Johnson Publishing Company Headquarters, Chicago, Illinois, 2011. Archival pigment print mounted on Dibond, 48 × 64 inches (121.92 × 162.56 cm). Museum purchase with funds provided by Doug Smooke (A.B.’90) and Kim Blackwell (A.B.’89, H.S.’94–’00), 2020.2.1.

Ken Heyman

A Northern chieftain watches the ceremony in Sokato on Independence Day in Northern Region, Nigeria, 1959. Vintage gelatin silver print, 13 × 9 1/4 inches (33.02 × 23.5 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.64.

A poor village woman of Kenya looking for lice in her baby’s hair. She carries her baby but usually on her side and swings the infant in front of her for breastfeeding, Kenya, 1965. Vintage gelatin silver print, 12 × 9 inches (30.48 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.60.

A typical village scene, Meshia, twenty-five miles from Cairo, Egypt, n.d. (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.62.

Amputated child behind wood panel, Nigeria, 1961. Vintage gelatin silver print, 14 × 11 1/2 inches (35.56 × 29.21 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.57.

An engineman and an old locomotive, Knoxville, Tennessee, 1963 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.61.

Boys and women in sampans, Hong Kong, c. 1968. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.63.

Claes Oldenburg, Allen Jones, Roy Lichtenstein, British fashion model Jean Shrimpton and Andy Warhol, 1964 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.164.

During Semana Santa, or Holy Week at Easter time in Seville, Spain. These men are resting after carrying huge float in the religious precession, 1964. Vintage gelatin silver print, 12 1/2 × 16 1/2 inches (31.75 × 41.91 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.56.

Grandparents and granddaughters enjoy each other’s company in the yard, Sicily, c. 1960. Vintage gelatin silver print, 11 × 17 inches (27.94 × 43.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.58.

India, the Ganges, 1974. Gelatin silver print, 7 3/8 × 9 7/8 inches (18.73 × 25.08 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.59.

Ken and daughter’s toosh, Florida, 1972. Vintage gelatin silver print, 12 1/2 × 13 1/2 inches (31.75 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.248.

Leonard Bernstein, New York, n.d. (printed later) Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.231.

Roy Lichtenstein in mirror reflections, 1964 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.165.

Florence Homolka

Charles Laughton and Eugenie Leontovitch performing Chekhov’s The Cherry Orchard, c. 1960. Vintage gelatin silver print, 13 1/2 × 10 1/2 inches (34.29 × 26.67 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.167.

Charlie Chaplin in pajamas with tall hat on the set of Limelight, 1952. Vintage gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.166.

Maurice Utrillo, c. 1960. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.168.

Henry Horenstein

Bartenders, Cajun Bar, New Orleans, LA from the series Honky Tonk, 1972. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.68.

Blues Singer, Houston, TX from the series Honky Tonk, 2007. Gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.65.

Clyde Moody from the series Honky Tonk, c. 1973. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.69.

Emmy Lou Harris at Home, Los Angeles, CA from the series Honky Tonk, 1980 (printed later). Gelatin silver print, edition 2/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.66.

Family 2, Lone Star Ranch, Reeds Ferry, New Hampshire from the series Honky Tonk, 1972. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.70.

Slow Dancing, Bar on Boardwalk, Hollywood, FL from the series Honky Tonk II, 1994. Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.67.

Untitled, Boston, Massachusetts from the series Humans, 2003. Sepia-toned gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.251.

Untitled, Boston, Massachusetts from the series Humans, 2003. Sepia-toned gelatin silver print, edition 1/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.249

Untitled, Boston, Massachusetts from the series Humans, 2003. Vintage gelatin silver print, 20 × 16 inches (50.8 × 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.250.

André Kertész, Celebration in Montparnasse after the first Futurist ballet, 1954. Vintage gelatin silver print, 7 1/4 x 9 1/2 inches (18.42 x 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.169.

Jacques Lowe

Construction worker in “Bethlehem Steel” hardhat leaning with toolbox and wrench, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.75.

Construction worker walking with tool box, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.73.

Construction worker working on heavy pipes, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.74.

Construction workers pulling cables on top of skyscraper with smoking industrial chimneys in view, c. 1955. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.71.

Double bass, 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.233.

Eileen Heckart laughing with hands on hips, c. 1960. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.178.

Frances Sternhagen washing dishes while husband plays with infant, 1956. Vintage gelatin silver print, 13 1/4 × 8 3/4 inches (33.66 × 22.23 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.172.

Kim Novak behind flowers, c. 1950s. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.173

Marlon Brando on the set of “On the Waterfront” with co-star Eva Marie Saint, 1954. Vintage gelatin silver print, 9 1/2 × 7 1/4 inches (24.13 × 18.42 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.170.

Musician and composer Joseph Kyagambiddwa listening to jazz, 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.232.

New York City Park Department – Sculptor chiseling man and hound sculpture, c. 1955. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.80.

New York City Park Department – Sign maker nailing a sign, c. 1955. Vintage gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.77.

New York City Park Department – Sign makers, c. 1955. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.76.

New York City Park Department – Worker doing metal work, c. 1955. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.78.

New York City Park Department – Worker in protective mask cleaning statue, c. 1955. Vintage gelatin silver print, 9 1/2 × 7 1/2 inches (24.13 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.81.

New York City Park Department – Worker making lifeguard chair, c. 1955. Vintage gelatin silver print, 10 x 8 inches (25.4 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.79.

Portrait of Dana Wynter with hands on face, c. 1956. Vintage gelatin silver print, 13 1/4 × 9 inches (33.66 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.177.

Portrait of Don Murray with hand on chin, c. 1956. Vintage gelatin silver print, 13 × 8 1/2 inches (33.02 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.175.

Portrait of Joan Collins with cigarette in hand, c. 1950s. Vintage gelatin silver print, 13 × 9 inches (33.02 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.176.

Three construction workers tying topes on crane hooks, c. 1955. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.72.

Tuesday Weld smiling and talking on the phone with her feet up, c. 1960. Vintage gelatin silver print, 9 × 13 1/2 inches (22.86 × 34.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.171.

Sandra Dee sleeping on mother’s lap, c. 1960s. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.174.

Danny Lyon

A burner is lifted to cut the bolts in the cast-iron front of 82 Beekman Street, 1967. Vintage gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.86.

A street in Albany, Georgia, 1962 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.83.

Abandoned room, West Side, from the series Destruction of Lower Manhattan, 1967 (printed later). Gelatin silver print, 20 x 16 inches (50.8 x 40.64 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.87.

Charles Sherrod (standing at right) and Randy Battle (seated) visit a supporter in the Georgia countryside. Sherrod married there and thirty years later is still in southwest Georgia, a member of the Albany City Council, 1963 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.84.

Dottie Miller, who lost her shoes to high-pressure fire hoses after being clubbed, gives an affidavit to James Forman, Danville, Virginia, 1963 (printed later). Gelatin silver print, 14 x 11 inches (35.56 x 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.85.

Housewreckers at lunch on the West Side, 1967 (printed later). Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.88.

Ralph Allen taking an affidavit from Carolyn Daniels in Terrell County, Georgia, 1962 (printed later). Gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.82.

Charles Marville

Hotel de Ville, Paris from the series Melanges Photographiques, c. 1850. Vintage salted paper Blanquart-Evrard print from a calotype negative, 6 × 8 1/2 inches (15.24 × 21.59 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.254.

Joel Meyerowitz

Gay Talese, 1986. Vintage chromogenic contact print, 9 5/8 × 7 5/8 inches (24.45 × 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.150.

Mary Ellen Mark

Dennis Hopper Portrait, Apocalypse Now, 1976 (printed later). Gelatin silver print, edition 8/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.10.

Family of Prisoner, Lumberton, NC, 1993 (printed later). Gelatin silver print, edition 14/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.14.

Father Holding His Dead Baby, Rx Adventure/Healing, 2008. Gelatin silver print, edition 3/25, 14 × 11 inches (35.56 × 27.94 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.21.

Girl Jumping Off Wall, Harlem Streetlife, 1965 (printed later). Gelatin silver print, edition 5/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.3.

Girl in Confirmation Dress, Rural Poverty, 1990 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.15.

Girl with Flags, Union, South Carolina, 1995 (printed later). Gelatin silver print, edition 10/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.7.

Girl with Haircurlers & Mother, Miami Tropic, 1986 (printed later). Gelatin silver print, edition 3/25, 24 × 20 inches (60.96 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.8.

Katie Nobles and Logan Hughes, Charlottesville High School Prom, Charlottesville, Virginia, USA, 2008. Polaroid, 28 1/4 × 22 inches (71.76 × 55.88 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.1.

Man Who Won Moustache Contest, Turkey Fulbright, 1965 (printed later). Gelatin silver print, edition 13/75, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.4.

Martin Sheen Portrait, Apocalypse Now, 1976 (printed later). Gelatin silver print, edition 4/25, 11 × 14 inches (27.94 × 35.56 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.18.

Mary Crouching in the Bathtub, Ward 81, 1976 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.13.

Mother & Daughter Addicts, Poverty South Dallas, 1980 (printed c. 1980). Vintage gelatin silver print, 14 × 11 inches (35.56 x 27.94 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.20.

Portrait of Boy Clown Leaning Against Tent, Mexican Circus, 1997 (printed later). Gelatin silver print, edition 5/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.5.

Seated Nepalese Girls, Waiting for Customers, Falkland Road, Bombay, India, 1978. Dye transfer print, edition 9/15, 20 × 24 inches (50.8 × 60.96 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.2.

Sisters Clean Home for Dying, Mother Teresa Untitled 39, 1980 (printed c. 1980). Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.19.

Teenage Dancers in Spain, 1985. Black and white photograph, edition 3/25, 15 3/4 × 20 inches (40.01 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.22.

Three Dwarves, Indian Circus, 1992 (printed later). Gelatin silver print, edition 5/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.17.

Transvestite in Bed, The Queen, 1968 (printed later). Gelatin silver print, edition 8/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.6.

Transvestite in Underwear, The Queen, 1968 (printed later). Gelatin silver print, edition 3/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.12.

Two Boys of Leper Parents, Mother Teresa Untitled 39, 1981 (printed later). Gelatin silver print, edition 5/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.16.

Woman in White Dresses Seated on Platform, Oaxaca, 2007 (printed later). Gelatin silver print, edition 4/25, 16 × 20 inches (40.64 × 50.8 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.11.

Woman Posing with Young Child in Costume, Espinazo Nino Fidencio, 2000 (printed later). Gelatin silver print, edition 4/25, 20 × 16 inches (50.8 × 40.64 cm). Gift of Peter Daniel Ocko and Kathryn Axelrod in memory of Professor Jonathan K. Ocko, 2019.32.9.

Ray Mortenson

Untitled (from the South Bronx series), 1984. Vintage gelatin silver print, 8 × 5 3/4 inches (20.32 × 14.61 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.89.

Untitled (from the South Bronx series), 1984. Vintage gelatin silver print, 9 1/4 × 6 3/16 inches (23.5 × 15.72 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.90.

Nadar

Portrait of Louis Pasteur, 1886. Vintage gelatin silver print, 15 × 11 inches (38.1 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.179.

Carlo Naya

Fouilles du Forum (Excavation of Forum), Rome, 1877. Vintage albumen print from a collodion negative, 10 1/2 × 14 inches (26.67 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.120.

Sala del Senato nel Palazzo Ducale Venezia, c. 1870s. Vintage albumen print from a collodion negative mounted on album page, 10 3/4 × 14 inches (27.31 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.127.

Laurel Nakadate

November 21, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.1.

November 22, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.2.

November 23, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.3.

November 24, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.4.

November 25, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.5.

November 26, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.6.

November 27, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.7.

November 28, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.8.

November 29, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.9.

November 30, 2010 from the series 365 Days: A Catalogue of Tears, 2011. Chromogenic print, 40 × 50 inches (101.6 × 127 cm). Gift of Tony Podesta Collection, Washington, D.C.; 2019.18.10.

Bill Owens

As a theoretical physicist I generally don’t tell people what to do. It’s useless explaining because unless you know about the subject it’s mysticism. Some of my mathematical problems take a year or more to solve. I carry them around with me. So really I’m working all the time, even when I’m in bed. (Lawrence Livermore Laboratory), 1975 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.91.

Debbie’s ice cream truck — Where the hell is Livermore? from the series Working (I Do It For The Money), 1974–76 (printed 2006). Gelatin silver print, 6 3/16 x 9 1/4 inches (15.72 x 23.5 cm). Gift of Charles (A.B.,’84) and Linda Googe, 2019.17.96.

I gross over $200,000 a year as the owner-manager of a donut store, but there’s a price to pay. I come to work at 2:00 A.M. to begin the daily routine of making 250 dozen donuts. I eat dinner at 4:00 in the afternoon and am in bed by 7:30. I was a Depression baby. Now kids say there has to be something better. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.95.

I’m a plastics molder and make oven doors for airline kitchenettes. I could never work indoors where I can’t see the sun. I’ve been thinking about women’s lib. Maybe I’ll join something and do volunteer work. Maybe someday I’ll work with children. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.92.

I’m a refugee from China. I sew pockets on pants. Every day I have work, and living here is easy. In China it’s hard to find a job. Someone has to recommend you. I don’t speak English and I’m too old to learn so I’ll never get a better job. from the series Working (I Do It For The Money), 1976 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.94.

We’re the last of the gandy dancers or track gangs. All track laying is completely automated. The railroad doesn’t need people, it needs machines. Gandys used to sing all day and pull their pincher bars on a particular word. We just pull on numbers. from the series Working (I Do It For The Money), 1975 (printed 2006). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.93.

World of Fun, Kansas City, Missouri from the series Leisure, 1976 (printed 2001). Gelatin silver print, 8 × 10 inches (20.32 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.97.

Edward W. Quigley

Gloved hands assembling bearings, 1944. Vintage gelatin silver print, 10 1/4 × 13 3/8 inches (26.04 × 33.97 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.197.

Hands adjusting Diamond printing machine with tool, 1944. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.198.

Hands sawing meat with bow saw, 1939. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.199.

S.K.F. worker adjusting gear, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.194.

S.K.F. worker calibrating gear, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.195.

S.K.F. worker manufacturing bearings, 1945. Vintage gelatin silver print, 13 1/2 × 10 1/4 inches (34.29 × 26.04 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.196.

Still life with Disston hand saws and saw blades, 1948. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.200.

Wannamaker clothing department interior, 1932. Vintage gelatin silver print, 13 1/2 × 10 inches (34.29 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.201.

Wendy Red Star (Apsáalooke/Crow)

Peelatchiwaaxpáash / Medicine Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.1.

Peelatchiwaaxpáash / Medicine Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.2.

Peelatchixaaliash / Old Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.3.

Peelatchixaaliash / Old Crow (Raven) from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.4.

Bia Eélisaash/Large Stomach Woman (Pregnant Woman) / Two Belly from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.5.

Bia Eélisaash/Large Stomach Woman (Pregnant Woman) / Two Belly from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.6.

Déaxitchish / Pretty Eagle from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.7.

Déaxitchish / Pretty Eagle from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.8.

Alaxchiiaahush/Many War Achievements / Plenty Coups from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.9.

Alaxchiiaahush/Many War Achievements / Plenty Coups from Medicine Crow & The 1880 Crow Peace Delegation, 2014. Pigment print on archival photo-paper, edition 11/15, 24 × 16 1/2 inches (60.96 × 41.91 cm). Museum purchase with funds provided by Jennifer McCracken New (A.B.’90, J.D.’94) and Jason G. New (J.D.’94), 2019.26.1.10.

George Rodger

A sheikh of Kuwait, 1952. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.221.

A veiled woman on the Via Dolorosa, Jerusalem, 1952. Vintage gelatin silver print, 11 × 7 1/2 inches (27.94 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.225.

Camel Corps of the Arab Legion at Mafrak, Jordan, 1941. Vintage gelatin silver print, 7 3/4 × 9 3/4 inches (19.69 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.222.

Dervish dancer of the Zier, Tunisia, c. 1947. Vintage gelatin silver print, 9 3/4 × 6 1/2 inches (24.77 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.219.

Middle East, c. 1952. Vintage gelatin silver print, 10 × 8 1/4 inches (25.4 × 20.96 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.224.

Seated men and boys, Africa, c. 1948. Vintage gelatin silver print, 9 1/2 × 7 3/4 inches (24.13 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.212.

Sudan Legislative Assembly: Interior during session. The Minister of Education answering questions on the floor put to him by members, 1949. Vintage gelatin silver print, 7 5/8 × 7 1/2 inches (19.37 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.211.

Syria, c. 1947. Vintage gelatin silver print, 7 3/4 × 9 3/4 inches (19.69 × 24.77 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.218.

The leading Shaikhs watch the dance from cushioned benches at the place of honor, c. 1952. Vintage gelatin silver print, 10 × 7 5/8 inches (25.4 × 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.215.

The matriarch of a Tuareg tribe in Tamanrasset, Algerian Sahara, 1957. Vintage gelatin silver print, 10 × 7 1/2 inches (25.4 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.214.

Tuareg child, Algeria, c. 1957. Vintage gelatin silver print, 13 1/2 × 9 inches (34.29 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.217.

Tuareg tribe, Algerian Sahara, 1957. Vintage gelatin silver print, 9 3/4 × 9 9/16 inches (24.77 × 24.29 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.216.

Two Tuareg tribespeople, Algerian Sahara, c. 1957. Vintage gelatin silver print, 10 × 7 3/4 inches (25.4 × 19.69 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.213.

War in North Africa, c. 1941. Vintage gelatin silver print, 7 1/2 x 7 5/8 inches (19.05 x 19.37 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.223.

Wedding in Kuwait, c. 1952. Vintage gelatin silver print, 4 1/2 × 7 1/2 inches (11.43 × 19.05 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.220.

Arthur Rothstein

Destroyed forest, Oregon, c. 1940 (printed later). Gelatin silver print, 7 × 9 1/2 inches (17.78 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.107.

Dust storm, Cimarron County, Oklahoma, 1936 (printed later). Gelatin silver print, 9 × 8 3/4 inches (22.86 × 22.23 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.101.

Farmer and silos, Iowa, 1941 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.98.

Grandma Moses, Eagle Bridge New York, 1956 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.106.

Hoover Dam, Nevada, 1952 (printed later). Gelatin silver print, 13 1/2 × 10 5/8 inches (34.29 × 26.99 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.103.

Mrs. Nicholson, Blue Ridge Mountains, Virginia, 1935 (printed later). Gelatin silver print, 9 1/2 × 6 1/2 inches (24.13 × 16.51 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.105.

Saloon, Beowawe, Nevada, 1940 (printed later). Gelatin silver print, 9 3/4 × 13 inches (24.77 × 33.02 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.99.

Shoeshine Man, New York City, New York, 1937 (printed later). Gelatin silver print, 13 1/8 × 10 inches (33.34 × 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.100.

Skull, Badlands, South Dakota, 1936 (printed later). Gelatin silver print, 8 1/4 x 8 inches (20.96 x 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.102.

Waiting for Santa Claus at the Christmas parade, New Rochelle, N.Y., 1963. Vintage gelatin silver print, 8 1/4 × 9 inches (20.96 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.104.

August Sander

Heinrich Hoerle, painting the boxing champion Hein Domgorgen, 1929 (printed 1974). Gelatin silver print, 11 1/4 × 8 1/4 inches (28.58 × 20.96 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.180.

Stephen Shore

Bird’s eye view of Yankees in field, 1978. Vintage chromogenic contact print, 7 3/4 × 9 5/8 inches (19.69 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.151.

Giverny, France, 1977. Vintage chromogenic contact print, 7 5/8 × 9 5/8 inches (19.37 × 24.45 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.152.

Herb Snitzer

At Newport (Miles Davis), 1990. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.237.

Coleman Hawkins (Bean) at the Museum of Modern Art, New York, 1960. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.235.

Louis Bellson, 1992. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.234.

Sheila Jordon, 1982. Vintage gelatin silver print, 11 × 14 inches (27.94 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.236.

Tennessee Williams, “Night of the Iguana” Rehearsal, New York City, 1961. Vintage gelatin silver print, 7 1/2 × 10 3/16 inches (19.05 × 25.88 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.181.

Eve Sonneman

Boat Building, Samos, Greece, 1977. Cibachrome photograph, 7 × 9 3/8 inches (17.78 × 23.81 cm) each. Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.2.

Moving Hay, Samos, Greece, 1977. Cibachrome photograph, 13 × 9 3/4 inches (33.02 × 24.77 cm) each. Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.3.

Reed Thomas

Bird Cage, 1979. Gelatin silver print, 13 1/2 × 10 inches (34.29 × 25.4 cm). Gift of Dr. James (H.S.’84-’85) and Jane Finch, 2019.19.1.

Erika Stone

Chinese painter Quay Pong, c. 1980. Vintage gelatin silver print, 7 5/8 × 9 inches (19.37 × 22.86 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.187.

Conductor Charlotte Bergen at her home in Bernardsville, New Jersey, answering her fan mail, c. 1980. Vintage gelatin silver print, 8 x 10 inches (20.32 x 25.4 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.243.

Conductor Charlotte Bergen practice conducting at home, c. 1980. Vintage gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.242.

Dancer Pearl Primus, c. 1946. Vintage ferrotyped gelatin silver print, 8 1/2 × 6 5/8 inches (21.59 × 16.83 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.185.

Dancer Pearl Primus playing the zither, c. 1946. Vintage ferrotyped gelatin silver print, 8 1/2 × 6 5/8 inches (21.59 × 16.83 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.186.

Ginger Rogers Playing Tennis at Forest Hills, Queens, 1950 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.182.

James Cagney at the Barnum & Bailey Circus, New York City, 1955 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.183.

Leonard Bernstein and Fiancee Felicia Montelnegro speaking to student at Tanglewood, 1947 (printed 1980s). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.239.

Lillian Hellman and John Garfield at the Rally Against the Congressional Investigation of Hollywood, 1947 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.184.

Pablo Casals, Prades Festival, France, 1952 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.238.

Serge Koussevitzky receiving an award, 1949 (printed later). Gelatin silver print, 9 7/8 × 7 7/8 inches (25.08 × 20 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.241.

William Primrose teaching class at Tanglewood, 1947 (printed later). Gelatin silver print, 9 7/8 × 7 7/8 inches (25.08 × 20 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.240.

Lou Stoumen

43^rd Street Between 8^th Avenue and Times Square, 1981. Vintage gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.108.

Fantasy Car, Sausalito, California, 1978. Vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.109.

Lovers (IV), Berkley, California, 1969. Gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.252.

Marlowe Kills Canino From The Big Sleep, 1986. Gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.115.

Police Arresting Topless Man, c. 1970 (printed later). Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.112.

Rancho de Taos, New Mexico, 1978. Gelatin silver print, 10 × 8 inches (25.4 × 20.32 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.113.

The Generation, New York, 1978. Vintage gelatin silver print, 16 × 20 inches (40.64 × 50.8 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.110.

Young Lemon Tree, Los Angeles, 1981. Unique hand-colored vintage gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.111.

Young Man at Auto Trade Show, c. 1978. Gelatin silver print, 14 × 11 inches (35.56 × 27.94 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.114.

Karl F. Struss

Nude with Fan, 1917. Vintage warm-toned gelatin silver print, 9 5/8 × 7 11/16 inches (24.5 × 19.6 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.253.

Artist unknown

Bacco e Fauno (Bacchus and Faun), Vatican, Italy, c. 1860s. Vintage albumen print from a collodion negative, 5 3/4 × 4 1/8 inches (14.61 × 10.48 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.124.

Artist unknown

Giudizio di Salomone, capitello nel Palazzo Ducale (Judgement of Solomon, capital in Doge’s Palace), Venice, c. 1860s. Vintage albumen print from a collodion negative, 11 × 13 1/4 inches (27.94 × 33.66 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.119.

Artist unknown

Piazza Navona, Rome, c. 1860s. Vintage warm-toned matte gelatin silver print, 11 × 16 1/4 inches (27.94 × 41.28 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.122.

Artist unknown

Santa Maria au Trastevere (Santa Maria in Trastevere), Rome, c. 1860s. Vintage albumen print from a collodion negative, 10 1/2 × 14 inches (26.67 × 35.56 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.121.

Artist unknown

Two marble angels, c. 1860s. Vintage albumen print from a collodion negative, 11 1/4 × 14 1/4 inches (28.58 × 36.2 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.123.

Pierre Verger

Native woman, Morocco, 1936. Vintage ferrotyped gelatin silver print, 11 3/4 × 9 1/2 inches (29.85 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.227.

Survey of the French Sudan. Native boys at play, Reggan, French Sudan, 1936. Vintage ferrotyped gelatin silver print, 11 3/4 × 9 1/2 inches (29.85 × 24.13 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.226.

Edward Weston

Figurative scene on Brett’s carved obsidian “coconut”, 1926. Vintage gelatin silver print, 2 1/4 × 2 1/4 inches (5.72 × 5.72 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.116.

Portrait of an unidentified young man, 1912. Vintage warm-toned matte gelatin silver print, 5 3/4 × 4 1/8 inches (14.61 × 10.48 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.117.

Paul J. Woolf

Advertisement for Oreo cookies, c. 1930s. Vintage gelatin silver print, 6 3/4 x 7 inches (17.15 x 17.78 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.203.

Still life with Chesterfield cigarettes, c. 1930s. Vintage gelatin silver print, 6 5/8 × 9 1/8 inches (16.83 × 23.18 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.202.

René Zuber

Group portrait in doorway, Egypt, 1939. Vintage ferrotyped gelatin silver print, 10 1/8 × 9 3/8 inches (25.72 × 23.81 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.229.

Two traditionally dressed women, Egypt, 1939. Vintage ferrotyped gelatin silver print, 10 × 9 3/8 inches (25.4 × 23.81 cm). Gift of Charles (A.B.’84) and Linda Googe, 2019.17.228.

SCULPTURE - Show More

SCULPTURE

Mel Chin, Cross for the Unforgiven, 2002. AK-47 assault rifles (cut and welded), 54 × 54 × 3 inches (137.16 × 137.16 × 7.62 cm). Museum purchase, Arthur Asian Art Endowment Fund and the J & M Johnson Acquisition Endowment Fund; 2019.22.1.

Mark Grotjahn, Untitled (Brown Black and Red Spotted Heavy Texture Mask M16.e), 2012. Painted bronze, 43 1/2 × 16 × 5 1/4 inches (110.49 × 40.64 × 13.34 cm). Gift of Marcie (A.B.’99) and Jordan Pantzer (A.B.’96), 2019.31.1.

WORKS ON PAPER - Show More

WORKS ON PAPER

Helen Frankenthaler

A Little Zen, 1970. Pochoir and screenprint on paper, 22 1/8 × 30 7/8 inches (56.2 × 78.42 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.2.

Altitudes, 1978. Lithograph on paper, 22 1/2 × 30 1/2 inches (57.15 × 77.47 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.4.

Bay Area Wednesday I, 1982. Monotype on paper, 25 × 30 1/2 inches (63.5 × 77.47 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.5.

Ganymede, 1978. Soft-ground and sugar-lift etching on paper, 22 1/2 × 16 1/2 inches (57.15 × 41.91 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.3.

Guadalupe, 1989. Mixografia print on paper, 69 × 45 inches (175.26 × 114.3 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.16.

Making Music, 1995. Etching, aquatint, and mezzotint on paper; 16 × 25 3/8 inches (40.64 × 64.45 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.17.

Tout à coup, 1987. Etching, aquatint, and drypoint on paper; 87 3/4 × 41 3/4 inches (222.89 × 106.05 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.6.

Un Poco Más, 1987. Lithograph on paper, 27 1/4 × 37 1/8 inches (69.22 × 94.3 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.7.

Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 27 inches (69.53 × 68.58 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.8.

Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 37 inches (69.53 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.9.

Un Poco Más, 1987. Lithograph on paper, 27 3/8 × 37 inches (69.53 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.10.

Un Poco Más, 1987. Lithograph on paper, 26 7/8 × 39 1/4 inches (68.26 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.11.

Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.12.

Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.13.

Un Poco Más, 1987. Lithograph on paper, 27 1/2 × 39 1/4 inches (69.85 × 99.7 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.14.

Un Poco Más, 1987. Lithograph on paper, 27 1/8 × 37 inches (68.9 × 93.98 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.15.

Untitled, 1967. Screenprint on paper, 25 3/4 × 18 inches (65.41 × 45.72 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.1.

Weeping Crabapple, 2009. Woodcut on paper, 25 1/2 × 37 3/8 inches (64.77 × 94.93 cm). Gift of the Helen Frankenthaler Foundation, 2019.27.18.

Lubaina Himid CBE

Theatre of the Divine, 2019. Digital archival print on Epson Hotpress Natural, 24 × 20 inches (60.96 × 50.8 cm). Museum purchase, 2020.5.1.

Financials, July 1, 2019 – June 30, 2020

REVENUES - Show More

Earned Income

Admission – $46,997
Rental
Facility – $43,795
Exhibition – $17,321
Other Income – $18,227
(Food service & event catering, catalogue royalties from Duke University Press, education income, sales proceeds)

Sub-total Earned – $126,340

University Support

Annual University allocation – $2,493,259
Unrestricted Endowment Income – $500,610
Restricted Endowment Income – $685,578
Other University Endowments – $176,000
Sub-total University – $3,855,447

Contributed Income

Annual Fund Gifts – $374,842
Membership Income – $207,060
Exhibitions – $286,866
Education – $194,680
Acquisitions – $559,438
Other Program – $71,505
Sub-total Contributed – $1,694,391

Total Revenue – $5,676,178

EXPENSES - Show More

Salaries and benefits – $3,194,774
Exhibitions – $615,295
Catalogues – $8,587
Education – $50,446
Engagement – $91,395
Development & Membership – $117,735
Operations and Maintenance – $373,265
Registrar – $87,960
Security – $43,305
Acquisitions – $399,361
Other Expenses – $677,027
To reservers for FY21 – $17,028
Total Expenses – $5,676,178

Donor List, July 1, 2019 – June 30, 2020

Show more

$100,000 – $499,999

Trent Carmichael

Joan Kahn

William R. Kenan, Jr. Charitable Trust

Mary Duke Biddle Foundation

Mindy and Guy Solie

$50,000 – $99,999

Robert Black and Jesse Ormond Sanderson, Jr.

Carmen and David Durack

The Roy Lichtenstein Foundation

Sahm Family Foundation

$25,000 – $49,999

Deborah DeMott

Stefanie and Doug Kahn

Katie Thorpe Kerr and Terrance I. R. Kerr

Patricia Lansing and Gerrit Livingston Lansing, Jr.

Marjorie and Mike Levine

Nancy A. Nasher and David J. Haemisegger

Jennifer McCracken New and Jason G. New

Patricia Peyton Truitt

Sandra Urie and Frank Herron

James and Vivian Zelter

$10,000 – $24,999

Less Arnold

Robert D. Arthur, II, Esq.

Christopher Maddox Bass

Victor and Lenore Behar

Kimberly Blackwell

Cynthia and Richard Brodhead

Elizabeth and Thomas Caine

Fox Family Foundation

Susan and David Goode

Andrew and Deborah Gordon

Ambassador Brenda LaGrange and J. Howard Johnson

Morgan Stanley Global Impact Fund

Patricia and Thruston Morton

NC Arts Council

Lisa Lowenthal Pruzan and Jonathan Pruzan

Douglas Smooke

Kelly Braddy Van Winkle and Lance Van Winkle

Marie and Eugene Washington

Christine and Jeffrey Weller

$5,000 – $9,999

Alzheimer’s Foundation of America

Renee Elizabeth Becnel

Michelle and David Beischer

Brenda Brodie

Ann Beth Chanler and Andrew Scheman

Meredith Lorraine Dana

Harry H. Esbenshade, III

Tayo E. Famakinwa and Pascale M. Thomas

Robert and Linn Feidelson

Daniel S. Feldstein and Stacey A. Marshall

Patricia Wood Finn

Susan B. Hershfield and Michael S. Hershfield

Chrissy and Joel Huber

Kelly and Kyle Hunter

McDowell Foundation

David and Elisabeth Nimocks Foundation

Parker & Otis

Ann Pelham and Robert Cullen

Marjorie and David Pierson

Doren Madey Pinnell

Karen M. Rabenau and David H. Harpole, M.D.

Barbra and Andrew Rothschild

Jason Rubell and Michelle Simkins-Rubell

Heather Johnson Sargent

Meredith von Brock Von Arentschildt

$2,500 – $4,999

Nancy A. Donovan Benchoff

Laura D. Blackwelder

Kathi and Steve Eason

Carolyn and John Falletta

Michelle Hooper

Thomas S. Kenan, III

Allan and Wonmee Kim

Cynthia and Mark Kuhn

Penny and Robert Lieberberg

Lynn Kellmanson Matheny and Richard Lee Matheny, III

Ralph and Sue McCaughan

The Mountain Company

Margaret and Jack Neely

Carol O’Brien

Annette and Vincent Price

Kimball Richmond and Rodney Priddy

Katharine Lee Reid

Daniel Robinson and Cathy Collie-Robinson

Arthur and Caroline Rogers

Elizabeth and Henry Sappenfield

Sarah Schroth

James Siedow*

Catherine and James Stuart

Marcy and Vance Tucker

Charlotte Wainwright

Jennifer and Sandy Williams

Alexandra Winokur

Anne Zaldastani and John Griffen

$1,000 – $2,499

Dr. Anne Akwari

Mary Eileen and Mark Anderson

Marcia Angle and Mark Trustin

Frank Baker

Placide Barada

David Beaning

Gail M. D. Belvett

Sue Bielawski

Dolores Bilangi

Dr. Andrea Barnwell Brownlee and Edward Brownlee

Ellen Cassilly and Frank Konhaus

Stephanie Chao

Laura and Kevin Colebank

Ruth and Sidney Cox

Rachel M. Davies

Karen and Marc de Saint Phalle

Shayne T. Doty

Anne Dowling and Derek Hess

Dave and Becky Ebershoff

George J. Evans

Max Feidelson

Julie and Ritson Ferguson

Jane and James Finch

Tracey and Christopher Frattaroli

Beth Rena Friedland and Robert Rosenthal

Page Gardner and Ronald Rosenblith

Elisa Buono Glazer and Kenneth D. Glazer

Stacy and Jayson Goldstone

Jean and Russell Hall

Christie Harris

Pam and Joe Harris

Elaine Hart-Brothers and George Brothers

Varun Rajendra Hippalgaonkar

Frances S. Hitchcock

Bryan and Kellie Huffman

The Huisking Foundation

Chrissey Bognar Hunt and Ronald M. Hunt

Lisa H. Kaiser

Betty P. Kenan

Sonali and Arun Lamba

Jason C. Liao

Diane and Gene Linfors

Joanne and John Lott

Tracy Mancini and Norris Cotton

Michael and Leslie Marsicano

Brian C. McCotter

John J. McKenna, III

Anne Hall McMahon*

Lyn Means and James Zimpritch

Ellen Medearis and Richard Superfine

Louise and Andrew Miller

Sara Miller and David Howell

Peggy and John Murray

Kevin and Amy Parker

Norman Pendergraft

Francine and Benson Pilloff

Christine and Joseph Popolo

Leslie H. Pottow

L. Richardson Preyer, Jr. and Marilyn Jacobs Preyer

Elizabeth Hitchins Quigley and L. Matthew Quigley

Tom Rankin and Jill McCorkle

Margaret W. Rich

Carol and Curtis Richardson

Marion Meyer-Robboy and Stanley Robboy

Kimerly Rorschach and John Hart

Nicole and Aaron Stahl

Margot and Philip Sullivan

Richard F. Tigner

Denise and Steve Vanderwoude

Joan Vor Broker

Jason M. Walcott

Melody Wang

Tim Warmath and Edward Comber

Alice and Bruce Whelihan

Sterly Wilder

C. T. Woods-Powell and Richard Powell

Ronna and Herbert Zimmer

$500 – $999

Carolyn Aaronson

Rachel and Robert Allen

Sandra and John Atkins

Alexandra Bailliere Treadwell and Dr. Allan Treadwell

Jonathan E. Blackwell

Robert Bliwise

Shawn and Susan Bonsell

Jack W. Boyd

Kayla and Dale Briggs

Margaret Rennolds Chace

Dean L. Chapman, Jr.

Merlise Clyde and Edwin Iverse

Jane H. Cooney

Ann Dodds Costello and Richard Costello

Carol and Edward Cowell

Anna and Alain Creissen

Carrie and C. Andrew Feord

Mimi and James Fountain

Sara and Thomas Graves

Candace Haigler and Richard Blanton

N. Allison Haltom and David McClay

Kathy Harrison

Richard Curtis Harting and Susanna V. Temkin

Barbara A. Herring

Susan A. Inglett

Melba and Joe Isley

Emily Allen Kirby

Ann and Bill Kirkland

Cookie Anspach Kohn and Henry L. Kohn

Elizabeth and Bruce Kuniholm

Laura and James Ladd

Peter Lange

William R. Leighton*

Jane and Richard Levy

Marie and Ralph Liebelt

Wilmot Losee

Johanne Miller

Minta Bell Interior Design, Inc.

Tyler J. Nelson

Sue and W. Lee Noel

Dr. Desiree T. Palmer

Jane and John Pearce

Diane Marie Pelrine and Patrick McNaughton

Anne Peret

Frances S. Pignone

Jonathan J. Prinz

Shannon Ravenel Purves

Warren Resley and Mark Hornburg

Ed and Deborah Roach

Sally and Russell Robinson

Ruth Wade Ross

Judith Ruderman

Valerie Strong Sanders

Catherine and William Merritt Singer

Andrew and Abigail Sinwell

David A. Snider

David Francis Sorensen

Toni Strother

Angela O. Terry and A. Daphne Terry

Philip A. Tinari and Luluc Huang

Laura and Drayton Virkler

Irka Templeton and Ryan Welsh

Stelphanie Williams

Steven Blair Wilson

Kari Winter and Craig Burnside

Gwynne A. Young

$250 – $499

Avis Artis

Karen Ann Bagwell and Mark Holdrege

Mary Courtney Bailey

Baskerville Fund

Suzanne and Karl Bates

Donna Bergholz

Glenn Bernstein

Joan and James Bettman

Marcy Behar Bolster

Natalie and Gary Boorman

Roxana and Edward Bossen

Judith and Sterling Bradley

Jackson B. Browning, Jr.

Jill and Stephen Buckley

Joel Bush and Lilith Anderson

Natasha Carlitz

Michael Case and Lewis Dancy

Mary and William Chambers

Kuo-Sun and Kuo-San Su Chung

Richard Clark and Martha Brimm

Tara Clayton

Laura and John Corey

Paula Cothren

Tyler T. Deane-Krantz

Patsy Decker

Para and Daria Drake

Linda and Turan Duda

Robin Eisner and William Polf

Edward and Stuart Embree

W. Michael Foster

Sarah and Howard Francis

Barbara and Mitchell Freedman

Cavett and Barker French

Eleonora and Lara Gabriel

Jodi and Marc Ganz

Natalie M. Geisler

Esperanza and Gary Gereffi

Natalia Porcelli Good

Jennifer Goodnow and Michael Kaminsky

Nancy Goodwin

Karen Gottlieb and Jason Rosenfeld

Cheryl and Charles Hall

Harry H. Harkins, Jr.

Lonna H. Dole Harkrader and Richard Harkrader

Trena and Richard Hawkins

Molly Fulghum Heintz

Nancy and Douglas Henderson-James

Elke Hoffmann and Paul Tomlin

Daniel Hollis and Alicia Pastor-Hollis

Alice and George Horton

Alesia and John Hoy

Terry Anne Huggins

Sharon and David Humphreys

Jennifer French Jaffe

Marion Jervay and Kenton Cobb

Jana Johnson and Kristen Rosselli

Randall T. Johnson

Rebecca and George Johnstone

Margaret and Thomas Keller

Judith A. Kitrick

Martha and Peter Klopfer

Rob Knebel and Gara Pollock

Stephen and Bernice Koff

Samantha and Robert Koslow

Lisa Lark

Kristina and Peter Lee

Kara Lee Kreisher Leopold

Eric and Liza Levy

Yan Li and Lishan Su

Christine A. Long

Mary Jean Lowrie

Billie L. Marrow*

Catherine Maxson and Gregory Lewis

Nancy and Dean McCumber

Janis and Richard McFarland

Mary Pat McMahon

Marcia J. McNally

Lisa McQuay

Tom and Sandra Meyer

Chandra M. Mosley

Cynthia Lee Mynatt

Kevin S. Obana

Lois Pounds Oliver

Huston Paschal

Anne Powers Perry and Gerald Perry

Marjorie and Ashmead Pipkin

Salvatore Pizzo

Phyllis Pomerantz and Charles Hochman

Gregg and Bryna Rapp

Larry and Debbie Robbins

Julie Rogers

Ilene and Terry Rosenfeld

Al Ross*

Ilana Simon Rubin and Terry Rubin

Benjamin Rubinfield

Jody and Erik Saarmaa

Indrani Saha

Craig Savage

Meyressa Schoonmaker

Matthew L. Schorr

Elizabeth Tilley Seddon

Connie and Truman Semans

Robert Shoaf

Jonathan and Sarah Shugar

Margaret Chandler Smith and Lanty L. Smith

Eleanor and Michael Smith

Susan Spratt and David Tendler

William M. and Jane W. Spruill

Cecile Srodes

Damian Stamer

Megan Stanford

Clay Steinman and Inge De Becker

John B. Stephens

Shawn Sullivan

Eleanor and Edwin Thomas

Michael P. Thomas

Ryan E. Thorne

Sophie Throsby

Debara Tucci and Kevan VanLandingham

Renee and Joseph Tyson

Elizabeth and Edwin Vaden

Kim-Chi and Tuan Vo-Dinh

Mary Ellen Walkama

Janie D. Whaley

Dr. Lawrence J. Wheeler

Dr. Sandra White-Olden and Dr. Kenneth Olde

W. Thomas Wilfong

Jane WIlliams

Susan Williford

Kathleen Wright

In-Kind Donations

Marcie Cohen Ferris and William R. Ferris

Jane and James Finch

Helen Frankenthaler Foundation, Inc.

Charles Harbin Googe, Jr. and Linda April Googe

Bruce Lineker

Nancy A. Nasher and David J. Haemisegger

Thomas* and Charlotte Newby

Peter D. Ocko and Kate Axelrod

Jordan and Marcie Pantzer

Anthony Podesta

Douglas Smooke

Kristine Stiles

Memorial Gifts

In Memory of Blake Byrne T’57

Max Feidelson

In Memory of Charles, Catherine & Frank Huisking

Laura and Kevin Colebank

In Memory of Professor Jonathan K. Ocko

Peter D. Ocko and Kate Axelrod

In Memory of Sheldon R. Pinnell, MD

Doren Madey Pinnell

In Memory of Donald Lee Wilson and Gloria Smith Wilson

Steven Blair Wilson

Honorarium Gifts

In Honor of Victor and Lenore Behar

Marcy Behar Bolster

Shawn and Susan Bonsell

In Honor of Dr. Richard J. Powell and CT Woods-Powell

Dr. Andrea Barnwell Brownlee and Edward Brownlee

In Honor of Sarah Schroth

Dr. Anne Akwari

Victor and Lenore Behar

Michelle and David Beischer

Cynthia and Richard Brodhead

Ellen Cassilly and Frank Konhaus

Tracy Mancini and Norris Cotton

Ruth and Sidney Cox

Mimi and James Fountain

Kathy Harrison

Susan B. Hershfield and Michael S. Hershfield

Michelle Hooper

Kelly and Kyle Hunter

Mary Duke Biddle Foundation

Ralph and Sue McCaughan

Lyn Means and James Zimpritch

Ellen Medearis and Richard Superfine

Sara Miller and David Howell

Patricia and Thruston Morton

Nancy A. Nasher and David J. Haemisegger

Carol O’Brien

Parker & Otis

Norman Pendergraft

Marjorie and David Pierson

Doren Madey Pinnell

Shannon Ravenel Purves

Elizabeth Hitchins Quigley and L. Matthew Quigley

Karen M. Rabenau and David H. Harpole, M.D.

Tom Rankin and Jill McCorkle

Katharine Lee Reid

Margaret W. Rich

Arthur and Caroline Rogers

Ruth Wade Ross

Elizabeth and Henry Sappenfield

Catherine and James Stuart

Marcy and Vance Tucker

Jennifer and Sandy Williams

Gwynne A. Young

Matching Gifts

Benevity Community Impact Fund

BlackRock, Inc.

Blue Cross & Blue Shield Association

Bright Funds Foundation

Cisco Systems, Inc.

Dominion Energy Charitable Foundation

Gensler

Goldman Sachs & Company

Google, Inc.

IBM Corporation

IBM International Foundation

J. K. Group, Inc.

Kemnay Advisory Services

KPMG Foundation

Macy’s, Inc.

Makena Capital Management, LLC

Robert Half International, Inc.

Salesforce.org

SunTrust Foundation

United Way Worldwide

Exhibition Sponsors

Cultures of the Sea: Art of the Ancient Americas

Cultures of the Sea: Art of the Ancient Americas is organized by seven undergraduate students in the Curatorial Practicum: Exhibition Development and Design course in the Museum Theory & Practice concentration, taught by Dr. Julia McHugh, the Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum.

This project is supported by the Sunny Rosenberg Endowment Fund and the Sandra A. Urie and Katherine Urie Thorpe Fund. Support from Duke University is provided by Office of the Provost; Wired! Digital Art History lab; Department of Computer Science; Duke Radiology; and the Duke Lemur Center.

Ebony G. Patterson . . . while the dew is still on the roses . . .

Ebony G. Patterson . . . while the dew is still on the roses . . . was organized by Pérez Art Museum Miami. The exhibition was curated by Tobias Ostrander.

At the Nasher Museum, this exhibition was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions; Fox Family Foundation; Katie Thorpe Kerr and Terrance I. R. Kerr; Lisa Lowenthal Pruzan and Jonathan Pruzan; Kelly Braddy Van Winkle and Lance Van Winkle; and Parker & Otis.

Ebony G. Patterson is represented by Monique Meloche Gallery, Chicago.

Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914

Anarchism and the Political Art of Les Temps Nouveaux, 1895 – 1914 was co-curated by Mark Antliff, Anne Murnick Cogan Professor of Art History and Visual Studies at Duke University and Robin Klaus, a Ph.D. student in Art History at Duke University.

This exhibition was supported by the Janine and J. Tomilson Hill Family Fund and the Mary Duke Biddle Foundation.

Cosmic Rhythm Vibrations

This exhibition was organized by Trevor Schoonmaker, Mary D.B.T. and James H. Semans Director.

Cosmic Rhythm Vibrations was supported by Duke Health and The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions.

Naama Tsabar: Composition 21

Composition 21 by Naama Tsabar was organized by Melissa Gwynn, Exhibitions and Publications Manager, and Trevor Schoonmaker, Mary D.B.T. and James H. Semans Director.

The performance was commissioned by the Nasher Museum of Art at Duke University.

Composition 21 was supported by The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions and was made possible, in part, by Ellen Cassilly, Frank Konhaus and the Cassilhaus Artist-in-Residence Program.

Art for a New Understanding: Native Voices 1950s to Now

Art for a New Understanding: Native Voices, 1950s to Now was organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas.

The exhibition was co-curated by independent curator Candice Hopkins (Tlingit, citizen of Carcross/Tagish First Nation in the Canadian territory, Yukon), Mindy Besaw, curator of American art at Crystal Bridges, and Manuela Well-Off-Man, chief curator of the Museum of Contemporary Native Arts at the Institute of American Indian Arts in Santa Fe, New Mexico.

Support for this exhibition and its national tour was provided by the National Endowment for the Humanities, the National Endowment for the Arts, and the Sotheby’s Prize.

This project was supported in part by an award from the National Endowment for the Arts.

This exhibition was made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

At the Nasher Museum, this exhibition was made possible by the William R. Kenan, Jr. Charitable Trust, with additional support from The Nancy A. Nasher and David J. Haemisegger Family Fund for Exhibitions.

From the Director

Some of Our Favorite Moments from Fiscal Year 2020

Nasher by the Numbers: July 1, 2019 – June 30, 2020

$1.5 million

1,200

21

3

3

316

1,865

4,780

48

11

12,748

10

150

3

4,568

7

1,245

19

260

1,212

18

63

527

2,025

618

146

3,320

44,243

0

2

The Sculpture Garden

Naama Tsabar, Composition 21

First Sculpture

Native Voices

Semans Lecture

Cosmic Rhythm Vibrations

Cultures of the Sea: Student-Curated Exhibition

Ebony G. Patterson

Rothschild Lecture

Virtual Tours and Experiences

VIRTUAL TOUR: Ebony G. Patterson . . . while the dew is still on the roses . . .

Highlights from 2020 Acquisitions

Acquisitions to the Collection 2020

Financials, July 1, 2019 – June 30, 2020

Earned Income

University Support

Contributed Income

Donor List, July 1, 2019 – June 30, 2020

$100,000 – $499,999

Trent Carmichael

Joan Kahn

William R. Kenan, Jr. Charitable Trust

Mary Duke Biddle Foundation

Mindy and Guy Solie

$50,000 – $99,999

Robert Black and Jesse Ormond Sanderson, Jr.

Carmen and David Durack

The Roy Lichtenstein Foundation

Sahm Family Foundation

$25,000 – $49,999

Deborah DeMott

Stefanie and Doug Kahn

Katie Thorpe Kerr and Terrance I. R. Kerr

Patricia Lansing and Gerrit Livingston Lansing, Jr.

Marjorie and Mike Levine

Nancy A. Nasher and David J. Haemisegger

Jennifer McCracken New and Jason G. New

Patricia Peyton Truitt

Sandra Urie and Frank Herron

James and Vivian Zelter

$10,000 – $24,999

Less Arnold

Robert D. Arthur, II, Esq.

Christopher Maddox Bass

Victor and Lenore Behar

Kimberly Blackwell

Nasher by the Numbers:
July 1, 2019 –
June 30, 2020

VIRTUAL TOUR:
Ebony G. Patterson . . . while the dew is still on the roses . . .